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The Next Big Thing: Apple WWDC
It’s no surprise to see Apple race on, barely missing a beat since Steve’s passing – leading global innovation as it has this new millennium.
In just a few hours the next Apple WWDC (Apple WorldWide Developers Conference) will take place. A stage that has announced true global game changers, like the iPhone and the iPad.
In the end, right now it’s still about the App store. With 600,000 downloadable games, magazines and productivity tools, Apple is the application leader. But the others are not far behind. As quoted in Bloomberg earlier today, “The success of Apple’s App Store has helped create an economy for downloading mobile applications that will reach $58 billion in sales in 2014.”
Surely, Apple will continue App dominance – and its track record of suspense and big announcements at WWDC. Will we see the next iPhone? News on OSX Mountain Mountain Lion?A new social platform? The next “Big Thing” that none of us have even contemplated before? It’s hard not to wonder where Apple goes from here, without Steve Jobs at the helm… but we’ll find out in just a few short hours.
This is, in fact, a question I ask over and over in my upcoming eBook on Apple, “The Magic and Moxie of Apple – An Insider’s View.”
“… So where does Apple – a company that started out as two guys making and selling circuit boards out of their garage, which transformed into one of the biggest international technology companies in the world – go from here? Following the loss of Steve, that question seems challenging to answer. As we know all too well, Apple has seen itself rise and fall from grace before and reinvent itself more than once, and the company is counting on the fact that it’s cemented its place at the top so profoundly that nothing will stop it from continuing to grow. Continually releasing new products (and upgrading the old) may do this, but fundamentally, what direction does it take next? The iPhone, iPad, and iPod have already seen several generations of upgrades. What groundbreaking innovations will propel Apple in the same way that the iPod, iPhone, MacBook Air and iPad did? The answer to that question isn’t what new product will they come out with, but rather who will be dream it up without Steve? … ”
Like many of you, I’m eagerly awaiting iOS 6 and Mountain Lion – which brings some of the most popular features found on other Apple products to the MAC, such asGameCenter, notes, etc. A personal favorite is that Mountain Lion will send messages to anyone on an Apple product – so you’ll be able to begin a message on your MAC and pick it back up on your iPhone or iPad later on. We’ll see today what else Apple has in store for us – the world of believers, creators and brand advocates.
And although the race continues without Steve to lead the pack – only his company to carry on the dream – it will not be easy to watch WWDC without him taking the stage.
Kelli Richards, President and CEO
The All Access Group, LLC
PS: If you’d like to pre-order a copy of my book, “The Magic and Moxie of Apple – An Insider’s View,” please go to https://allaccessgroup.com/?p=2287.
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Digital at it’s Best: Live From Daryl’s House
Today’s world is fickle, and one of my favorite examples of success during this digital revolution and how digital is bringing new audiences to the best performers of our time is Live From Daryl’s House, started by Daryl Hall in late 2007. This is music discovery at its best, with Hall taking a simple idea and turning it into web gold. Hall recently said of the show, “I had this idea of playing with my friends and putting it up on the Internet.” What could be easier, right? Certainly the response has been huge.
In fact, the show has become almost iconic, with applause coming in from a long list of leading names in the industry, including Rolling Stone, SPIN, Daily Variety, CNN, BBC, Yahoo! Music and influential (and hyper-critical) blogger Bob Lefsetz. This is exactly what veteran artists need to be creating in order to reinvent in the digital age and gain new audiences (and influence) through vibrant collaborations with both established leaders in music and new performers.
Daryl Hall has had a rich and varied career, working with virtually all of the great musicians of modern popular music, as well as entering into new relationships with the best of the latest generation of artists. So far, episodes have featured superstars like Smokey Robinson, Rob Thomas (of Matchbox 20), Robby Krieger and Ray Manzarek (The Doors’), Train, Nick Lowe, K.T. Tunstall, Gym Class Heroes’ Travis McCoy, Fall Out Boy’s Patrick Stump, and soul legends The Blind Boys of Alabama – as well as with newcomers such as Nikki Jean, Grace Potter & the Nocturnals, Canadian techno-rockers Chromeo, Bay Area singer/songwriter Matt Nathanson, and highly touted tunesmith Diane Birch.
He’s also featured my own close personal friend, Todd Rundgren, several times, most recently at Rundgren’s home in Kauai, Hawaii, where they performed a rousing 7-song set, including an amazing cover of the Delfonics’ 1970 hit, “Didn’t I Blow Your Mind This Time.”
Daryl Hall and Todd Rundgren have known one another since their early days inPhiladelphia, and the gig in Hawaii included an old-fashioned traditional Luau Show, burying a pig in the dirt, serving up some poi, hula dancers and a special performance with local musicians of “Bang on the Drum.” Said Rundgren, “It’s always great when friends come all the way out here to visit, but it’s even better when they come to play.”
Hall’s latest collaboration has been with up-and-coming artist Allen Stone, a virtual look-alike for Daryl himself (in both image and musical philosophy). In fact, that collaboration went so well that Stone is now touring and working with Hall and Oates.
Hall has had an illustrious career, with six #1 singles with collaborator John Oates, including “Rich Girl” (also #1 R&B), “Kiss on My List,” “Private Eyes,” “I Can’t Go For That (No Can Do) (also #1 R&B), “Maneater” and “Out of Touch” from their six consecutive multi-platinum albums—’76’s Bigger Than Both of Us, ’80’sVoices, ’81’s Private Eyes, ‘82’s H2O, ‘83’s Rock N Soul, Part I and ‘84’s Big Bam Boom. The era would also produce an additional 5 Top 10 singles, “Sara Smile,” “One on One,” “You Make My Dreams,” “Say It Isn’t So” and “Method of Modern Love.”
Live from Daryl’s House is being shown weekly in over 80% of U.S. homes in the nation’s top 200 media markets, as well as all of the top 10, including New York, L.A., Chicago, Dallas and Houston. The show also recently won the 2010 WEBBY Award in the Variety Category.
Daryl’s longtime manager, Jonathan Wolfson, and I are working on getting Daryl on my popular weekly digital radio show, All Access Radio. I’ll keep everyone posted when we finally get a date set. You can sign up for his Newsletter at https://www.livefromdarylshouse.com/emupdates.html
Kelli Richards
President and CEO
The All Access Group, LLC
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Kelli Richards Interviews Evan Lowenstein, Founder of StageIt!
Join me for a great Q&A with Evan Lowenstein.
Click here to listen: Evan-Lowenstein-Interview
Recently named to Digital Media Wire’s list of 25 Execs to Watch in Digital Entertainment for 2011, Evan Lowenstein launched StageIt with the goal of creating a web-based platform that would empower artists to deliver and monetize interactive live experiences.
Most recently, Lowenstein founded and served as President of HookUp Feed, a premier social networking and mobile marketing company whose clients include The Coffee Bean & Tea Leaf, American Airlines, Domino’s Pizza and Cold Stone Creamery.
Previously, he hosted USA Network’s Character Road Trip, a weekly series providing viewers with a peek into the greatest “characters” the country has to offer. Lowenstein was also a recording and touring artist with pop/rock band Evan and Jaron who scored three Top 40 hits, including the Top 10 song Crazy For This Girl.
StageIt is a unique service, answering the pain artists face in a music industry that literally changes and redefines itself every single day. In only six months, StageIt has hosted amazing artists, such as Jerrod Neimann, Chris Young, Plain White T’s, Jaron and the Long Road to Love, Debbie Gibson and Korn.
Kelli Richards
President and CEO
The All Access Group, LLC
A Discussion with Jim Griffin and Bill Patry, the Father of Copyright at Google
Recently, at DMW‘s Digital Music East, industry leader Jim Griffin sat down with Bill Patry of Google and valiantly sought to stake out a solution to tangled web that is copyright. What we got, however, was a rich insight to what makes Bill Patry click and how he became known for his $1500 – 6,500 page treatise on copyright law. Known as the Father (or wicked stepfather) of Copyright, depending on where you fall on the issue, Bill Patry was surprisingly vulnerable and honest throughout the interview. He described himself as a “vegetarian, left-wing Jewish guy,” and one could almost think he was nothing but simple attorney, with a passionate love for music, who tripped and fell into a law degree.
Being first and foremost always a journalist, Jim Griffin came to this fireside chat with Patry with his foundation firmly in place, having interviewed many of Patry’s colleagues (and adversaries) over the years. Patry led off assuring Jim, and the crowd of industry heads who filled the auditorium, that he’s only one voice in a team at Google who are focused on the copyright dilemma.
The discussion started off with Patry sharing his start as a music major in college who went on to bring that love for music into his views as a young attorney entering the copyright arena. He added that his hope was, and is, always to protect the rights of all parties in music – from creation to production to distribution.
