Resources
3 Best Practices for Digital Distribution & Audience Building in an Ever Evolving Online World
Over the last decade, the shift from physical media to digital distribution is a trend explored literally in front of us every single day. From the music industry, videos and movies, to information and gaming, television and radio, there’s no aspect of the media world that has not been completely transformed. An ancillary trend to this has been the increasing reliance upon service-centered business models over stand-alone content sales. Increasingly empowered consumers, who not only have greater choices than every before, are also actively creating their own content – their own music, videos, films and games – further revolutionizing an industry already under pressure to reinvent itself almost daily. So what is an artist to do to continue to remain vibrant and build their audience in an era when even the audience itself may become a competitor on any given Sunday? Here are 3 Best Practices for digital distribution and audience building in an ever evolving online world: Remember your ABC’s.
A. Audience Building. No matter what tactic you’re taking in your distribution, remember that your overall goal is audience building. You might think it’s sales, and yes, of course that’s true. But if your audience is constantly, consistently growing, your sales will be also. If your sales are there, but your audience remains flat, sooner or later, they’ll definitely be pulled in one of the endless other directions available. Remember, even the amateur entertainers are eating up market share (Justin Beiber anyone?). So be engaged in finding and embracing new fans and friends in as many directions as you possibly can. To take a more in-depth look at one very powerful aspect of audience building (social media), get my comprehensive 50-page ebook. If you would like to be on the waiting list to receive this ebook and be offered a special discounted cost, please register here. (Select eBook Pre-Order)
B. Basics. Don’t forget that for every great new idea that comes out, you still need to have your basics in place. Wanting to go for every new option that comes down the pike (and believe me, they are almost endless right now) can easily become what I call *shiny new object* syndrome. With all of the possibilities out there in digital distribution, don’t forget that tangible distribution still sells and builds audiences. It’s the reason we all love souvenirs when we visit someplace new (or even someplace old). Holding something in your hands creates an experience. So along with the endless digital opportunities, definitely be handing out CD’s, DVD’s, USB Wristbands, and amazing merch every chance you get. That might mean at concerts and tours, or it might mean contests and giveaways on your website and social media venues.
C. Constant Creativity. There’s no way to stay on top of the ever-changing world of digital distribution without having a team member, mentor, or advisor in place who can keep you abreast of all the opportunities available to you, as an artist. Digital downloads, podcasts, mobile apps, Itunes, Amazon, Virtual Worlds, YouTube, StageIt, GigMaven, EnConcert, Rhapsody, Gigswiz, and the list goes on and on. This is one of the principal reasons that I produce this newsletter each month, because sharing the best practices out there is a vital part of what we do at the All Access Group, and quite simply, bringing that knowledge to a wider audience is exciting to me.
If you have any questions, please feel free to drop me a note at info@AllAccessGroup.com.
To your success, Kelli Richards, CEO, The All Access Group, LLC
Michael Robertson Talks about DAR.fm, MP3tunes, Amazon and the Cloud Music Industry…
Excerpt of Kelli Richards’ Q&A with Michael Robertson, the Bad Boy of the Digital Music Industry. Michael Robertson is a longtime provocateur of the music business and the founder and former CEO of MP3.com, one of the most popular Internet music sites ever. His newest startup, DAR.fm, is a centralized Web-based TiVo for radio. Users can search the programming schedules of over 600 music and talk-radio stations and schedule DAR.fm to record up to 4 hours of any broadcast. Robertson sees this as the savior of the radio industry, and he may be right.
Michael Robertson has fought more high-profile battles with the record industry than anybody in technology, and his experience in digital music is nearly unmatched. Over his career he has raised more than $100 million in private capital and orchestrated transactions with a combined value of nearly a billion dollars. This is definitely one of the best fireside chats in a great series of impactful interviews. (To hear this entire interview, visit the Resources Page on my Website.)
Kelli Richards: Let’s jump right into present time, Michael, because it’s so compelling – later we’ll go into your remarkable background in digital music. Although it could be a big competitor to MP3tunes, Amazon’s choice to enter the “locker” business is huge. Let’s ask two questions about that. First, would you talk about the basic structure of MP3tunes and how it changes the digital music world – why it’s a better product than what Amazon’s launching – and finally, explain to our audience why, in this unique case, Amazon could prove to be more of an ally to MP3tunes than a competitor.
Michael Robertson: Amazon recently launched a sort of personal cloud music server that, on first glance, is very similar to what we’ve been doing on MP3tunes for years – in that it lets people store music online. But there are some really big differences that consumers should know about. One of which is that MP3tunes lets you put your music in and get your music out. Amazon will happily store your music, but it’s kind of a sinkhole. So if you get a new computer or you want to download your music to an iPod, etc., it’s almost impossible to do with Amazon. They literally make you click on every single song to get your music down. With MP3tunes it’s quite different. We literally give you software to get your music out in one click. We’re not holding you prisoner. I believe it’s YOUR data – whether it’s your music, photos, whatever – and that should always be in full control of the consumer.
Another important difference is that we have an API. What this means is that you can connect to your music in a myriad of ways. With Amazon, today, you can only stream your music to Android. So maybe they’ll make an Apple IOS application and maybe they won’t, but you’re completely at the whim of Amazon. With MP3tunes it’s the exact opposite. We publish to the whole world how anyone can make an interface to their library. What this means is you can use your Android Phone to hear your music, or your iPhone, or a Windows 7 phone, or your Palm App, or even Internent Radio – Logitech or Audiovox – stuff like that. So we’re really trying to build an open approach – an open platform that isn’t controlled and dictated by any one company.
On the legal side, while MP3 and Amazon may be competitors on the consumer mindshare front, on the legal side they need us to win. We’ve been a lawsuit for nearly four years with EMI music that says we’re in a state of copyright infringement when a consumer stores their music in our application. Obviously, I disagree. Like us, they don’t have licenses either; Amazon is an un-licensed application. So in this regard, they are likely to be more of an ally than a competitor.
Kelli Richards: Michael, what do you think happens with Apple and Google in this niche – now that they’re said to be jumping into the cloud / locker mix?
Michael Robertson: I think that the really fascinating part of where the industry is at, is that there have been hundreds, if not thousands, of stories about what Apple and Google are going to do, but neither has done anything so far. I think for sure they’re working on it on some level. I’m fascinated by the state of the industry. What I mean by that is this: Amazon has basically flouted the industry and said, “You know what, we’re not going to get a license, we’re just going to launch a service.” So the industry is now in a tough spot. If they don’t take a legal stand against Amazon, why would Apple agree to pay them a licensing fee? Why would Google agree to pay a licensing fee? Let’s put this another way: Imagine two competitors decide to have a lemonade stand. Imagine one guy gets all his lemons for free. And the other guy wants to compete, but if he has to pay for his lemons, his lemonade is going to be more expensive and he’s not going to be able to compete. And that’s sort of where the industry is. If I’m Google or if I’m Apple, well, the music industry is very onerous. They want up-front money, guaranteed. They want restrictions and limitations and regional restrictions and things like that. And you don’t get any of those if you go for an unlicensed structure… So the music industry is really in a perplexing situation. If they don’t take a legal stand with Amazon, they’re going to see a big response in the industry. A lot of companies are watching this and will be over the next six to twelve months, to see if they move toward a licensed or unlicensed approach. If I were the industry, I’d wait and see what the consumers wanted.
(To hear this entire interview, please visit the Resources Page on my Website.)
*To get your own 2 GB of online music storage at no cost, visit https://www.mp3tunes.com
Kelli Richards, CEO, The All Access Group, LLC
Peter Rafelson – A New Chapter in a Long Hollywood Legacy
When you talk to Peter Rafelson, whether you know him or not, you cannot help but feel like you’ve been friends for years. His open demeanor and easy going style just feel warm and familiar. That laid back nature is a strong irony, of course, when held up to his long list of achievements in the music and film industries. For those of you who don’t know, Peter Rafelson is from some pretty good Hollywood stock. The Rafelson family has an amazing legacy in Hollywood – beginning with Samson Raphaelson, who wrote The Jazz Singer in the 1920’s. Peter’s father, Bob Rafelson, was among the first catalysts of the independent film movement of the 1960’s (and the Producer of cult favorite, The Monkees).
Growing up surrounded by Hollywood royalty, like Jack Nicholson, The Beatles and Bob Dillon, and being immersed in the renegade, independent film business of the 1960’s, Rafelson was blessed with a myriad of artistic role models. He shared this thought with me in a recent interview, “Growing up in that environment, it was very hard to distinguish between dreams and reality. For me, seeing people in my living room and then watching them on TV that night didn’t seem unnatural. Because of that, I was encouraged to and supported in pretty much anything I wished to pursue.”