This love for music showed time and time again through the interview, as Patry highlighted snapshots of his life and career by quoting obscure songs (for instance, “Drop Kick Me Jesus,” which poetically showcased his time in Texas). As an aside, to evidence what an offbeat guy Patry is, he collects the mouthpieces of famous clarinet players.
He went on to discuss his base clarinet and his fierce loyalty to obscure base clarinetists, like Squonk. He spoke eloquently about the struggles of passionate, obscure musicians (like clarinetists) who will simply never be signed. He asked the crowd, rhetorically, “How do they make a living?”
Jim Griffin, who is arguably one of the most learned and nicest people in the entire industry, led the conversation back to Patry’s early days in law, asking how a music major ends up running copyright at one of the largest companies in the world. Patry shared that he won an ASCAP contest writing about copyright (partly because he was the only one in that particular category). His paper, “Copyright and Community Property,” won the contest, and the Journal of Copyright Society published it later that year. Thus began the long, winding road to Google.
At the end of the interview, Jim Griffin smiled and asked, “So then what was the linchpin that brought you to Google?” Patry laughed in response, shrugging, “I was in private practice and sucked at it.”
While I wish they had covered more of where copyright is headed over the next decade, entering what will no doubt be Web 4.0, 5.0, etc., this was a chance to see more of the person who intends to solve a copyright issue that as of now, pits publishers, creators and consumers against one another at every turn.
Final thought, Jim Griffin’s quote from Ben Sheffner (of the MPAA), often an opponent to Patry in the copyright debate, is worth noting: “About Bill Patry: People on my side on today’s copyright debates often see our opponents as head-in-the-cloud cyber Utopians… Unfortunately for us, we can’t dismiss Bill Patry, one of our worthiest opponents, that easily… While we in the entertainment industry often bristle at his conclusions, we frequently consult his masterful treatise… we respect him and are glad to have his voice in the debate.”
Kelli Richards
President and CEO
The All Access Group, LLC
Kelli Shares a Fireside Chat with Jim Griffin, Digital Music & Tech Visionary
Kelli is thrilled to interview Jim Griffin, entertainment tech visionary & one of the sharpest minds in digital music. You can hear the entire interview at Jim Griffin Interview with Kelli Richards.
Jim Griffin is the Managing Director of OneHouse, a company dedicated to the future of music & entertainment delivery.
Jim is focused on accelerating the pace of scholarly research thru collaborative tools and open access to knowledge. He started & runs Choruss LLC, incubated by Warner Music Group, and successfully led the team that built a new model for sound recordings: Sharing music with flat-fee access to unlimited downloads for students.
He also ran the tech dept at Geffen Records for 5 years (distributing the first full-length commercial song on-line, by Aerosmith). He is often a keynote speaker or moderator (Internet Summit, Giga Conference, Comdex, CES, Webnoize…) and lectures at business schools (Harvard, USC, UCLA, Berkeley). He also serves as an expert witness in digital entertainment.
This is a powerful Q&A and well worth the 30 minutes. Comments are definitely welcome!
Life and The Love We Make
Working at the crossroads of music and technology, and being a talent producer for a couple of decades now, I’ve had the opportunity to work with a long list of amazing artists. The most meaningful interactions are often the unscheduled, random conversations that just seem to happen randomly. Some of those occur behind-the-scenes at events like Pollstar, where I got to shoot the breeze with my childhood idol, Davy Jones – who spent that entire conversation asking about my work, my family and sharing his own human, fun-loving side. He was an amazing soul and is definitely missed by all of us, as colleagues, and by me, as a friend.
Sadly, Davey Jones wasn’t the only friend I lost recently. The amazing Ronnie Montrose also left us after a long struggle with prostrate cancer. Ronnie was the lead guitarist for the band Montrose, and worked with a long list of great artists, including the Neville Brothers, Sammy Hagar, Herbie Hancock, Van Morrison, The Beau Brummels, and the legendary Boz Scaggs, among others. Ronnie and I also met at the Pollstar Awards, where I booked him as a presenter. He was a great guy and we shared several powerful conversations about what he could do in the digital space and we left off looking forward to maybe working together. Ronnie’s warmth and sincerity are definitely missed, and remembered.
Moments of remembrance seem to be all around me lately. While I was in New Yorkfor Digital Music East a few weeks ago two colleagues and I visited the 9/11 Memorial – a tough morning for all of us. Afterward, we talked about the amazing love that followed that day, and I shared my experience with Paul McCartney at the Adopt-a-Minefield Concert (a cause supported mightily by the late Princess Diana).
I was privileged to share a personal moment with Sir Paul after he performed “God Only Knows” and “Let it Be” with Brian Wilson of the Beach Boys. Paul drove up himself in his black Mercedes before the event and we shared our experiences about many things, including his personal relationship with 9/11. I myself was headed to New York only a few days before 9/11, but cancelled the trip. Had I gone, I was scheduled to return on Flight 93 – the flight that crashed in a field in Pennsylvania. A million times I have considered this close call with awe and gratitude, to say the least. Paul shared his own amazing story with me. He was on his way to London to celebrate his daughter Stella’s 30th birthday that very morning and was literally taxiing on the tarmac at JFK when the first plane hit the North Tower of the World Trade Centre, and when all air traffic was grounded, McCartney’s plane was ordered back to the gate.
Basically trapped in NY, Paul decided over the next few days to create a benefit concert, and the “Concert for New York City” was born. It was graced with a long list of stellar musicians (all personal friends of McCartney), including Elton John, David Bowie, Pete Townshend, Eric Clapton and Mick Jagger, among others. (An amazing documentary by Albert Maysles called “The Love we Make” followed McCartney around New York those few weeks before the concert, which happened only five weeks after the attacks.) One of the most notable moments in the film shows Paul standing on the stage at Madison Square Garden in an FDNY T-shirt. When he sang Yesterday in front of hundreds of firefighters and police officers, most of whom had all lost friends and relatives, there wasn’t a dry eye in the house.
Some days, I know we’re all led to the tears when we lose someone we love or celebrate difficult anniversaries, but I think Paul McCartney was definitely right when he shared “I just thought we could help with the music.”
Kelli Richards
President and CEO
The All Access Group, LLC
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NIC ADLER, The Roxy Rebirth!
I’m very excited about my recent interview Nic Adler on All Access Radio! Nic is a band manager, promoter, and restauranteur who has been at the helm at the infamous Roxy Theater on the Sunset Strip in Hollywoodfor almost 15 years. He’s also become a leading name in social media, using Facebook and Twitter to revitalize not only The Roxy, but the entire Strip!
Nic is also the co-producer of the Sunset Strip Music Festival, which draws over 30,000 music fans to the city every August and celebrates the Strip’s legacy as it highlights some of music’s newest talent. Nic has definitely blazed his own trail as a social media innovator and entrepreneur. Through his leadership and expertise Nic managed to save the 37-year old Roxy from extinction by revitalizing it with a social media program that has catapulted him to the no. 1 music venue in the world on Facebook and Twitter. He altruistically extended his community-driven program to the neighboring businesses on the Sunset Strip and spearheaded the community collective known as The Social Strip. He’s been featured in the NY Times, NPR, LA Times and others for his social media insights and accomplishments. Nic and The Roxy have been the recipient of countless awards over the years including City Beacon Award for West Hollywood, AOL Best Venue in Los Angles, and VH-1 Rock Honors Website of the Year – and we’re happy to have had him as a guest on our show. You can hear the entire interview at https://bit.ly/Nic-Adler-THEROXY.
Sign up for my newsletter to get updates on all of my upcoming interviews.
Kelli Richards
CEO of The All Access Group
NEW DIGITAL ECONOMICS SILICON VALLEY – Executive Brainstorm & Innovation Forum
On March 27-28, 2012 at the Marriott Hotel, Union Square, San Francisco, the next installment of New Digital Economics – ‘New Business Models & Growth Opportunities in a Hyper-Connected World, is coming to Silicon Valley. The executive brainstorm uses STL Partners’ acclaimed interactive format, ‘Mindshare‘, and includes new research and case studies from today’s converging marketplaces within 4 co-located events: Digital Economy 2.0, Digital Commerce 2.0, Digital Entertainment 2.0 & Digital Things 2.0.The All Access Group has secured a 50% discount for our members. Simply enter code: VIP3273 on the online registration form or contact the event organiser: miriam.dennis@
stlpartners.com for details. Kelli Richards
President and CEO
The All Access Group, LLC**************************************
Press Release: Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club
Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club
Cupertino, CA Kelli Richards, a thought leader in digital music and entertainment, and one of only a few select members of The Futures Agency and Alan Weiss’ Master Mentor Program and Thought Leadership Summit, has been invited to be an esteemed guest and presenter at the Silicon Valley Capital Club.