Of course, it’s a certainty that being surrounded by a successful 
family tapestry can go either way. It can create a weight so heavy that it weighs down its subject – or it can become like wings, moving a person to even higher achievements. Thankfully for Rafelson, and for us, it’s always been the latter. Believing he could create his own legacy, he went into the music industry at a very early age and began a long, long success story that continues to be written.
As a songwriter and musician, Peter has worked with industry giants like Jackson Browne and Sir Elton John. He’s written a long list of successful songs, including Madonna’s # 1 single “Open Your Heart” (with 27 million sold) and top 10 singles for Stevie Nicks and Britney Spears, among others. In fact, Rafelson has had more than twenty #1 songs. (In addition, he has acted in over 10 feature films, including fame.) In his current life, he’s signing and producing artists for his own label, RM Records, as well as developing projects for film and TV – and he recently traveled to Southeast Asia on a diplomatic mission to develop business relations for the entertainment industry. He’s also the President of Rafelson Media, which produces and consults for new technology and media companies, and his client list reads like the Fortune 500, including industry giants like Microsoft, Apple and Toshiba.
None of this defines who Peter Rafelson is as a person, of course, and how the rich tapestry of the Rafelson legacy affected his life. Before going into legacy further, be assured that Peter Rafelson is, quite simply, one of the good guys. He’s gracious, talented, extremely smart, inspiring and a thought leader in the world of technology and media. And he’s always up for a new challenge and a new project.
As a Producer and the CEO of the All Access Group, one of my passions has always been to produce a series of legacy artists who come from Rock and Roll Royalty or film royalty and how that impacts how they live their lives. So this question of legacy is one I take very seriously. Asked about this, Peter responded with his typical, uncanny honesty.
“It was intimidating. My heart goes out to anybody who has a legacy to live up to… It’s tough, because expectations are higher, and the bar has been raised substantially. The caviat is constantly comparing yourself to family members and not being discouraged and trying to find your own identity and establish and position yourself apart.”
Luckily for us, establishing his own identity was only the beginning for Peter Rafelson. A visionary, an artist, a writer, and a friend, his is a story that is surely to be continued.
Kelli Richards, CEO, The All Access Group, LLC
To hear my entire interview with Peter Rafelson, see my Industry Insider Interviews at https://bit.ly/AllAccessQandA
Google kills SEO – Stay Alive with Social Media
3 Best Practices for Social Media in a Changing SEO World
I don’t know how many of you saw the news, but Google is changing how SEO is formulated. What? Yes, they’re tossing the algorithm out the window and writing a new recipe for how page ranking works. While some of the formula will remain as it is, a huge new piece will be based on what they’re calling a “social media grid.” What that means is if you are looking for digital video cams, and I recently tweeted or posted to Facebook about digital video cams – if we are connected on either network, my post will come up in your search. This is one of the biggest changes to online marketing to come in the last decade, and definitely ramps up the importance of social media.
To that end, I am sharing with you all three best practices for underused social media avenues. This is a very brief look at a topic I’ve covered comprehensively in a 50-page ebook. If you would like to be on the waiting list to receive this ebook (and be offered a special discounted cost), please register here . (select eBook Pre-Order)
When it comes to social networks, one of the most underutilized but amazingly useful is BlogTalkRadio. BlogTalkRadio is effective and easy-to use as you share your expertise, to build your fan base and increase your branded recognition. It can take a little time to build a following for your live broadcasts, but the fact that you can build a library of your recordings (at no cost) is huge. It has the added benefit that your shows can be produced live, and easily downloaded to podcast for listeners to enjoy later (so don’t be disheartened if you have no live attendees the first few times you broadcast). Listeners can call in live or conveniently listen online. Depending on the strength of your already-existing platform of fans, BlogTalkRadio could be a super win, as far as audience participation and brand building are concerned.
This is one platform where you will need to do the tutorials so you can run the back end, but trust me, it’s an easy system to learn and use. If you plan to run the “one-man” show, you don’t even need to use the back end – simply calling in to the host number will broadcast you live. If you have a guest, or wish to take audience questions or comments, however, this is essential, so definitely invest the time to create a knowledge base and comfort level. You can even have a live chat session going while you broadcast – another way to engage your audience.
Profile
Like all of your online spaces, be sure to set up a complete and compelling profile. This is how people will find you and your band; it’s also good for SEO purposes, sending your audience to your website, product pages, MySpace, and other social networks.
Go to https://www.BlogTalkRadio.com to get started. Once you’re on the site, click Register (on the top right hand of the page). As you set up your profile, you’ll see that you can choose a “Display Name” – this is vital. Be sure to choose a name that identifies you and / or your band or music. This cannot be changed, so be sure you’ve given this a lot of thought. Consider using an email address that you set up just for social media purposes. Check the “I want to host my own show,” as well as YES for the BlogTalkRadio newsletter. Once you have confirmed your registration, you’ll have an opportunity to add your other social networking sites and a description for your show.
Shows
Be prepared with the date, time and vital information when you go to set up your first show. A few tips, be sure to click on and change the duration button, as it defaults to 15 minutes. I recommend that you keep your shows to no longer than 45 minutes – the shorter the show, the more people attend and download. (In fact, the free version of BlogTalkRadio allows only for 30 minute broadcasts.) You can upload start music for your show if you like, but I recommend NOT doing so until you have the hang of things. It’s easy to start talking once your show begins and forget to wait for the music to queue. Remember, choose a date and time you can do WEEKLY to build a following. NOTHING works as well as consistency.
You are here to build a great presence and you probably have more to share than you might realize. Holding guest interviews to half an hour is not necessarily easy either, so if this is a format you love, consider using the pro version. Do take the time to script your show, at least loosely – this can mean literally writing down every word you plan to say, or it can mean simply making a cheat sheet of things you want to share in case you go off topic or lose your place. If you’re really not sure what to start with, go through old blogs and use them as a guide or a script, or simply have a great intro and three songs that you want to share, then ask for audience questions or remarks. Have a few friends “planted” to ask questions the first time, just to be safe.
Having guest speakers builds a closer relationship between you and your guest, so if you want to collaborate with a great musician or songwriter or producer, this is one way to begin that discussion. Be sure to get permission from your guest to use the show for marketing purposes and even to download into a product. (It’s polite to allow them to do the same, of course.) Other reasons you would have a speaker are to mix up your content, make your show more interesting, and especially to create joint venture opportunities. After all, your speaker will want his or her audience to hear the show also, so it’s fair to expect them to promote it to their various lists. This provides you much-needed exposure to new audiences. Do be sure to have an approved set of Q&A in place at least a day before your call, and if they’re a musician also, you can upload their music as the lead-in for the show.
I’m going to be more technical here on the “how-to” than I have on other networks, just because BlogTalkRadio’s a somewhat of an undiscovered treasure. I strongly suggest you take the tutorials available, but this will give you some quick “get started” instructions. When you’re ready to host your show, simply log into BlogTalkRadio and click the MyBlogTalkRadio button at the TOP right hand corner of the page. Then click the MyAccount button. (This is also how you will add new shows, or edit those you have coming up at a future date, should you need to.) On the left side, you will see a button called My Switchboard. Once you go in there, it is fairly obvious how you will conduct your show. Some things to keep in mind are that you need to call in five minutes early. Your call-in number and HOST CODE are on the right of your switchboard. You can unmute (and mute) callers on the right by clicking on their microphone symbol. Keep in mind that if you intend to have a guest call in, you will want to know their phone number. If you will be the only speaker, you don’t even need to be near a computer, you can simply call in by phone, enter your host code, and voila!
You can also click Start Chat Button to have another facet to your call. This is where callers can type in questions and you can either type your response, or announce their question (and your answer) on the broadcast – a very sexy feature for your audience connect-ability.
Friends, Fans and Followers
BlogTalkRadio actually has a spot on their home page for helping you to promote your show. Simply hover over the HOME button on the top of the page and click HELP. This will give you a page featuring BLOGTALK 101, FAQs, and MARKETING, as well as some other useful pages. Allow yourself an hour or so to surf this info and do the tutorials involved. I realize you maybe be overwhelmed creating great content and working with your team and running your gigs – but if you’re not also a marketing maven, then you’re missing the end game.
If you really embrace BlogTalkRadio it is one of the most interesting, easy and fun ways to build your brand. Remember to also send an email announcement to fans for every show. You can also create an “Event” on your other social networks (such as Facebook, Linkedin, etc., etc.) as well as an announcement on your Blog and Twitter page with a link to your Show. Remember to use a shortened Bit.ly link so that you can track its effectiveness. https://bit.ly
Once you’re on the air, feel free to ask business partners and / or clients, etc., if they would like to sponsor your show. This can be a very good source of revenue for you. It is also a way to create a Joint Venture – simply ask ANOTHER BlogTalkRadio host to swap sponsorship with you. That would mean that they announce you and your show at the top of theirs, and you do the same for them.
Finally, after your show has been broadcast, you can push it out onto your various online portals, such as your Facebook Profile and Fan Page, your Blog, Twitter, etc.
You can also put them up again and again, as your subject matter or music becomes relevant to various groups of people or current events and issues. After a time, these shows become a long-standing library that your audience and client base can refer back to. Finally, you can easily download your audio, use one of many easy software options, like Jing to add a slideshow, and post it to YouTube also.
Meetup Groups – Social Media Network AND Live Networking
Meetup Groups is a very cool idea, a great social network and a terrific way for an artist to engage a fan base both virtually and in real life. In fact, for artists and musicians, I would take the risk to say this is the most important network for you to be on. Here’s why. Meetup is an online portal where participants actually meet through live local, regional events (for instance, gigs, meet and greets, merch events, rehearsals, etc., etc., the list is limitless). Let your fans and followers know about this opportunity for them to meet each other face-to-face and build their community. In fact, SoundCloud (a great resource for bands and artists) has its own Meetup page and over 70 Meetup groups globally. https://soundcloud.com/pages/meetups. This is a way to encourage their users to exchange tips, answer questions, create collaboratively and learn from the success of others. You can also run virtual events – inviting fans and members to tune in for a live BlogTalkRadio broadcast of you and your band rehearsing (for example). (There is a fee to own a group, but you can do it for about $15 or less a month.)
Meetup works a LOT like an online group. To begin with, you can message all of your members with updates – and you can have ONLINE meetings or teleseminars too – not just live meetings, as mentioned above. In fact, be sure to invite your Meetup Group members to all of your events – even if it’s a group you simply belong to, in addition to those you own. If a group you belong to doesn’t allow you to email the other members, ask the owner if they’d be gracious enough to share your event with everyone.
Profile
Once you sign up for Meetup, you’ll be asked a host of questions to help you define yourself. Definitely do this and do it well. Remember, you don’t just want to think about what you want, but what keywords would your number one fans use that would lead them to you. This is a networking effort, after all. Where would your audience be?
Joining Groups
Go ahead! Join a few groups and attend a few events. (You’ll see a big box at the top left of the page that says “Find a Meetup Group.”) There’s no faster way to create a buzz than to show up at a like-minded event and hand out some fliers to upcoming gigs or meet and greets. (If you have a team, obviously you can delegate this and spread the love.) I try to choose groups with large numbers, but even a small group of your best brand advocates (fans) can be a great way to market. Each group you join will ask you to introduce yourself through their profile, so be prepared with your bio handy.
Friends, Fans and Followers
Here’s the how to on this to make your life easy. The button to start a group is on the top left of Meetup.com. They’ll walk you through the whole process. But do have your group description written before you get there, just so you can have it thought out and effectively written. The process of filling your meetup is amazing. You’ll be asked to fill out a few areas of interest when you do your profile – and when you go to promote your meetup, those keywords on other people’s profiles become part of your outreach. Meetup will basically pass along an invite to anyone who’s used the keywords you choose for your group within your regional area.
One thing you’ll definitely want to do is set up an autoresponder welcoming all new members and pointing them to your website or store – that’s a secondary place where you will provide your basic bio, product and corporate info, and where to find you (other social networks, for instance). And definitely take it viral! After you’ve got some momentum going, put the call out in an email and/or blog post to challenge your mob to support you. Make it a routine to recognize those fans / friends and encourage more people to get involved.
Promote it! Send a Facebook event invite out for all of your Meetup activities and get togethers. Then, be sure to send a link to join your meetup through all of your other social media efforts (Facebook, Twitter, YouTube, etc., etc.). Not all of your members have to be local, especially if you are – or expect to be – touring any day soon. Going to Madison Wisconsin for a gig? Change the location of your Meetup to that zip code and start promoting it anew to build a vibrant fan base! Cross-networking is super important by the time you’ve got all of this in place. For instance, Set up a Twitter hashtag for your meetup group (i.e. @KelliRichards and #OnStage). Give people a handout at each meetup with the account, the hashtag and all the presenter’s/participants Twitter accounts and ask your members to tweet about the event.
Be sure to send out emails in advance of your meetups that are hand formatted to look different from the one’s send out automatically by meetup. as people tend not to read those. Schedule these with your other emails and newsletters in mind, of course. Remember, your list is your goldmine – don’t abuse your people & never SPAM them..
Mobile Messaging
Like I said, there are many options worth exploring in each of these arenas. I’ll be suggesting only one or two, however, in order to simplify this discussion and help you get started. When it comes to engaging your fans, anyone who’s involved in the direct-to-fan distribution discussion will tell you that getting your fan’s email address and mobile numbers is a huge win. By collecting contact information from followers through a sign-up form, artists can create very effective campaigns utilizing e-mail and mobile promotions. A cool ancillary program you can attach to your Fan Page to accomplish this is Mozes, a leading provider of mass promotional text messaging. Mozes powers the mobile marketing of some big, well-known artists, such as Rihanna and Kings of Leon. It won’t cost your users anything additional to join your “mob” and receive your texts (other than their normal text fees from their carrier), but there is a fee for you – the band or musician, which can be as low as $10 per month for a very simple campaign. You’ll need to actually request a quote through their plans and pricing page. There are a myriad of plans, but the most simple will allow you to create a self-service platform for engaging fans and driving sales. You’ll also be able to run mobile sweepstakes, distribute mobile coupon codes and broadcast trackable links to online storefronts and sales pages. There are higher levels of service with more applications and fan outreach options as well.
This is a very brief look at a topic I have covered comprehensively in a 50-page ebook. If you would like to be on the waiting list to receive this ebook (and be offered a special discounted cost), please register here. (select eBook Pre-Order)
Kelli Richards, CEO, The All Access Group, LLC
Join Me for a “Fireside Chat” with the Leading Minds in Tech and Digital Music / Media
I’m pleased to share with all of you that my weekly “All Access Radio” Show has developed a strong and loyal following! Over 15,000 downloads in only a few short weeks.
I’ve also been graced with some of the top digital visionaries and leading voices in the music and technology industries, including Ty Roberts, Ian Rogers, and Tom Silverman (among others). That list continues in the upcoming weeks. I hope you’ll be able to tune in as I interview Media Futurist Gerd Leonhard; the President of Rafelson Media (and well known songwriter) Peter Rafelson; and entertainment technology visionary (and one of the sharpest minds in digital music) Jim Griffin.
Here’s the schedule and some background on each:
Gerd Leonhard – Monday 4/11 – 5pm Pacific Time
Gerd Leonhard is a media futurist, writer, keynote speaker and strategist with 25 years in the tech and entertainment industries in all major markets. Leonhard’s focus is on new technologies in content and media and technological convergence. You can listen online at https://bit.ly/GerdLeonhard or you can simply call in and listen over your phone (626) 696-8608.
Leonhard’s work focuses on digital content, media, telecom, marketing and communications. He was the Co-Founder and CEO of SONIFIC and in 2010 Gerd Leonhard established The Futures Agency. The Futures Agency offers think-tank and training events, workshops and executive seminars, keynote speeches and advisory services to leading companies in the telecom, media, advertising and tech industries.
Peter Rafelson – Monday 4/18 – 5pm Pacific Time
Peter Rafelson is the President of Rafelson Media, which produces and consults for new technology and media companies – with a client list that includes industry giants like Microsoft, Apple and Toshiba. Peter is a well known writer and musician, working with music greats like Jackson Browne and Elton John. He’s written many successful songs, including Madonna’s # 1 “Open Your Heart” (27 million sold) and top 10 singles for Stevie Nicks and Jane Wiedlin of the GoGo’s. In addition to scoring and composing, he has acted in over 10 feature films, including FAME. You can listen online at https://bit.ly/PeterRafelson or you can simply call in and listen over your phone (626) 696-8608.
Peter is currently signing and producing artists for his own label, RM Records and developing projects for the film, TV. Peter recently traveled to Southeast Asia on a diplomatic mission to develop business relations for the entertainment industry. He is currently a staff producer for 2K/Virgin Records, an EMI record label.
Jim Griffin – Monday 4/25 – 5pm Pacific
Jim Griffin is an entertainment technology visionary and one of the sharpest minds in digital music. Griffin is the Managing Director of OneHouse, a company dedicated to the future of music and entertainment delivery.