Located in beautifulSan Jose,California, the Silicon Valley Capital Club is a private business, social and dining club that is truly without rival inSilicon Valley and the surrounding Bay Area. With its spectacular 360-degree views from the pinnacle of theKnightRidderBuilding in the heart of downtownSan Jose, the Silicon Valley Club offers the perfect ambience and well-equipped facilities for both business and social gather. The Women’s Luncheon Series at the Capital Club highlights women speakers from a variety of backgrounds and industries. It also provides the opportunity for top business leaders to build strong relationships and develop a network of connections.
Kelli Richards is a true trailblazer in the digital music, entertainment and technology worlds with more than twenty years of senior-level leadership experience. With a unique talent for connecting innovators in technology with creative leaders in entertainment, Richards is a highly sought-after consultant, mentor, speaker, producer, coach and author, As the CEO of The All Access Group, Richards and her team facilitate powerful strategic business opportunities in digital distribution between technology companies, established artists and celebrities, film studios, record labels, and consumer brand companies to foster new revenue streams and deliver compelling consumer experiences.
Prior to founding The All Access Group, Kelli served in senior roles at Fortune 100 entertainment and technology companies, including Apple Inc., where she launched Apple’s earliest focus on music and drove all music initiatives during her 10 years with the market leader. She also served in senior-level leadership capacities at EMI Music as an A&R exec, and at Silicon Graphics (SGI) where she helped launch Silicon Studio, the company’s entertainment division. She developed PatroNet, the first Internet-based artist subscription service with rocker partner Todd Rundgren in the mid-90s – and helped to launch the entire digital music revolution.
A frequent speaker and panel moderator at digital music and entertainment industry conferences globally, Kelli has also been an acclaimed talent producer of a wide range of award shows, epic concerts, and celebrity fundraiser events for over 25 years. She co-produced a celebrity fundraiser event to support the UN’s “Adopt-A-Minefield” initiative featuring Paul McCartney, Brian Wilson, Stephen Stills and hosted by Jay Leno. Additionally, she was a 20-year talent producer behind the BAMMIES, and remains a long-time talent executive and co-producer of the annual Pollstar Concert Industry Awards.
Kelli Richards has co-authored two books, including the critically acclaimed “The Art of Digital Music: 56 Artists, Visionaries & Insiders Reveal Their Creative Secrets.” Her newest eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry,” reached #1 on Amazon in several categories. A true renaissance woman, Kelli is also a Certified Integrative Life Coach trained under best-selling authors and coaches Debbie Ford and Alan Cohen. She lives inCupertino,CA in the heart of theSilicon Valley.
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Kelli Richards, CEO
www.AllAccessgroup.com
Email: Kelli@AllAccessGroup.com
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Q&A with Hank Barry, Co-Chair of Sidley Austin
I welcomed Hank Barry, co-chair of Sidley’s Emerging Companies and Venture Capital practice, on my Blog Talk Radio show last Monday. I met Hank during his tenure years as the CEO at Napster.
During our interview Hank shared his experience with Napster as a “good one.” He said,
“I wouldn’t change a moment of it.” Hank explained to me that because of some internal issues at Napster, his partners asked him to be the CEO for, “quote, three or four weeks,” but he ended up staying in that position for almost two years. We talked about his complex career with Napster, learning about policy making, negotiating with record companies, and interactions with some of the major artists.
We then shifted into a conversation about Hanks career with Sidley, a worldwide law firm. Hank said, “The fundamental mission of the firm is to provide the highest quality of professional legal services, simple as that.” We discussed his work with pro bono cases and human rights cases including the launch of the first global pro bono initiatives called the Africa and Asia Agricultural Enterprise program, which entails reaching out to developing countries and helping people who have agricultural goods get those products to market and get a fair return on their investment.
When asked what his next project or collaboration might be Hank said, “Well I’m just trying to be a good partner to Sidley Austin. I mean that’s my main goal in life right now, just to be a good partner and grow this office.”
To hear the full interview visit my BTR with Hank Barry
There, you can find new interviews with some of the top innovators of our time.
My BlogTalkRadio episodes are regularly scheduled live, every Monday at 8:00 pm EST.
Until next time,
Kelli Richards, CEO of All Access Group
Hank Barry
The Scoop on Zach Zalon, Former President of Virgin Digital
I recently talked with Zach Zalon, the co-founder of Wilshire Axon and former President of Virgin Digital, the digital platform for Virgin’s Entertainment Group. We discussed his inspiration for launching Virgin Digital and the philosophies that have structure his career.
Zalon attributed most of his career to the fundamental philosophy that was created when he worked as manager at the Troubador club, a live music nightclub. He spoke of the clubs ability to showcase up-and-coming artists that didn’t have a big following by bookending a major label act with these new artists. “Our philosophy was to democratize, in some respects, access to fans by using the bigger bands that were going to draw all those people to our club as the gateway to that bands fan base.” The philosophy that was created from this was the underlying desire to support independent artists that didn’t have the proper following or support.
He took that philosophy with him when he left the Troubador. At that time, the Internet was in its early states, and Zalon teamed up with his connections in the music world to use the Internet as another vehicle for expanding an artist’s access to new audiences, which inspired him to branch out and create his own consulting firm, The Factory Network.
Transitioning into his career with Virgin, Zalon explains that Virgin had been a client of The Factory Network (TFN), and they had worked with the company to do a variety of things. TFN wrote a business plan for what they thought would be a fairly innovative service called Radio Free Virgin, a global, online radio service that connected very deeply with the mega stores around the world to drive a fairly significant audience. When Richard Branson funded it, Zalon and his team decided to close down TFN and take on the project for Virgin full time.
After many years with Virgin, Zalon and his team spun out of the company and created two separate companies, Wilshire Axon and Hello Music. Zalon and his team used the blueprinting methods they had created during their time at Virgin and established a digital product design firm. Hello Music started from the teams desire to help artists. The idea behind it is to pre-negotiate opportunities that, up until now, only major acts have gotten access to and providing that access to artists anywhere in America in a standardized experience.
When asked what he most wanted to be remembered for Zalon said that he didn’t feel like he had been around long enough for a legacy, but rather explained that the three things he and his team were focused on were helping large companies create amazing digital experiences for their customers, helping independent artists get support, and an overarching focus on the city of Los Angles.
To hear the full interview visit my BRT Interview With Zack Zalon.
There, you can find new interviews with some of the top innovators of our time.
My BlogTalkRadio episodes are regularly scheduled live every Monday at 8:00 pm EST.
Until next time,
Kelli Richards, CEO of All Access Group
Alex Bogusky
Social TV & Second Screen: How Television Captivates Fans Using Social Media
Are you guilty of calling up Carson Daly in the early 2000’s and requesting a song on MTV’s show, Total Request Live? MTV is just one early example of viewers interacting with television. American Idol has also been notorious for enabling fans call in or text to vote for their favorite contestant for nearly a decade, but with the growing popularity of social media, we’re seeing an expansion of audience participation and networks are taking it a step further.
Not only are people requesting music and voting for their favorite talent, –online and through smartphones –but now audiences can interact directly with the stars and other fans, participate in contests and polls, and discuss show predictions, all while watching the show using their smartphones and tablets. This is called Social TV or Second Screen.
Social television is almost essential nowadays. Fans expect to be able to tweet and post along with their favorite characters. Showtime, the Oprah Winfrey Network (OWN), and the teen network ABC Family are just three of the networks that do this flawlessly.
So what are these networks doing right?
Showtime has been known for producing quality content for years, but the network has since stepped it up with the introduction of the Showtime Sync App for iPad. The app encourages viewers to follow along with the app while watching their favorite shows like Dexter, Homeland, and Shameless. As long as the audio is enabled on your device, the app syncs with your television, and allows users to take polls, make predictions, and get exclusive content specific to the episode playing. Users can even test their knowledge of their favorite shows and characters by answering trivia questions.
Incorporating an insiders view through the use of blogging is one of the ways Oprah’s Lifeclass has captured the attention thousands of people. The show airs on the Oprah Winfrey Network and showcases Oprah’s life lessons and advice. Oprah elicited popular bloggers and gave them behind-the-scenes access to the show, so they could share their experiences with the world. Oprah also effectively uses Skype, a video communication system, to directly incorporate viewers into the television program. Viewers can call in and ask questions, discuss their fears, or share success stories.
The family channel, ABC Family flawlessly uses twitter to interact with fans (250,000+). Actors from the popular shows such as Pretty Little Liars and The Lying Game live tweet every episode that airs. Hashtags are even displayed (strategically, I might add) throughout the episode during suspenseful or unexpected moments in the plot, so that fans can take to twitter with their reactions. Viewers have direct access to their favorite characters/actors and are encouraged to ask questions, make predictions, and participate in contests –and are rewarded with real responses. The network has often used twitter as their primary platform to give fans updates about new characters, plot twists, and new television programs.
The driving forces behind social TV and second screen are companies like yap.TV, Get Glue, intoNow, Zeebox, and Blip.TV. The common theme among them surrounds the platforms they offer –apps allowing you to connect to online communities while watching your favorite shows. Let’s take a look at a few of the best.
Yap.TV is an online TV guide with Facebook and Twitter integration and provides content feeds and group chat capabilities. IntoNow uses your television’s audio to recognize which show and episode you are watching and delivers preprogrammed content, similar to the Showtime Sync App. Blip.TV has taken a different approach from the others and showcases content from up-and-coming and well-know producers. The content is anything from reviews to updates to predictions, etc in the form of videos. The platform also has popular social media integration.
These networks have certainly gained a loyal following and continue to stretch the boundaries of social media. Meanwhile the tech companies behind second screen continue to evolve, adding new capabilities & ways to engage over time. Fans are developing an even deeper relationship with the celebrities and characters they love. In what ways do you use social media to interact with your favorite television programs? What does this mean for the future of social TV? What will viewers expect next?
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Julian Lennon and the White Feather Foundation
In the video below, I talk briefly about my relationship with Julian Lennon and his charity, the White Feather Foundation, who celebrated its huge gala late last week. To Support the White Feather Foundation, please visit: https://WhiteFeatherFoundation.com
Until next time,
Kelli Richards, CEO of All Access Group
Stop Wishing Your Life Away- THRIVE
Fearless people not only live amazing lives and achieve great heights — fearless people take on projects from which the rest of us would run. Thrive! Stop Wishing Your Life Away…
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Are You Ready to THRIVE?
Do you ever feel like your life is passing you by? Like there are things you’ve wanted to do and make happen, but you just haven’t gotten around to doing them? Do you feel like you’ve been distracted or lived a life of excuses or have felt pressure to keep up with the Joneses, but the harder you try, the more it slips away? It’s time to get real and get empowered. It’s time to THRIVE.
Join me, Kelli Richards, on Friday, June 28, 2013 and learn how to stop wishing your life away.
Date: Friday, June 28, 2013
Time: 9am – 4pm
Location: Silicon Valley Capital Club, San Jose CA
Based on “Million Dollar Consultant” Alan Weiss’s recent book by the same name, this experience will forever change the way you look at the world and empower you to feel and act as the master of your own fate.
Under Alan’s direction, Kelli has condensed and solidified 25 years of working with industry leaders and celebrities to share a very powerful set of skills that will rouse you to set your own course without fear, baggage, intimidation, or guilt.
Thrive! will help you create consistent high points of self-worth (mastery) through the intelligent acquisition and application of skills.
In this powerful one-day workshop you will:
- Evaluate what’s working and not working in your life; ID areas for transformation
- Develop techniques to create reasonable “stretch” goals for growth
- Articulate what legitimate achievements look like for you
- Master use of your time, including overcoming distractions
- Jettison the energy suckers and bad influences
- Mastery of your own life; no longer base your self-worth on outside judgments
- Get real about things you’ve said you really wanted to do/have in life but never get around to
- Kill cows (throw baggage off the train—no cows will be harmed!)
- Act like a success to live like a success
- Avoid victim and poverty mentalities; be accountable for actions & adopt an abundance mindset
- Deal with difficult people (including yourself)
- Recognize and exploit your own greatest assets
- Get comfortable with who you are & drive your life autonomously vs. keeping up with the Joneses
- Embrace self-mastery and self-direction
- Voluntarily discuss obstacles and learn to overcome them
- Create a six point, personal plan to ensure that you Thrive!
Investment in your future: $799 registration fee ($599 if you register before May 15).
In addition, you’ll receive a copy of Alan’s book “Thrive: Stop Wishing Your Life Away” on which this workshop is based; lunch is also included. Register early as space is limited & we expect it to sell out.
Tech Advances for a New Century – Fingerprints as Credit Cards
Imagine going to your local Starbucks and instead of having to rummage through your wallet in the morning, simply pressing your finger to a scanner and walking out. Headache averted. Want to know more? Read on for a 4-minute history and update on Scanning for Payment.
For years various companies have developed innovative, “easy” payment options for purchases at locations ranging from retail stores, to restaurants, to public transportation systems, to small-personal merchants. Businesses life Flock Tag, Square, and others, all feature an accessible, simple ability to allow the fast swipe of a card for payment or – bringing access to individuals and businesses who never accepted credit cards for payment before this due to the clunky technology and equipment. Now it’s as easy as a 1” “square” and an app on your SmartPhone. Yes, commerce has definitely come to the masses.
Square sends its user a card reader which plugs into the head phone dock on smart phones, allowing for users, usually small business owners, the ability to charge sales to cards. Square offers two payment options, either a rate fee per transaction or a flat $275 monthly charge.
Breeze Cards are re-loadable magnetized cards used in the Rail system in Atlanta, Georgia. The cards differ from Subway passes in cities like New York, in that they are reusable; by simply swiping your Breeze card at a kiosk you are able to add rides to the card, which is then swiped upon entering and leaving the “Marta”- subway. This is a huge win for green ecology, all but eliminating the waste of use and use-up passes for other systems, like New York.
The Flock Tag is a step further in this brave new world. It is a “customer loyalty program,” originated in Ann Arbor, Michigan, which aims to replace all promotion cards at local stores that keep count of purchases – basically it works like this: Buy 10 smoothies and get your 11th free. To make it even easier, it combines all stores into one loyalty card. The card is simply swiped after you pay and works with its corresponding phone application to track purchases and promotions. What do ALL of these various cards have in common? They all represent new “revolutionary” forms of payment, and promotion, aimed at simplifying the payment process for consumers worldwide.
While all these cards are revolutionary in their own rights, engineering students at The School of Mines and Technology in Rapid City, a small university in South Dakota, may be in the process of outdoing them all with their implementation of fingerprint scanners as payment.
And while there are privacy issues with this sort of technology, what could be more convenient than paying for your purchases by swiping your finger?
To good to be true? It keeps getting better. If this type of finger payment elicits memories from movies in which someone steals your finger, and you can’t cancel a finger like you can a credit card, the engineers in Rapid City are implementing a live hemoglobin check in the scanner, so only “live” fingers can be used as payment. Gross, maybe? Effective and thought provoking? You bet.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
Twitter Music
As all of us know, there are countless online music apps and platforms circulating the web, from Spotify, to Pandora, to Soundcloud, to Last.fm – all offering “unique” variations on the music listening experience. Let’s have a quick overview and then I’ll make a few valuable points.
- Spotify works with Facebook to allow friends to share music in real time, as they listen.
- Pandora lets users pick a genre, or artist, or song and create a playlist accordingly.
- Soundcloud targets the artists themselves, allowing recording and sharing, which in turn, appeals to listeners looking for the next great musician or fans seeking sneak peeks of new songs.
- Last.fm basically provides an encyclopedia-like amount of information about artists with biographies to similar musicians and popular tracks.
So it comes as no surprise, and it was only a matter of time before Twitter released its own online music player, cleverly named, “Twitter #Music.”
So what does #Music have to offer, and is it even worth using when compared to all the other listener options?
Lets check out the app.
Twitter organizes its music selection into four categories: Popular, which they describe as “new music trending on Twitter;” Emerging, “hidden talent found in the Tweets;” Suggested, “artists you might like;” and #NowPlaying, “tweeted by people you follow.”
The Popular music section is basically Twitter’s version of the iTunes top 100, or the Billboard top 100, except it illustrates the top 40 songs played on Twitter. Is less actually more? The ‘Emerging’ category promises to expose new, up and coming, talented musical groups –probably Indie-Rock bands; ‘Suggested’ is exactly what it sounds like –Twitter analyzes your tweets and follows and provides you with music accordingly (not bad for music discovery purposes); and ‘#Nowplaying’ is pretty self-explanatory.
While the idea of Twitter joining the music sharing industry is a pretty obvious decision, and the categories they break the music down into seems legitimate, and are integrated into Twitter pretty logically, it still is difficult to imagine #music making any real impact in the music sharing space, despite its already massive audience. The sad news is that Twitter has failed to offer any “new” advantages to using its application.