Jim Griffin is focused on accelerating the pace of scholarly research thru collaborative tools and open access to knowledge. He started and runs Choruss LLC, incubated by Warner Music Group, and successfully led the team that built a new model for sound recordings: Sharing music with flat-fee access to unlimited downloads for students.
He also ran the tech dept at Geffen Records for 5 years (distributing the first full-length commercial song on-line, by Aerosmith). He is often a keynote speaker or moderator (Internet Summit, Giga Conference, Comdex, CES, Webnoize…) and lectures at business schools (Harvard, USC, UCLA, Berkeley). He also serves as an expert witness in digital entertainment. You can listen online at https://bit.ly/Jim-Griffin or you can simply call in and listen over your phone (626) 696-8608.
So please join me each week as I host an intimate “fireside chat” with some of the leading minds in technology and digital music and media. You can find my entire library of recordings at https://allaccessgroup.com/articles-and-resources/blog-talk-radio as well as some personal interviews where I share about my own experiences over a twenty plus career in music and tech. See you there!
Kelli Richards, CEO, The All Access Group, LLC
Making a Mark at Digital Hollywood Spring
I’m very excited to share with everyone that I will be moderating a panel session at Digital Hollywood Spring at the Ritz Carlton in Marina Del Rey on Wednesday May 4th. Here are the details on my panel, and some more information on the event itself.
Music Apps for SmartPhones, Tablets & Social Media is one of the hottest issues and opportunities in the digital arena right now, and I’m excited to have an amazing panel of experts to lead in that discussion.
My panel:
Wed. May 4th from 2:15 PM – 3:30 PM
Track III: Music Apps for SmartPhones, Tablets & Social Media – Reaching Millions – Monetization
Panel Members include:
Larry Miller, founder – Chairman, ROBA Interactive
Michael Schneider,CEO, Mobile Roadie
Les Borsai, founder, Gridmob
KamranV, CyKiK
Timo Poijärvi, co-founder, Hitlantis
John Rudolph, CEO, Bug Music
Nik Miskov, VP of Business Development, CamUp
Robert (Leo) Rodgers, Sr. VP & Label Liaison, Bungalo Records
The entire event runs from May 2 through 5 and is jam-packed with a schedule of in-depth discussions and networking focusing on the top business issues impacting technology in entertainment today. The Summit’s unique environment enables attendees to engage, debate and refine the latest tech developments in the entertainment marketplace. With an unprecedented group of opinion leaders, the summit will focus on how companies can capitalize on innovations in technology and is a “must-attend” event for individuals and companies working at the intersection of content, technology and entertainment. *Attendees will be free to move from conference room to conference room during the day.
If anyone has any questions or wants to make arrangements to connect with me, please reach out directly by email at info@AllAccessGroup.com
Kelli Richards, President & CEO of The All Access Group, LLC
BIG VISIONS * BIG CONNECTIONS * BIG RESULTS
Author of the forthcoming book:
“You Say You Want a Revolution: An Artist’s Manifesto
for Success in the Digital Age” (due out 11.11.11)
Co-Author of “The Art of Digital Music”
Jeff Brandstetter – Thought Leader in Digital Music and Entertainment
To hear the entire interview, please visit https://allaccessgroup.com/articles-and-resources/blog-talk-radio.
Jeff Brandstetter is a digital music and entertainment lawyer with over 20 years of experience in film, TV, music, literary, new media and entertainment financing matters. He is also the co-author of the highly acclaimed book “The Music Business Explained in Plain English.” He appears frequently as a speaker and moderator on entertainment law matters and is also the Co-Founder and CEO of IndiePlaya, a revolutionary online film distribution platform optimizing the marketing and distribution of independent films.
Kelli Richards: Jeff, what do you think the future of distribution is going to look like in say, five years, and how much of an impact do you think on-demand digital distribution will have on media?
Jeff Brandstetter: It’s interesting that you’re asking me this question. As you know, eleven years ago I was asked this exact same question on a panel about the future of the music industry. I think people tend to accelerate adoption faster in their minds than it actually occurs. I think the reality is that we well see physical product around for a while, and there will still be revenue around physical product for a long time… I think what the landscape will look like in 5 years is that content creators will fast become the hub. Right now everybody is chasing the distribution outlets du jour… because they see the largest numbers in terms of traffic going in that direction…. Indie content providers don’t need huge numbers of their own content to recoup their production budget, and that’s what they should be most interested in. Where are they going to maximize their revenues? As long as they’re passing their content along to 3rd parties, and essentially giving them all of the rights, wholesale, to distribute it and buying into that sell of, “You know, you’re a content provider. Don’t worry your pretty little head about this. We’ll take care of the marketing, promo and distribution. You just focus on making more content.” As long as they buy into that, there’s no rational reason to believe that the outcome is going to be any different than it’s been up until now – which is that the vast majority of them aren’t going to make any money.”
Kelli: I don’t want to live in the way back machine, but that was one of the main impetuses, as you’ll recall, for Todd Rundgren and I crafting Patronet fifteen years ago. The goal was to really encourage artists and other content creators to take the reins and go direct to their fans with their brands – and to see themselves as a brand and, frankly, to model 80 / 20 where they were making the majority of the money – to a smaller audience perhaps, but with fewer middle men.
Jeff Brandstetter: No doubt about it, it was a good model
Kelli: So, Jeff, how important is buzz? Do you think it’s vital to a label that an artist has a social media platform and following – or is having a great sound still the number one driver to getting signed?
Jeff Brandstetter: I think the two go hand in hand. I want to believe that, on the audio side, having a great sound – or a great product whatever vertical you’re talking about – is still then number one driver. Now if you’re talking about getting signed – getting picked up by a major label – you’re talking about the distinct minority of artists who get picked up by a major. But when it comes to social media, disintermediation is happening on the promo side, but it’s not happening in the terms of the monetization. What I mean by that is just because you’re able to promote your brand using social networking doesn’t mean that you, as the artist, are actually reaping the lion’s share of the benefit of that.
Kelli: Unless of course the only way somebody can buy your CD – or one of the ways – is through your website, where the vast majority of the proceeds are going directly into the artist’s pocket, I think most fans would want that to happen. Given the choice, I think if they knew that they could support the artist by buying direct, more would. And that’s why it’s important for an artist to sell their music and to collect email addresses on their website, in addition to having a social media platform to promote from.
Jeff Brandstetter: That’s exactly right.
You can catch Kelli’s show every Monday at 5pm PST. https://BlogTalkRadio.com/AllAccessRadio.
Kelli Richards, CEO, The All Access Group, LLC
The Futures Agency
I was recently invited to be part of The Futures Agency by my good friend and colleague, Gerd Leonhard.
For those of you who do not know, The Futures Agency is the name of Gerd’s company, but he’s also created an online industry think-tank of friends and colleagues. I’m super excited to be part of this think-tank and elite group of leaders in the digital industry. I’ll be writing more about this over the coming weeks and months, but for now, I’d like to invite everyone to *like* The Futures Agency Facebook Page: https://www.facebook.com/FuturesAgency to become part of the growing conversation around creating meaningful change in how data is shared, sold and created.
Here’s a great example of Gerd Leonhard (at TEDx Warwick). For more information about Gerd Leonhard’s company, The Futures Agency, please visit his website: https://www.thefuturesagency.com
TEDxWarwick – Gerd Leonhard – Friction is Fiction: The Future of Business, Communications and Media
To your success! Kelli Richards, CEO of The All Access Group
* A few notes: TFA is based in Switzerland and is currently comprised of 15 Associates working directly with Gerd Leonard on an independent basis: Jack Myers, Glen Hiemstra, Ross Dawson, Mike Masnick, Alan Moore, Jonathan MacDonald, Kei Shimada and Didier Marlier, to name only a few of them. Gerd Leonhard will serve as CEO and plans to grow his company into one of the most amazing agencies on the planet, based on 5 key principles: 1. Knowledge grows when shared, therefore we share everything 2. Proudly find elsewhere (PFE) 3. Do what you do best and link to the rest (*Jeff Jarvis) 4. Spend less time being important and more time being relevant 5. The leaders of the future are connectors – not just directors.
Gerd’s free iPhone / Android apps are available here: https://gerd.fm/cvd1lK
An Interview with Dave Kusek, of the Berklee School of Music, and the Co-Author of “The Future of Music”
I recently interviewed Dave Kusek, of the Berklee School of Music, and the Co-Author of “The Future of Music.” Dave Kusek is a digital music executive and is responsible for helping to create the market for digital music as an entity, and in 1980 he founded the first music software company, Passport Designs, which made it possible for musicians to record and produce their music at home with its award-winning software.