Popular music can be found anywhere. There are far more credible sources for “emerging” talent on sites like Pitchfork.com, or even through Spotify – and “Suggested” tracks has already been mastered by Pandora. However, possibly the biggest flaw in #music is the fact that I could really care less about what people I’m following are listening to. Facebook and Spotify work so well together because they only share information among friends, or at least acquaintances. Twitter is different in that it is a totally different type of social networking. Yes I follow my friends, but I also follow people for news, for sports analysis, for tech advances, or because they may just tweet hilarious, absurd and interesting thoughts.
But that does not mean that I am interested in what Anderson Cooper, Snookie, LeBron James, or what @crapmydadsays is listening to? Not really.
Until next time,
Kelli Richards, CEO of The All Access Group, LLC
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Thomas Reemer
Chairman of 88TC88.com Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-interviews-thomas-reemer-ceo-of-88tc88com
Ty Roberts
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Matt Ramey
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Peter Rafelson
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Jeff Price
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Jon Potter
Founder of ADA, Apps Developer Alliance and Founder Fan Freedom Project Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-and-jon-potter-entrepreneurial-attorney
David Pakman
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David Pack
Musician, Songwriter and Lead Singer for Ambrosia Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-interviews-david-pack
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CEO, Rocker, and Revolutionary Listen to the entire podcast here: https://www.youtube.com/watch?v=FVPCz4RC0D4
Ian Miller
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Brian McGarvey
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Terry McBride
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Founder of StageIt.com Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-interviews-evan-lowenstein-founder-of-stageit
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Producer & Founder of Jammit.com Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-qa-w-producer-jammit-ceo-scott-humphrey
Jim Griffin
Digital Music & Tech Visionary Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-interviews-jim-griffin
Hollywood Producer, Gary Goldstein
Mentor, Author, Speaker, and Innovator Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-qa-with-hollywood-producer-gary-goldstein
Libby Gill
Branding Expert and CEO Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-qa-with-bestselling-author-libby-gill
Libby Gill
Branding Expert and CEO Listen to the entire podcast here: https://allaccessradio.libsyn.com/qa-with-kelli-richards-libby-gill-branding-expert
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Of Band Promote Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-interviews-mike-galaxy-of-band-promote
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Publisher at Morgan James Publishing Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-qa-w-rick-frishman-publisher-morgan-james
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Michael Fishman
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Brian Felsen
CEO of BookBaby and CDBaby
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Dave Cool
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Freddy Clarke
Renowned Flamenco Guitarist & Singer with Wobbly World Listen to the entire podcast here: https://allaccessradio.libsyn.com/kelli-richards-qa-with-freddy-clarke
Craig Chaquico
Lead Guitarist & Songwriter for Jefferson Starship Listen to the entire podcast here: https://allaccessradio.libsyn.com/2012/05
Irene Cara
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Ziad Abdelnour, International Dealmaker and Author
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Nick Adler
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HITLAB – Reinventing Music Discovery and Distribution, One Artist at a Time?
What’s new in the world of Music and Technology? The world-renowned multi-platinum artist Akon and a key Canadian Internet Company have joined to create something new and very interesting: HITLAB.com. Hitlab is a new media company focused on reinventing the way music is discovered, produced, marketed and distributed.
Happy Holidays from Kelli
With so many wonderful things coming to fruition in the coming year, and so many beautiful friendships and great business alliances and success stories in 2012, I just wanted to stop and take a moment to say how much my friends and colleagues mean to me.
Something Special About Apple and iOS
The special needs community is rarely the target demographic for the tech industry. Many of the wonderful new gizmos and gadgets that come out simply aren’t designed for them. There are an increasing number of companies that are developing products and technology to make computers and mobile devices more accessible for the special needs community, however – and one of those companies happens to be Apple, Inc. Apple’s VoiceOver technology was introduced with OSX 10.5 – better known as “Tiger.” It’s an accessibility feature that allows blind or visually impaired users to interact with a computer through sound. A user can use the trackpad or keyboard to scroll through the applications on the docked menu at the bottom of the screen. It can literally read the user any text that’s displayed on the screen and allows users to edit text where applicable. VoiceOver is also available on iOS devices such as the iPad. Visually impaired users have been incredibly receptive and appreciative of this, especially considering the fact that it’s a feature many other tablets and readers lack. As more and more publishing companies, universities, and corporations look to switch to readers and tablets in the future, accessibility features for the visually impaired certainly help Apple market its products as the superior choice amongst the competition. Another feature that benefits the members of the special needs community is a new feature in iOS 6 called Guided Access. Guided Access allows parents and educators to “lock” onto an app so that children can’t accidentally exit out of it by pressing the home button. While this may seem like a very basic feature, it’s incredibly useful for children with Autism or learning disabilities who may become distracted or lose focus on tasks. There are a number of educational apps available in the App Store but it’s often hard for learning disabled students to stay focused on them long enough to actually benefit. With Guided Access, the task of keeping a child focused has gotten a little easier for teachers and parents. While full accessibility is an on-going battle as technology continues to evolve, Apple is certainly taking steps in the right direction. Many other companies in Silicon Valley are taking their lead and continuing to improve accessibility features for different technologies and we hope to see this trend continue. My own time at Apple saw many of these technologies discussed and drawn out on desks and white boards under the tireless leadership and direction of my colleague Dr. Alan Brightman, who was Director of Apple’s WW Disability Solutions for 12 years; and is now a VP at Yahoo focusing on Global Accessibilty. To see these things come to life and create impact all around the world is simply astounding (then and now). Kelli Richards, CEO of the All Access Group, LLC
The Cupertino Connection: iTunes 11 and iCloud
iTunes may be one of the best products that Apple ever developed, or at the very least, one of the smartest. Just a few weeks ago Apple released iTunes 11 with a myriad of visual and technical changes and improvements. iTunes will turn 12 years old in January, and in those years Apple has found a way to streamline, connect, condense, and centralize a user’s content and multimedia experience. With that in mind, I think it’s worth looking at a few of the existing features, the new ones in iTunes 11, and the future ones planned for next year to see just how they’ll continue to do that. First let’s look at how Apple already connects users and their content across multiple devices. One of the earliest features that did this was the “Library Sharing” feature that enables users to share their library across 5 devices connected to the same network using the same Apple ID. This was great because a user could have a whole collection on their desktop computer and access that same collection on their laptop. With this feature, users can also share content with other people on their WiFi network. A similar feature that’s been out for a few years is AirPlay. AirPlay allows users to stream media from one device across multiple devices on their WiFi network. For example, a user can start listening to an album or playlist in one room and stream it to their home stereo in their living room. Users can even adjust which devices are playing at what time and the volume of those individual devices. Apple TV even lets users stream a movie from their computer on their Apple TV. Of course, all of these devices are controllable with an iPhone, iPod, or iPad. Finally, with iTunes 11 and the updated iTunes store, all of a user’s downloads are automatically synced to the iCloud and accessible by any other iCloud capable device. This means a song downloaded in the iTunes store on your computer will be available on your iPod or iPhone. A similar service, iTunes Match, was released last year and allows users to pay an annual fee to have any of their music in their library uploaded to the iCloud, whether it was purchased or available in the iTunes store or not. These services could prove to be interesting competitors for Spotify, Rhapsody, Amazon, and other streaming/cloud based music delivery services. Lastly, Apple recently announced that it will launch its own streaming radio service to compete with Pandora in the first few months of 2013. Like the aforementioned services, it will be available across iPhones, iPods, iPads, Macs, and PC’s as part of iTunes. With all of these developments that have made Apple products so seamlessly integrated into a person’s life, it seems Tim Cook is moving forward to fulfill Steve Jobs’ goal of having an Apple device in every home. Cloud storage and online streaming is all the rage right now, and Apple’s solutions could prove to be big problems for its competitors. With so many solutions to a user’s content needs, why would they bother going elsewhere? Kelli Richards CEO of The All Access Group
Beamz Interactive – Play Music with Ease and Add A Visual Element
Are you one of those people who think they can’t play music or will never learn to play an instrument? I have heard people say things like “I’m too old now” or “I’m just not musically gifted.” Thanks to the great products from Beamz Interactive, you’ll never be able to use those excuses again. Beamz has created a great new interactive music system that uses lasers to enable users to create music. And I cannot think of a better stocking stuffer for anyone in your life.
Please click through and comment on my recent article on Fast Company
Hi everyone, I am thrilled to share that last week my article, “How Apple’s Culture Seeped Into Silicon Valley’s DNA,” was featured in Fast Company. I would be grateful if you would click through and comment on Fast Company’s site and join the discussion there.