The Future of Music is a best-selling music business book, and wildly popular among industry executives and musicians themselves. Dave Kusek also provides advisory services to the music and media industries via Digital Cowboys. He is a co-developer of the Musical Instrument Digital Interface (MIDI) industry standard that opened up electronic music to millions of people. His efforts, along with others, set the stage for the multi-billion dollar digital music market that exists today.
He created a hugely successful online music school berkleemusic.com for the prestigious Berklee College of Music. Berkleemusic has become the world’s largest music school teaching over 15,000 students a year globally. Kusek has written for or been featured in the NY Times, Boston Globe, Billboard, Wired, Associated Press, MTV, CNBC, Forbes, NBC-TV, Nightly Business Report, NPR, Financial Times, and is a featured speaker at Midem, Digital Music Forum, NAMM, AES, IEBA, MacWorld, Comdex, Digital Hollywood and has been a featured guest on radio and television stations around the world.
Here’s a brief synopsis of our discussion… you can hear the entire recording at: https://allaccessgroup.com/articles-and-resources/blog-talk-radio/all-access-radio-interviews/
Kelli: Dave, talk about the future of Digital music if you would. With the role of labels changing almost daily, where do you think the industry is headed?
Dave Kusek: I have been working in the music industry all my life. I was one of the first to capitalize on the commercial potential of computers and music and have been having lots of fun in this space ever since. We’re missing a new format. There’s no new format to monetize, and without that, I think it’s going to be very difficult making music. Without that new format, I think that business might just go away. There’s no real indicator that recorded music in any form is going to turn up in any way or become a revenue generator in the next five years. If we had a new format that was valuable enough and hard enough to come by, then recorded music might come back. But it may just be that recorded music was an anomaly in time. Something you could make money at for 70 or 80 or even a hundred years at its end, but only for that moment in time.
Kelli: What role do you think direct-to-fan distribution is going to play going forward?Talk about how you think this could create what you’ve called a middle class of musicians, and in that context, what do you think will happen to the big labels, as a result.
Dave Kusek: I do believe the opportunity to make music is there for anyone who wants to do it – and anyone who wants to try and turn that activity into money or a living has an opportunity to do it. it’s always been difficult, but I think there are tools today to promote and distribute your music and communicate with your fans that are so beyond what we could even think about five or ten years ago. But if you have a good team around yourself, you can make a good living being an artist. Good being a relative term. It’s very difficult to go and make $25 million dollars – but it’s not that hard to make $50 grand or $150 grand depending on how big your team is. … I think there’s a lot of opportunity – more than ever – for people to make a living in music.
If you build a good team around yourself – a business person, a marketing person, someone who understands the web, who understands mobile, who understands cell phone communication, how to build a community, how to build an audience, you can do pretty well.
Kelli: You seem to be very active on social media – what role do you see that playing for artists as time goes by?
Dave Kusek: I think it’s a great way to distribute your music and to distribute information about yourself and what you’re up to. To communicate directly with people if you have the time for that and you have set up a structure that allows that to happen. It’s a way to connect on a local level with people far more easily than any other way to do that. Again, direct marketing techniques applied in the modern era. I mean, I could find everyone in the Chicago area if I go there. Either Meetup or have a meet & greet, or come to my show, or tell your friends, or have a contest, or whatever.
I think the difficult part is doing it all yourself. As an artist, you should be focused on making music, writing great songs, practicing, playing with other people – you should have your brother, your cousin, a friend, someone you hire working on the website, focused on the social. It’s so hard to do it all yourself.
Kelli: Oh yeah, that goes back to the discussion about picking the right team members around you. You’ve got to have somebody focused on that around you. To your point, artists make music. You really need to have some help I think. With all the things an artist needs to be focused on. But I think we both agree that there really needs to be a presence on social media – that’s really driving a lot of activity and traffic for an artist.
Dave Kusek: And it’s so hard to measure the impact sometimes.
Kelli: And yet may artists do. That’s how they fill their shows. They route their tours and reaching out to their fans directly. People tell their friends, and you’ve got a full house when you show up out in Minnesota!
To hear the entire Q&A with Dave Kusek, go to: https://allaccessgroup.com/articles-and-resources/blog-talk-radio/all-access-radio-interviews/
Duran Duran – All You Need is Now
One of my favorite parts of being on the cutting edge of the music industry is watching the innovators cut through the effluent in life’s tides and rise above the noise. That is precisely what Duran Duran has done with their newest release, “All You Need is Now.” The release date ironically falls on the thirtieth anniversary of the band’s first release, “Planet Earth,” released to enormous fandemonium in 1981. “All You Need is Now” was produced by Grammy Award winner Mark Ronson, who has worked with Amy Winehouse, The Kaiser Chiefs, Lily Allen and others. Ronson himself called this album, “The follow up to Rio that never was.” (A big relief for all of us who rocked our way through Rio and simply waited for the next move.)
This is the band’s 13th album and all four original members of Duran Duran – John Taylor, Roger Taylor, Nick Rhodes and Simon Le Bon – have joined to recreate the original upbeat sound that made them famous and sold over 80 million records during their three-decade career, With the collaboration with Ronson strongly in place, the band went on to bring in longtime friend, Ana Matronic of the Scissor Sisters and R&B/neo-soul superstar Kelis, with Owen Pallett of Grammy Award winning “Arcade Fire” to do the album’s string arrangements.
Never one to overlook the visuals, the band engaged up-and-coming British visual artist, Clunie Reid, for the artwork and packaging. Clunie’s work is very well known and has been shown at the Saatchi Gallery and the New Museum in New York.
Highly collaborative and innovative, Duran Duran has spent thirty years fusing pop music with art, fashion and technology, bringing music videos from a marketing tool in the 80’s to one of the music industry’s most valued creative assets.
From a distribution perspective, Duran Duran seems to be one band that really understands how important it is to have an engaged fan base. Their website is as much fan homage to their fans as it is a platform and a staging area for their work. For a mere $35 a year, fans are treated to VIP ticket packages, presale events, and meet & greets, as well as direct communication with band members and exclusive video, photo and written content. Each fan also gets to build their own personal fan site – including fan blogs, journals, photos, etc. They’re also able to participate in fan-to-fan forums and private messaging. Basically, Duran Duran has brilliantly built an army of brand advocates to support their every move. Something all bands should emulate in today’s online world.
The group looks as great as ever, and while they’ve evolved their sound to a more contemporary state, hints of their roots are evident and laced throughout several of the tracks on this new CD. “Blame the Machines” is a fun, uptempo, electro-pop track. “The Man Who Stole a Leopard” is a stunning track that diehard fans will relish. “Leave a Light On” recalls the power of their earlier ballad “Save a Prayer.” And “Girl Panic1” will get fans out on the dance floor celebrating like it’s new year’s eve. Hey, why not?
Kelli Richards, CEO, The All Access Group, LLC
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VIP Breakfast for Apple Alumni at the Silicon Valley Capital Club, San Jose, CA
I’m thrilled to invite you to join me for a VIP Breakfast for Apple Alumni at the Silicon Valley Capital Club in San Jose, CA on Thursday, December 8th, from 7-8am. I look forward to hosting an intimate breakfast and discussion exclusively for present and former Apple employees. This 1-hour Power Breakfast is about re-connecting & networking with Apple colleagues. We will explore how to take our businesses and our lives to a whole new level of success in the next year by building on the synergy of Apple alliances. The focus of this breakfast club will be my forthcoming eBook “The Magic & Moxie of Apple: An Insider’s View“. VIP Breakfast and a copy of the eBook (valued at $37) are limited to the first 12 people who respond.
RVSP by Friday, December 2nd to reserve your VIP seat at the event. sandy@allaccessgroup.com
Kelli Richards
CEO
The All Access Group, LLC
A Fantastic Freebie from Fanatic.FM
To celebrate Fanatic.FM and their great contribution to DIY brand building for artists, Fanatic.FM is offering a special bonus for Kelli’s tribe. Click here for a free subscription to The Fanatic and enter to win a 1-hour session with the Fanatic.FM social media tune-up experts. Deadline: December 5.
At Fanatic.fm, musicians, brands and fans unite to create music that changes the world. For musicians, Fanatic.fm is an innovative album publishing platform where brands bid to sponsor new musical projects. Bands take control over choosing sponsors. Every time music is played using the Fanatic.fm player, which can be embedded in any site or social media page, the band is paid a set cost per music play by their sponsor. Learn more at www.fanatic.fm.
Kelli Richards
CEO
The All Access Group, LLC
We did it! #1 on Amazon in Music!!!