Cyber Monday – Digging for Digital Dollars
The holiday season is upon us now that Thanksgiving has come and gone. If you’ve just surfaced from the post-Thanksgiving turkey overdose then you’ve already missed Black Friday, which is probably for the better. However, many e-commerce sites are extending Cyber Monday deals through the entire week. This blog isn’t going to tell you where to find the best deals or give you any general tips, but rather it will highlight the importance of Cyber Monday to the tech industry and its influence throughout the globe. The term “Cyber Monday,” was first coined in 2005 by Shop.com as a parallel to Black Friday. Scott Silverman of Shop.com created the concept based on research that the Monday following Thanksgiving was the biggest online retail day of the year, presumably for anyone who missed out on Black Friday deals. In its first year, Cyber Monday generated over $600 million dollars in sales from U.S consumers. It has since grown to double that and is now “celebrated” in countries across the globe such as the U.K, Portugal, Germany, New Zealand, and Australia. One of the reasons Cyber Monday has grown so steadily over the years is because the rapid advancements in tech. In 2005, few people were browsing Amazon.com on their cell phones, now however, more than 12% of Cyber Monday purchases are made from a mobile device. Similarly, the rate at which technology is released has sped up in every direction, meaning more cool new gadgets for people to buy. As online sales soar with Cyber Monday, some brick-and-mortar locations and small businesses have complained that the deals online are taking money away from local economies. The sad (and great) news is that really, as technology and e-commerce rapidly evolve, everyone along the retail trail will have to find a way to keep up. So happy hunting! There are so many cool new products on the market – from the iPad Mini to the Kindle Fire to all the great new laptops that have come out. Hopefully you won’t go overboard and max out all your cards, though I know it can be tempting! Kelli Richards CEO of the All Access Group.
A Message of Thanks and Giving
Greetings everyone, With Thanksgiving almost here, I’d like to take the opportunity to wish everyone a safe and happy holiday, abundant with loved ones. One of the many things I’m grateful for is your definitely your friendship this past year. 2012 has been amazing and successful for me, and that definitely doesn’t happen in a vacuum. I continue to work on new and exciting things to foster that same success and abundance in your own companies and projects. I am launching a new coaching program to help companies and brands adopt best practices and implement them into their goals and initiatives. If you’ve read my latest book, “The Magic and Moxie of Apple: An Insider’s View” then you’ll be familiar with some of these best practices (but not all of them). If you have struggled to hit your goals, successfully launch your projects, or create the relationships you need to truly move forward, this is the program for you. A new, updated edition of my bestselling book “Taking the Crowd to the Cloud,” comes out on 12/12/12. This eBook will feature new chapters on Pinterest, the new Myspace, and on funding sources for musicians (and any of us with a great project that the “crowd” could get behind. In addition to the new chapters, I will be updating all of the book’s topics to account for updates and renovations on the various social networks, such as promoted posts on Facebook – and the ability to share video on Linkedin. While this book does cover some very advanced capabilities, I always endeavor to approach each space with a beginners eye, for those of us who need that point of view as well. Best wishes, Kelli Richards CEO of the All Access Group.
Crowd Funding for Musicians
One of the things that I do when I work with clients is help them find new revenue streams and funding sources. They’re two of the most important aspects when it comes to business growth and development. It’s not any different for musicians. If you want to take music from a hobby to a full-time job, you’re going to need funding to survive and support your music. One of the great ways to do this is through online crowd funding platforms. Crowd funding is essentially like having a fundraiser but it can be utilized to raise money for new companies and projects. There are literally dozens of companies out there, each with their own pro’s and con’s, that help raise money through crowd funding. Some of the bigger ones are: IndieGoGo, Kickstarter, and RocketHub. There are even crowd funding companies that focus exclusively on music such as ArtistShare, Sellaband, and PledgeMusic. One of the best and earliest examples of crowd funding is the rock band Marillion, who raised $60,000 for a U.S tour in 1997 and has since used it to fund the recording and marketing of 3 albums. The over-arching premise is simple: fans donate what they can with different levels of donations that get different gifts. For example, a $10 donation will get a free copy of the CD they’re funding, a $25 donation gets a CD and a shirt, and a $50 dollar donation gets a CD, shirt, and personally autographed poster. Don’t sell yourself short, even in today’s economy people are willing to shell out the few extra bucks to help local music and get something cool in return. Who knows, those signed posters could be worth big money some day because they helped fund the album that made you famous! Crowd funding is so much more than a simple fundraiser, it’s a really fantastic way to engage your fans. Many platforms allow, or even require, artists to post updates, pictures, videos, etc as a way of maintaining momentum during their campaign. Will crowd funding replace traditional funding sources and revenue streams? Probably not; but they are a great way to get those precious few extra dollars that you need to record, produce, distribute, tour, film, etc. With crowd funding, you no longer need a major label budget to put out a great record. Simply ask your fans for help and everyone wins. Kelli Richards, CEO of the All Access Group, LLC
New York, We’ve Got Your Back
Let me preface this piece by saying my thoughts and prayers go out to the millions of people in the northeast who have been affected by Hurricane Sandy over the last week. I hope that everyone can quickly and easily recover from this tragic event. The human spirit is, as always, amazing. We’ve seen many events that showcase the spirit of brotherhood – and even heroism – through the media. Thousands of miles away on the West coast, the updates pouring in from social media were a vital lifeline of information for many friends and relatives for those affected. Two of my own team members are in New York, and I was grateful that even without electricity and internet, they both updated their Facebook and Twitter accounts to say they were okay.
The New Myspace: All or Nothing
Ah Myspace, the website that brought social networking and social media into the homes of the masses. Once the king of the internet, valued at $12 billion and becoming the most visited website in the world, it has since been dethroned and fallen from grace. Or has it? It was recently purchased by Specific Media and Justin Timberlake in June 2011 for $35 million with hopes of breathing new life into the company. But will they be able to reclaim the throne in a much more crowded kingdom? The answer to that remains to be scene but based on the preview it looks like something worth getting excited about. The obvious issue is that there are already enough, if not too many, social networks for the average user. Between Facebook, Twitter, Tumblr, Instagram, Youtube, Google+ and the many others, the internet has become inundated with social media. Billed as a way to connect artists and fans, the MySpace team at Specific media has taken a smart approach by letting users integrate their Facebook and Twitter accounts rather than having to create a new one. With celebrities and artists already connecting with fans via Twitter, Facebook, and Instagram perhaps integration and consolidating is something we need more of. Seamless integration and creative design are two big things the new Myspace has going for it. Based on the preview video posted by Justin Timberlake, the website does look gorgeous and functional; 2 issues which plagued it in the past. Perhaps the biggest thing it has going for it is the music feature, which is something it actually always did exceptionally well. Once a great way for big names and local bands alike to post songs, event info, pictures, etc, it will now let users create and share playlists, listen to whole albums, discover new music based on recommendations, and more. A cool feature for the artists is an analytics page which provides demographic breakdowns of their audiences by age, gender, region, etc. Myspace currently boasts one of the largest music catalogues on the internet, albeit from mostly unknown artists, at 42 million songs. If they can get some big artists and labels on board or even integrate with other services like Spotify, Pandora, Rdio, or Rhapsody then it could very well come back to life. There’s still a lot that is up in the air for the new Myspace but if it can find a way to get over the hump, play nicely with the other social networks, and deliver great content then I think it will be a success. If it can’t create a pleasant, clutter-free, and unique experience for the user then it may be time to just let it die out. Kelli Richards, President and CEO The All Access Group, LLC
A Lennon Legacy
I’d like to think that we all have heroes, that everyone out there, no matter how successful they are, takes the time to have someone to look up to and admire. John Lennon was always that hero to me. He lived by his own rules and made a mark that only grows stronger over time. A few years ago, I was lucky enough to meet his oldest son, Julian, and to share a deeply moving conversation about his dad and the work that he did – and to discuss the work that Julian has created through his charity, The White Feather Foundation. The White Feather Foundation was started over 20 years ago and embraces environmental and humanitarian issues in conjunction with partners from all around the world, raising funds for a more sustainable, better world for every living being. White Feather has done everything from supporting artists to marching to end bullying to building an orphanage in Sri Lanka. One project at a time, Julian’s Foundation builds better lives and stronger communities. In 2008, he was honored by the Better World Environmental Award by Prince Albert of Monaco. It’s not easy for artists today – the entire industry has changed and then changed gain. While being fathered by a giant among men, Julian has never been one to stand on the shoulders of his dad, John. He has carved his own careers as both a musician and a photographer. He has brilliantly built the one thing ALL of us should define and design every day – an inspiring legacy that changes and betters the world of others. Julian’s latest album, Everything Changes, will be released worldwide early 2013. In the meantime, we will all wait impatiently, and hopefully support his great work with White Feather. To send a donation, go to https://WhiteFeatherFoundation.com
Politics 2.0: The 2012 US Presidential Election
Very rarely, if ever, do I talk about politics. It’s one of those taboo topics of conversation that’s best left unmentioned for the sake of your sanity and relationships. The internet however seems to disagree. Now more than ever, politics is being discussed very openly; whether it’s on Facebook, Twitter, LinkedIn, YouTube, blogs, podcasts, etc. So why the shift? Where did it come from? What does it mean? Who’s driving it? These questions deserve a bit more investigation, so let’s take a quick look. Technology has always been used to shape and advance movements of political, cultural, and social change. From Johannes Gutenberg’s printing press of the 1400’s to the #Kony2012 campaign earlier this year, people have used technology to communicate and spread ideas in an effort to shape their culture and society. While Gutenberg’s printing press is undoubtedly more revolutionary than Twitter, both have the same end goal: to communicate and share ideas. Similarly, the advent of television played a huge role in modern U.S politics on September 26, 1960, when the Kennedy – Nixon presidential debate became the first presidential debate to be televised. Many people have said that Kennedy won the election based on that debate alone, being noticeably more calm, charming, and charismatic than Nixon. In today’s culture, the media landscape has already begun to shift. No longer are people tuning into the nightly news or watching the debates on television. Rather, they check the news on their smart phone or watch the debate streaming live on their tablets on the go – untethered. So while technology and the media have adapted to these changes, how has politics? And why is it important? For starters, the internet is here to stay. No longer are computers and the internet just for younger generations and tech geeks. 85% of adults in the United States use the internet, that’s 297.5 million people of legal voting age. According to SocialBaker.com, there are 167,913,500 U.S Facebook users or 54.12% of our total population. As you can see, that’s a huge chunk of people that are communicating their thoughts and ideas with one another. Similarly, that’s a huge chunk of people that can be reached by your ideas. If you were a politician, think about how powerful it would be to reach 54% of your target population. Imagine if you could even reach half of that, how those people could influence an election. The purpose of this blog isn’t to say whether or not using social media to promote a political campaign is worthwhile or not, I think that has already been decided. Instead, I’d like to get you to think about how social media influences politics in the U.S today.