A HUGE thank you to everyone who supported the Amazon Launch for “Taking the Crowd to the Cloud – Social Media for the Music Industry” – an eBook that raises the bar and demystifies social media marketing, helping musicians, agents and anyone in our industry to THRIVE. Not only did we spend all of last weekend at #1, as I write this, we’re STILL top ten!
Essentially, Taking the Crowd to the Cloud empowers and transforms the marketing mindset for artists. Featuring a few tips on the most commonly used social networks (like Twitter and Facebook); it also holds the keys to eMail marketing, Streaming Radio, YouTube, and Meetup Groups. (It even covers how to port your MySpace contents to Facebook Music.)
Although we’ve put the price raise into Amazon, it’s STILL at $3.99 while they process it, so grab your copy now if you haven’t already.
If you choose to, you may buy the book from my website for full price ($37) and have access to continually refreshed and updated content on this topic as a BONUS addendum.
Kelli Richards
CEO
The All Access Group, LLC
Hypebot Promotes “Taking the Crowd to the Cloud”
I’ll write a separate blog about how my eBook went all the way to #1 on Amazon this weekend, but I wanted to take a moment and offer a special thanks to Bruce Houghton – a powerful voice in the music industry – who writes for HypeBot. He made an exception to his SOP to review the book, and his observations are spot on and very important to me. Because of the holiday weekend, I made the executive choice to leave the eBook at the launch price just until mid-week, giving all of the artists out there a chance to grab it (and use it!). MANY thanks to Bruce and to everyone who supported our effort to offer a hands-on, simple, DIY look at social media for the music industry.
~ Kelli Richards
Kelli Richards’ Social Media For Music eBook Just $3.99 Today Only – Published 11/11/11
I don’t normally due blattant pitches for book’s seminar’s, etc. But after downloading Kelli Richard‘s eBook Taking the Crowd to the Cloud – Social Media for the Music Industry
Kelli’s guide covers all the usual modern marketing avenues from a musician’s perspective: Facebook, YouTube, Twitter, blogging, email marketing and even MySpace. There are also chapters on less utilized recources like Blog Talk Radio, Linkedin, Meetups and live event networking. Along the way, there are examples and short case studies.
Finally, she takes a look at several of the major players in ditect to fan marketing including ReverbNation, Topspin and Nimbit as monetization tools. It’s all there. But don’t just read about it. Use it.
$3.99 today only:Taking the Crowd to the Cloud – Social Media for the Music Industry
Written by Bruce Houghton, in DIY for Hypebot
Kelli Richards,
CEO of The All Access Group, LLC
11/11/11 eBook Launch! Help me hit #1 on Amazon!
Taking the Crowd to the Cloud –
SOCIAL MEDIA for the Music Industry
Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever. Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd
This eBook raises the bar and demystifies the social media process. It will help you THRIVE in this tough economy and transform your online presence and your marketing mindset.
It provides an overview of the top 10 online spaces and gives a brief look at how to maximize your social media presence to build and keep your audience – and turn them into your own personal sales force.
- MORE FANS! The ultimate end-game!
- BRAND TRANSFORMATION! (Yes, trust me, you are a brand!)
- MORE MONEY! That’s an easy one, more fans + more content = more sales.
- SIMPLE! Written in easy-to-follow language with easy-to-implement instructions.
- FAST! You’ll learn about 8 no cost Resources to build your brand and your fan base!
- STOP WORRYING! No more worrying about missing the opp for social media success.
- No Cost Online Business Tools and List Building Tools worth 10X’s the cost of the book.
- FR EE DOM! How about turning your work into a business that does not depend on a label, a manager or ANYONE. Do what you WHAT you want, WHEN you want, and WHERE you want… You can set your own hours… You can live anywhere… All you need is an internet connection… The sky is the limit.
Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever.
Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd.
A Digital Insider Scoffs at Townshend
As an industry insider – on way more than one level – it’s hard to take Pete Townshend’s comments as anything more than another great artist railing at the system. Look, in the end, we all have to admit that the system is broken. That’s one thing that Townshend got right in that interview. After that? Well, it’s all up for debate. But the fact that the debate was called to the floor again, that’s a good thing.
Let’s look at what he probably got wrong. Apple is not the villain here. In fact, probably the opposite. Apple is responsible for 75% of all LEGAL music downloads. And there’s no way that this makes them a vampire. It makes them a hero, of sorts. By creating a closed system, where one download went to ONE machine, Apple stopped the bleeding of way more than royalties. It addressed a cultural shift that it was OKAY to steal music. “Sharing.” So there’s something else that Townshend got right in that interview. Stealing and sharing are not the same thing – and the mere idea that music should be free is an utter insult to the millions of people who give their lives to create it.
I should disclose here that I was part of Apple way back when and helped launch digital music before it broke wide open, but my 13+ years in digital consultancy have certainly shown me every side of this equation (and argument).
Whether or not music should be free has gone where it belongs. It’s gone to artist-controlled DIY. DIY creation and DIY distribution. The indie artists have unlocked the code. Give away great material to build a tribe, and get that tribe to adore you. They’ll show up with the money, for sure, but only after the love affair has begun.
Here’s the other problem with Pete’s point of view – it assumes that Apple controls the digital distribution industry, and quite simply, it does not. In the world of Spotify and MusicShark and locker systems, Apple is only one giant float in the parade. Let’s clarify, they may even be leading the parade, but after a brief initial claim to the universe, way back when, they’re far from alone. Having said that, it’s obvious that the consumer, overall, loves Apple. Quite simply, in the words of futurist Gerd Leonhard, it’s easy. It’s a plug and go solution. It meets busy consumers where they want to be met, and serving the consumer IS the end game on the business side of music (and anything digital).
The artistic side? Producing great content and hiring mentors to aide and abet that? I wish I could ask Townshend why that is at all iTunes’ responsibility. That is a model that we see fading at every label, sadly (& that’s me wearing my hat as a former A&R exec at one of the majors). From this insider’s viewpoint, however, it will fade, but not die. There is a space for grooming artists, from a label’s point of view – otherwise we end up with the music industry’s version of Yentl for every project. (The same Editor, Producer, Writer and Actress, if you needed me to spell out that comparison.) Without label support, bands have limited objectivity of their work, at best. But we KNOW what percentage of artists get signed. So this new world of digital DIY is an amazing opportunity for artist AND consumer. Which brings us to Townshend’s issue with gatekeepers – one that social media and DIY will summarily trump, given enough time. Spaces like iLIke and Facebook will level the playing field.
Finally, it’s NOT Apple’s job to bridge the gap between labels and DIY. They are, like it or not, a retailer. Why should they be expected to fix what’s broken in music? The business model for direct sales/acquisition of recorded music in the traditional sense is collapsing.
But with all of the GREAT minds in the digital and music space, of course we’ll find a new model. Music does far more than soothe the savage breast, it is the most vital language of unification. Ask the millions of Chinese listening to Gaga or Beiber – or just look at the worldwide recognition of Mozart. Or the global domination of Idol.
Yes, there are definitely parts of the foundation with cracks, or worse, but I have full confidence from my life experience of consulting with the industry leaders and artists, that we’ll find a new and more powerful model to propel us forward. Until then, in the immortal words of Sonny and Cher, the beat goes on.
Kelli Richards
CEO
The All Access Group, LLC
The Future of Content, by Futurist, Gerd Leonhard
Gerd Leonhard is a media futurist, writer, keynote speaker and strategist with 25 years in the tech and entertainment industries in all major markets. Leonhard’s focus is on new technologies in content, media and technological convergence, and he’s just published his newest book on Kindle, “The Future of Content.” https://gerd.fm/focbook
Leonhard’s intent to publish this eBook via Amazon Kindle, exclusively, at this very low price, is to make these ideas and concepts as widely available as possible while still trying to be an example of what digital, paperless distribution can look like, going forward. Definitely a GREAT investment at $2.99.
Gerd Leonhard has been writing about the future of content (i.e. music, film, TV, books, newspapers, games etc.) since 1998. He has published 4 books on this topic, 2 of them on music (The Future of Music, Music 2.0). For the past 10 years, Leonhard has been deeply involved with many clients in various sectors of the content industry, in over 17 countries, and it’s been a great experience, he says. “I have learned a lot, I have listened a lot, I have talked even more (most likely:) and I think I have grown to really understand the issues that face the content industries – and the creators, themselves – in the switch from physical to digital media.”
This Kindle book is a highly curated collection of the most important essays and blog posts Leonhard has written on this topic, and even though some of it was written as far back as 2007. “I believe it still holds water years later. I have tried to only include the pieces that have real teeth. Please note that the original date of each piece is shown here in order to allow for contextual orientation.”
[audio:https://allaccessgroup.com/wp-content/uploads/2011/04/Gerd-Leonhard-Final-Edited.mp3|titles=Gerd Leonhard Final Edited]You can hear my recent one-on-one interview with Gerd here.
For those of you who do not know, I’m part of The Futures Agency, an online industry think-tank founded by Gerd Leonhard. The Futures Agency is based on 5 key principles: 1. Knowledge grows when shared, therefore we share everything 2. Proudly find elsewhere (PFE) 3. Do what you do best and link to the rest (*Jeff Jarvis) 4. Spend less time being important and more time being relevant 5. The leaders of the future are connectors – not just directors.
I’m proud to be part of this stellar group, and encourage everyone to pick up Gerd’s latest eBook and to spread the word and support your own followers and colleagues with this great collection of Gerd’s work.
https://www.amazon.com/The-
Kelli Richards,
CEO of The All Access Group, LLC
The Pandora Box of Mobile – The Sky’s the Limit
If you were at the Web 2.0 Summit in San Francisco last week, you probably heard Pandora Founder Tim Westergren share that SEVENTY PERCENT of their usage is through mobile venues. Yes. 70%. And having created a super-successful digital space for themselves, Pandora doesn’t see Spotify, iTunes, or any other competition eating their lunch any time soon.
Tim Westergren shared the following about the portability of the iPhone and its impact on Pandora, “Overnight it transformed our business. We almost doubled our growth rate. It changed Pandora from being desktop computer radio to being like real radio.”
One can’t completely appreciate the enormous (and growing) impact of the mobile industry without really understanding its past. On my BlogTalkRadio series, I recently interviewed my longtime colleague, Anthony Stonefield, a leader in the mobile and digital industries, who literally pioneered downloadable song distribution in the 90’s and popularized ringtones worldwide in 2000 (creating today’s $8 billion ringtone market). Anthony also executive produced the worldwide mobile program for the Live 8 event, and the mobile charity part of Melissa Ethridge’s “I Run for Life” breast cancer campaign, among others. I asked Anthony Stonefield where he thought super distribution will take us in the next few yeas and to talk about SmartPhones and their broad effect on users.
“Smartphones put everything that you had on your PC into your hand… I think what’s happening now is that we’re unlocking the true internet. Until today, we have always thought that we are driving the web, but now, SmartPhones are reaching down into the emerging markets, to the next several billion individuals, and these people are creating revolutions, changing the face of the planet, because they’re getting their first real-time connection to the rest of the world, through SmartPhones. As these phones infiltrate emerging markets, we have a whole new world to embrace… this is changing the nature of the human being and the way we interact.”
“My experience is that entertainment media is always consumed on impulse. So the technical solutions are also part of this equation. 4G will eventually enable a distribution model that can scale, but until then, we face serious limitations of scale… 4G has a way to go before it can provide viable, reliable user experiences, but it does enable a way to discover and present media very rapidly.”
You can hear the entire interview here.
Getting back to the future, so to speak, Pandora’s founder explained at the Web 2.0 Summit that Pandora transformed from a simple desktop radio to a “real” radio when users started taking their iPhones and plugging them into their cars and living rooms. It’s important to realize that, conceptually, Tim Westergren does not consider Pandora competition to Apple, Spotify or other subscription music services. He considers it a streaming radio service, and does not charge for participation.
With revenue skyrocketing due to ad sales, similar to traditional radio, Pandora has forayed further into radio, actually developing programming and content – and perhaps even newscasts and “sports radio” broadcasts in the future, further solidifying them as the leader in this industry – at least for now. Like any great industry, competitors WILL show up. AOL, who could arguably be called the founder of online radio, relaunched its own product within hours of Westergren’s speech, with half of the audio commercials. (And AOL Radio already carries ESPN Radio and ABC News stations.)
It’s hard to know if AOL will be the biggest contender in the mobile war, but with Smartphones becoming the “transistor radios” of the future, Pandora’s box is definitely filled with opportunity.
A client of mine is about to launch her 2nd eBook. I’d like to change the price on her FIRST eBook on Amazon (and everywhere else it’s up). Could someone tell me how to do that? If you need to see the eBook for some reason, it can be found at: https://www.amazon.com/Taking-Crowd-Cloud-Industry-ebook/dp/B005H3ZK1Y
Kelli Richards,
CEO of The All Access Group, LLC
Celebrity Wrangling.
When it comes to celebrity wrangling, helping a corporate client or event organizer secure the right celebrity to support their event or product campaign is definitely more art than science. The most important part of the process is bringing my 25 years of listening and experience to a discussion about the objectives of the client. Is it a company celebration? Is the event or campaign about supporting their employees (internal) or their brand (customers)? Is it to thank their sales team? Or perhaps an industry conference with VIPs?
From there, we create a wish list of who they’d love to have stand on their stage or showcase their product or company, as well as what “type” of spokesperson or entertainer – for instance, a musician, a comedian, an actor or actress. Then we put together a prioritization and an outreach plan, something I’ve developed strong expertise in doing successfully after many years. We also create a list of gives and gets – is the celebrity or artist being compensated? Is the event so grand that it’s simply a win/win for them to participate? And then the back-and-forth between the client and the celebrity rep begins, and the process of creating a strong win for both sides unfolds.
The biggest impact in terms of having a celebrity or artist aligned with a campaign or event is what I call the “halo effect” – when an audience feels cared for and honored when a celebrity or artist that they trust is behind the company or the product. This generally results in a memorable experience and a long lasting increase in trust and credibility.
In addition, celebrity involvement can result in much greater visibility, acceleration, and traction for a start-up – and much greater exposure if you’re doing something on the web or in social media. It increases the attraction to the product or company like a magnet, based on the following and popularity of the celebrity and their brand. Finally, with the timeless nature of the web, this association with an artist will stand the test of time, being discovered again and again through a simple Google Search.
Not sure how a celebrity or artist might fit into your start-up, product or event? Reach out to me and ask. Kelli@AllAccessGroup.com
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“Kelli’s contributions as co-producer of ‘MusicBiz 2005′ have been essential. Her relationships and management of them, as well as her conceptual abilities have been a cornerstone of the business we have been developing. I can’t imagine that it (the conference) would have happened without her. For starters, she brings a tremendous understanding of the market, a stellar reputation, loyal relationships among the leaders in the field, highly developed written and oral communication skills, untiring work ethic, excellent team building skills, and total reliability….”
~ David Schwartz, Executive Producer – MusicBiz
“Kelli has proven to be an excellent resource for Red Herring Events. She contacted over 50 musicians and celebrities for our Herring on Hollywood event. Kelli is both professional and a pleasure to work with. With her assistance, we were able to book the musician Ice-T to speak on the music panel. We will definitely be using Kelli’s services for future events.”
~ Beth Curran, Event Producer – Red Herring Magazine
Kelli Richards,
CEO of The All Access Group, LLC
Billboard.Biz – “Music-Industry Characters You Need To Follow”
Even with the best of intentions, in today’s hyperdriven digital age, it’s easy to use someone else’s article or lyrics and misunderstand how copyright and sourcing needs to be applied. And so, in addition to sharing some great insights around the global issue of copyright, on today’s blog I also want to thank Billboard for sharing their Twitter list of “Music-Industry Characters You Need To Follow” which was used, in large part, in my own social media eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry.”
Because she had made a few significant changes to the list, my copyeditor did not realize she should source the list and link it back to Billboard. I’ll certainly change it in reprints, and will source Billboard.biz in my webinars and teleseminars on the topic, but I also wanted to publicly acknowledge and thank Billboard and Billboard.Biz for being an amazing source of information and support to the music industry.
Copyright is definitely one of the greatest issues that has come to the forefront of the new digital age. Of course, it was always an issue. But when music and literature were hard pressed into vinyl and pages, and the middlemen controlled the product funnel, believe it or not, it was much easier to keep tabs on who owned what. With media passed around at the speed of light via digital distribution, solutions like meta-tagging and “watermarking” become an artist’s lifeline to their work. In our recent one-on-one chat, thought leader Thomas Reemer shares about the application (and implication) of watermarks and how they effect digital distribution.
(For those who don’t know, Thomas Reemer is the CEO of 88tc88.com – an online service that, among other things, translates western titles and artists, enabling access for Western Music to the vast Chinese mobile market, including direct access to China Mobile, China Unicom and China Telecom – the trifecta of the Chinese tech industry.)