A Tribute to John and Steve
In my newest book, The Magic and Moxie of Apple: An Insider’s View, I compared Steve Jobs and John Lennon; two iconic legends of a generation that are no longer with us today. Coincidentally, today is John’s birthday and last week marked the 1 year anniversary of Steve’s death. For that reason, I feel that it is only right for me to pay homage to two of the most inspirational men in my life. John Lennon was a rock star in every sense of the world. He had it all; the fame, the fortune, the glory, etc but you would never guess it from his bashful demeanor on the camera. Steve Jobs was also a rock star but in a less literal sense. He attained the same iconic level of fame and fortune as Lennon, but through technology. Their success can’t be attributed to themselves alone; they both had an amazing team around them. However, both had the courage and vision to try something new and it worked. I remember being a little girl when I was 8 years old and watching the Beatles doing a TV special (maybe it was “All You Need is Love”.) Apart from being electrified by their performance, the man behind the curtain playing with all the buttons and knobs (George Martin) lit a spark in me that set me on the career path that brought me to where I am today. As I watched Martin and the Beatles I thought to myself, “That’s what I want to do with my life,” and so I set out to make it happen. Similarly, growing up in Cupertino was the other half of my inspiration. At the time they started, no one knew how great Apple would be, but as the company started to take off I knew that working there would be a dream. So this is my “thank you” to John & to Steve. Without these two legends, who knows if I would have ever developed personally and professionally into the person I am today. If they’re up there watching over us, I hope they know what a profoundly wonderful impact they’ve had on millions of lives.
Rdio’s New Artist Program
As someone who has built their entire career around the convergence of technology and music, nothing pains me more than to see artists ripped off by advancements in technology. Whether we’re talking about the Napster days of the early 2000s or Grooveshark today, artists continue to be undercompensated (if compensated at all) for their work. While we’ve certainly taken some great strides towards fairly discovering and obtaining music, there is still a lot of work to be done. That’s why I was delighted to learn about Rdio, an ad-free music subscription service. Rdio was founded in 2010 by Niklas Zennström and Janus Friis, whom you might remember from the illegal file sharing service Kazaa which followed Napster’s demise. Similar to other services like Spotify and Rhapsody, Rdio allows users to stream an unlimited number of songs from their computer or smartphone for a monthly fee. Artists are compensated based on the number of plays their songs get per month. Unfortunately we’ve seen through these services that this model results in artists being undercompensated; often times getting fractions of a penny per play or a check for 4 dollars at the end of the month. Some artists, such as Coldplay and Adele, have kept their latest work off of subscription based streaming services because they feel it hurts album sales. Today Rdio has announced a new program that aims to compensate artists more fairly and increase fan engagement while at the same time getting new subscribers. The Rdio Artist Program will use artists as recruiters and will compensate them $10 dollars for each subscriber they sign up. Rdio gives the artist the tools to customize their page and share their content on social media. One of my favorite features is the ability to have artists share their favorite songs and playlists that they’re listening to, a feature I always thought iTunes should have. Rdio CEO Drew Larner calls the program a “Win-win” for all parties involved. With only about 10 million subscribers around the world, it’s hard to say whether or not this program will sink or float but a few big artists are already getting onboard such as Snoop Lion, Scissor Sisters, A-trak, and Chromeo. Could this possible be the next big thing? If it gets artists paid fairly while giving the customer a better experience, let’s hope so.
Reminder to REGISTER for TUESDAY’s Apple’s Best Practices Webinar
Tomorrow, September 25th at 2pm PST I will offer an exclusive Webinar on incorporating Apple’s 12 best practices to enhance your business, client experiences, and personal brand. As we know, Apple is a global leader in creating an environment around achieving powerful goals, and boiling down how they became THE company to model, after experiencing one of the most well documented crashes in history, is an absolute MUST do for anyone in business today. To hold your space at this exclusive webinar, sign up immediately at https://www.appleinsidersecrets.com Warmly, Kelli Richards
Apple’s Laughing Straight to the Bank
The past month or so for Apple has been almost as eventful as the company’s first big success back in the late 70’s – early 80’s.
Apple’s 12 Best Practices – Training Webinar
Join me on Tuesday, September 25, 2:00pm PT/5:00 pm ET. I will share a detailed, insiders view into Apple’s 12 best practices to create the WOW factor that keeps your customers coming back and telling all their friends about why your product “kills” anything else on the market (my colleague Steve Jobs used every single one of these to great success)
Blog for Black: The Digital Agency
Black is a digital media marketing company that was launched just a year ago by Matt and his partner, Philippe Luchansky. The duo act as Creative Director and Director of Interactive, respectively, and bring years of experience working on massive, successful campaigns. While the company itself is new, Mat and Philippe’s work has been sought after by dozens of household names, such as Blizzard, EA Sports, Jason Mraz, Redbull, Betsy Johnson, and so many more.
Steve Jobs on Privacy and User Experience – An Apple Best Practice
Nobody can keep a secret better than Apple – AND the thousands and thousands of employees. And that idea translates far into how they work with their products, and especially, their users. For Apple Inc., user experience goes far beyond what the customer can see, feel and touch. It goes on behind the veil as well. Steve Jobs talked about this himself when he was interviewed at the All Things D8 Conference in 2010.
Wendy Lipton-Dibner – Elite Video Mastery and Move People to Action
I was joined on this week’s edition of “All Access Radio” by author, speaker, and coach Wendy Lipton-Dibner. Wendy has done amazing work as a leader in her field. She is the president of Professional Impact Inc., which produces seminars and courses such as the wildly successful “Move People to Action for Experts and Entrepreneurs.”
One Thing RIGHT in the Music World: CD Baby
CD Baby is an online distributor of independent music. But they’re not just any online distributor they’re actually the largest online distributor of independent music in the world.
EventFinda – A New Way to Find Events, Concerts, Gigs, Tours…
EventFinda is an amazing new way to market and promote events as well as purchase tickets. EventFinda goes above and beyond today’s standards for event marketing and ticketing. EventFinda distinguishes itself from the competition by not only being a place to buy and sell tickets to events but also syndicates and shares content, as well as offering a path to discover more events and interesting entertainment coming to your area. EventFinda makes the lives of everyone involved with a single event much easier; from the artist, to the promoter, to the PR teams, and ultimately, to the fans and spectators. As something that started from a kitchen table in 2005 in New Zealand (not exactly Silicon Valley) and spread across the globe to land in the USA this year, there’s no doubt that EventFinda will continue to grow and amaze fans and entertainers alike. Sure, there will always be other websites that you can go to to buy and sell tickets, discover new music or entertainment, learn more about your favorite artist or venue; but none of them will be able to package all of that together like EventFinda. Kelli Richards, President and CEO The All Access Group, LLC
A Peek Behind the Curtain… The Core Personal Interviews with Kelli Richards (and her Editor) that Became the Apple eBook…
The Core Interviews with Kelli that Became the Apple eBook… Tune in for this 15-minute interview with Kelli Richards, Apple Alum and author of the Amazon Bestseller, “The Magic and Moxie of Apple – An Insider’s View.”
Will we Retain our Confidence in Apple?
The newly launched iBooks Store recently signed on its sixth majorU.S. publisher in Random House, the world’s No. 1 English-language producer of books. Is there any doubt that iBooks is set on a course to become the world’s largest digital bookstore?
On July 20th at midnight, Kelli Richards’ long awaited eBook on Apple Inc., “The Magic and Moxie of Apple – An Insider’s View,” hit #1 in Kindle for Systems and Leadership and broke the top 100 in the Business and Leadership Category (our highest ranking was #70) on Amazon overall. This is Richards’ second #1 bestseller on Amazon.
Kelli Richards, Leader in Technology and Digital Distribution, Publishes New Book on Apple Inc., “The Magic and Moxie of Apple – An Insider’s View”
Kelli Richards, CEO of the All Access Group and an alumnus of Apple Inc. (where she launched Apple’s earliest focus on music and drove all music initiatives during her 10 years with the market leader) has just published her long awaited eBook, “The Magic and Moxie of Apple – An Insider’s View.”
It’s HERE! Get “The Magic and Moxie of Apple” + An Invite to my Launch Party in Silicon Valley
What’s Apple Inc.’s best kept secret goal? Apple insider Kelli Richards reveals how Apple built a company and a brand that reaches across Fortune 100 companies and small business owners. You the book launch for “The Magic and Moxie of Apple – An Insider’s View” at https://AppleInsiderSecrets.com and peek BEHIND the curtain to look at the best practices of Apple Inc., and how it created a climate that ultimately changed the world forever. Help Best Selling Author, Kelli Richards Reach #1 on Amazon AGAIN. Get “The Magic and Moxie of Apple” + Bonuses https://AppleInsiderSecrets.com Through interviews with other alums and my own experiences at Apple for over a decade, I’ve created a compelling view of what makes Apple Inc. the company it is today. Get the book TODAY for an insider’s look at Apple’s failures, its successes, and the people who will continue its course toward greatness. https://AppleInsiderSecrets.com THANK you everyone for your support!
“Our North Star is to make the best product.” Tim Cook Continues Apple’s Best Practices
Tim Cook gave us a bird’s eye view of how Apple plans to stay the course and continue their role as tech leader of the world. Asked about the competition many times, Cook responded at one point with a statement that completely embodies one of Apple’s Best Practices. He said, “Our North Star is to make the best product.”
I talk about this best practice in my upcoming eBook at great length. How despite being the richest company in the world, the best practice of “Excellence, not Revenue” IS that North Star – and truly has been since Apple’s rebirth when Steve came back to the company.
Apple Alums – A “Class” Unto Ourselves and an Education and Collaboration for a Lifetime
Not long ago the LA Times ran an article about an executive training program at Apple called Apple University. This was one of Steve Job’s most poignant legacy projects – literally how he hoped to continue his presence, in the company he founded, long after he left this realm. Apple University is the program where Apple literally educates its executives on how to embrace the oft-referenced “Apple DNA” and think like Steve Jobs himself.
Apple – Building a Brand, Leaving a Legacy
Seeing Steve Jobs battle through the fight of his life to restore Apple to greatness – a graceful, courageous and obviously successful battle – doesn’t hold a candle to seeing him fight for his life now. He’s obviously ill. But what he’s creating, despite (or because of) that illness is mind blowing. Naysayers can address the iCloud any way they want, but what we all know is that it’s pretty damned likely to be successful.
Fun & Games: Cross Digital Distribution Takes Movies into a Whole New Realm
As the digital revolution reaches what seems to be an absolute frenzy of technological advances and debuts, more and more we’re seeing the cross-platform promotion and collaboration around product distribution. The latest (and one of the biggest) entries into this virtual world is set to be Suzanne Collins’ popular novel, “The Hunger Games.”
Hulu’s Latest Hot Ticket
So why, after four years of great digital distribution, am I writing about Hulu? Because they are about to take a huge leap of faith and add another original production to their arsenal – original content is a journey that even Oprah Winfrey herself can tell you is fraught with danger.
The Next Big Thing: Apple WWDC
It’s no surprise to see Apple race on, barely missing a beat since Steve’s passing – leading global innovation as it has this entire new millennium. In just a few hours the next Apple WWDC (Apple WorldWide Developers Conference) will take place. A stage that has announced true global game changers, like the iPhone and the iPad.
Digital at it’s Best: Live From Daryl’s House
Today’s world is fickle, and one of my favorite examples of digital avenues bringing new audiences to the best performers of our time is definitely Live From Daryl’s House, started by Daryl Hall in late 2007. This is music discover at its best, with Hall taking a simple idea and turning it into web gold.
Kelli Richards Interviews Evan Lowenstein, Founder of StageIt!
Join Kelli Richards for her great Q&A with Evan Lowenstein . Recently named to Digital Media Wire’s list of 25 Execs to Watch in Digital Entertainment for 2011, Evan Lowenstein launched StageIt with the goal of creating a web-based platform that would empower artists to deliver and monetize interactive live experiences.
A Discussion with Jim Griffin and Bill Patry, the Father of Copyright at Google
At Digital Music East Jim Griffin sat down with Bill Patry of Google and valiantly sought to stake out a solution to tangled web that is copyright. What we got, however, was a rich insight to what makes Bill Patry click and how he became known as the Father of Copyright.
Kelli Shares a Fireside Chat with Jim Griffin, Digital Music & Tech Visionary
Kelli is thrilled to interview Jim Griffin, entertainment tech visionary & one of the sharpest minds in digital music. Jim Griffin is the Managing Director of OneHouse, a company dedicated to the future of music & entertainment delivery.
Life and The Love We Make
Working at the crossroads of music and technology, and being a talent producer for a couple of decades now, I’ve had the opportunity to work with a long list of amazing artists. The most meaningful interactions are often the unscheduled, random conversations that just seem to happen randomly. Some of those occur behind-the-scenes at events like Pollstar, where I got to shoot the breeze with my childhood idol, Davy Jones.
I’m very excited to interview Nic Adler tonight on All Access Radio! Nic is a band manager, promoter, and restauranteur who has been at the helm at the infamous Roxy Theater on the Sunset Strip in Hollywood for almost 15 years. He’s also become a leading name in social media, using Facebook and Twitter to revitalize not only The Roxy, but the entire Strip!
NEW DIGITAL ECONOMICS SILICON VALLEY – Executive Brainstorm & Innovation Forum
NEW DIGITAL ECONOMICS SILICON VALLEY – Executive Brainstorm & Innovation Forum
March 27-28, 2012 – Marriott Hotel, Union Square, San Francisco
Press Release: Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club
Cupertino, CA Kelli Richards, a thought leader in digital music and entertainment, and one of only a few select members of The Futures Agency and Alan Weiss’ Master Mentor Program and Thought Leadership Summit, has been invited to be an esteemed guest and presenter at the Silicon Valley Capital Club.
Whitney Houston – Connecting the Dots to a Legacy
The ultimate question becomes: What do artists need to create to keep themselves safe from becoming undone? Because stories like Whitney Houston’s are not uncommon. Stars rise and fall with the fickle tastes of fans, and when an artist is as meteoric as Whitney, the fall to the ground is far and long. Her difficulties were not only exploited in the media, they were – to some degree – exploited by Whitney herself, choosing a reality show as a vehicle for her brand. Under the best of circumstances, that road is twisted – just ask the long list of reality stars held up to public scrutiny (and editing and distribution).
Where is Kelli?
While being on the cutting edge of the tech and digital revolution is not at all new to me, the next year is poised to present some of the most innovative and exciting opportunities to participate at top industry events. I look forward to seeing some of you at the San Francisco Music Tech Summit today, at Digital Music Forum East in less than two weeks in NYC, plus at the many other exciting gatherings and summits already on the calendar AND yet to be developed (including Digital Music Forum East in NYC, Alley to the Valley Summit, Silicon Valley Capital Club, New Digital Economics, Digital Hollywood, among others!) If you have an event you’d like me to participate in, or a panel or keynote to deliver, please reach out to me directly at Kelli@AllAccessGroup.com
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