Please click here to listen to my entire interview with Thomas, and if you’d like to be included on the MP3 distribution for my entire interview series (with industry leaders like Ian Rogers, CEO of TopSpin Media; Michael Robertson, CEO of MP3.com and DAR.fm; and groundbreaking musicians, such as David Pack, Musician, Songwriter and Lead Singer for Ambrosia; and Academy Award Winner, Irene Cara) simply sign up for “VIP Access” at the top of my website at AllAccessGroup.com.
Kelli Richards,
CEO of The All Access Group, LLC
PS: To get your own copy of my eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry,” and be invited to the exclusive webinar to support my readers on this topic, please click on the title.
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Kelli is “In the Hot Seat”
“In The Hot Seat” with Larry LeBlanc for CelebrityAccess. “In the Hot Seat” profiles entertainment leaders from around the world in a Q&A form. It was very exciting, and AAG invites you to click over and read the interview today!
This week In the Hot Seat with Larry LeBlanc: Kelli Richards, CEO and president, The All Access Group.
Today, as president and CEO of The All Access Group based in Cupertino, California in the heart of Silicon Valley and host of All Access Radio, Richards strives to create alliances between large content and technology companies, major artists, and consumer brands.
Richards guides her clients through the maze of leading-edge technologies and connections in order to get their products to more people. According to this savvy, fast-talking entrepreneur, her focus is on “strategic rainmaking, and creating opportunities between innovative technologies for digital distribution, and branded entertainment content.”
Digital Music East, Justin Timberlake, MySpace TV, and Where it’s All Headed
MySpace TV will still encompass the site’s library of 42 million songs and 100,000 music videos, and it will enable instant communication and huge search-ability around them between friends.
Who knows where MySpace TV will go from there? “As the plot of your favorite drama unfolds the joke of your favorite SNL character plays or even the last-second shot of your favorite team swishes the net, we’re giving you the opportunity to connect your friends to your moments as they’re actually occurring. This is the evolution of one of our greatest inventions, the television,” said Timberlake.
Thousand-Mile View of Life
One of my highlights for 2011 was a thousand-mile-high ride on a Zeppelin. Yes, one of those huge dirigibles that float over concerts and sporting events. Riding in a Zeppelin is a rare opportunity – in fact, there are only two airships in circulation for passengers – one in Germany and one in Silicon Valley. Rumor has it that the reason there was a free seat for me was because Mark Zuckerberg’s sister backed out at the last moment. I literally had only moments to make the decision and clear my calendar (no easy feat).
A Fireside Chat with Jack Buser, Director of PlayStation Home
I recently interviewed my good friend Jack Buser on my weekly online radio show. Jack Buser is the Director of PlayStation Home, which is a 3D virtual world and social game platform on the PS3. Home recently underwent a major redesign, and we were eager to hear about the new benefits and features. PlayStation Home is filled with hundreds of games – everything from pool tables and dart boards to full-on space shooters like Novus Prime: Escalation and massive online racing games like Sodium 2: Project Velocity. With Jack Buser at the helm, Home is leading the virtual world in community based user experiences, and doing an amazing job of it!
Fankix: The New Wave in Social Entertainment
I am thrilled to share that I’m now the VP of Artists & Brands for Fankix. Fankix delivers music to fans around the world with a unique social experience, deeper interaction with musicians and first-rate authentic content at no cost.
Cool or Not Cool? Bandzoogle and it’s Cool Connection to Direct-to-Fan
I recently inteviewed Dave Cool, the “voice” of Bandzoogle. Dave Cool writes the Bandzoogles blog, well known for inspiring and supporting Bandzoogle’s #1 mission: To make Direct-to-Fan a very real accomplishment for artists and bands everywhere. You can get a complimentary digital copy of “What is INDIE?” when you sign up for Dave’s mailing list at: https://bit.ly/hs4uk6
VIP Breakfast for Apple Alumni at the Silicon Valley Capital Club, San Jose, CA
I’m thrilled to invite you to join me for a VIP Breakfast for Apple Alumni at the Silicon Valley Capital Club in San Jose, CA on Thursday, December 8th, from 7-8am. I look forward to hosting an intimate breakfast and discussion exclusively for present and former Apple employees. This 1-hour Power Breakfast is about re-connecting & networking with Apple colleagues. We will explore how to take our businesses and our lives to a whole new level of success in the next year by building on the synergy of Apple alliances. The focus of this breakfast club will be my forthcoming eBook “The Magic & Moxie of Apple: An Insider’s View”. VIP Breakfast and a copy of the eBook (valued at $37) are limited to the first 12 people who respond.
A Fantastic Freebie from Fanatic.FM
To celebrate Fanatic.FM and their great contribution to DIY brand building for artists, Fanatic.FM is offering a special bonus for Kelli’s tribe. Click here for a free subscription to The Fanatic and enter to win a 1-hour session with the Fanatic.FM social media tune-up experts. Deadline: December 5.
We did it! #1 on Amazon in Music!!!
A HUGE thank you to everyone who supported the Amazon Launch for “Taking the Crowd to the Cloud – Social Media for the Music Industry” – an eBook that raises the bar and demystifies social media marketing, helping musicians, agents and anyone in our industry to THRIVE. Not only did we spend all of last weekend at #1, as I write this, we’re STILL top ten!
Hypebot Promotes “Taking the Crowd to the Cloud”
I’ll write a separate blog about how my eBook went all the way to #1 on Amazon this weekend, but I wanted to take a moment and offer a special thanks to Bruce Houghton – a powerful voice in the music industry – who writes for HypeBot. He made an exception to his SOP to review the book, and his observations are spot on and very important to me. Because of the holiday weekend, I made the executive choice to leave the eBook at the launch price just until mid-week, giving all of the artists out there a chance to grab it (and use it!). MANY thanks to Bruce and to everyone who supported our effort to offer a hands-on, simple, DIY look at social media for the music industry. ~ Kelli Richards
11/11/11 eBook Launch! Help me hit #1 on Amazon!
Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever. Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd This eBook raises the bar and demystifies the social media process. It will help you THRIVE in this tough economy and transform your online presence and your marketing mindset. It provides an overview of the top 10 online spaces and gives a brief look at how to maximize your social media presence to build and keep your audience – and turn them into your own personal sales force. MORE FANS! The ultimate end-game! BRAND TRANSFORMATION! (Yes, trust me, you are a brand!) MORE MONEY! That’s an easy one, more fans + more content = more sales. SIMPLE! Written in easy-to-follow language with easy-to-implement instructions. FAST! You’ll learn about 8 no cost Resources to build your brand and your fan base! STOP WORRYING! No more worrying about missing the opp for social media success. No Cost Online Business Tools and List Building Tools worth 10X’s the cost of the book. FR EE DOM! How about turning your work into a business that does not depend on a label, a manager or ANYONE. Do what you WHAT you want, WHEN you want, and WHERE you want… You can set your own hours… You can live anywhere… All you need is an internet connection… The sky is the limit. Kelli Richards’ new eBook, “Taking the Crowd to the Cloud – SOCIAL MEDIA for the Music Industry,” teaches you to run your content, your revenue, your merch and your fan base ANY WAY YOU WANT TO. It’s easily the best eBook on Social Media for Musicians, ever. Today is the ONLY day you can get the book on Amazon at $3.99. https://amzn.to/eBook-Crowd.
A Digital Insider Scoffs at Townshend
As an industry insider – on way more than one level – it’s hard to take Pete Townshend’s comments as anything more than another great artist railing at the system. Look, in the end, we all have to admit that the system is broken. That’s one thing that Townshend got right in that interview. After that? Well, it’s all up for debate. But the fact that the debate was called to the floor again, that’s a good thing.
The Future of Content, by Futurist, Gerd Leonhard
Gerd Leonhard’s intent to publish this eBook via Amazon Kindle, exclusively, at this very low price, is to make these ideas and concepts as widely available as possible while still trying to be an example of what digital, paperless distribution can look like, going forward. Definitely a GREAT investment at $2.99.
The Pandora Box of Mobile – The Sky’s the Limit
If you were at the Web 2.0 Summit in San Francisco last week, you probably heard Pandora Founder Tim Westergren share that SEVENTY PERCENT of their usage is through mobile venues. Yes. 70%. And having created a super-successful digital space for themselves, Pandora doesn’t see Spotify, iTunes, or any other competition eating their lunch any time soon.
Celebrity Wrangling.
When it comes to celebrity wrangling, helping a corporate client or event organizer secure the right celebrity to support their event or product campaign is definitely more art than science. The most important part of the process is bringing my 25 years of listening and experience to a discussion about the objectives of the client. Is it a company celebration? Is the event or campaign about supporting their employees (internal) or their brand (customers)? Is it to thank their sales team? Or perhaps an industry conference with VIPs?
Billboard.Biz – “Music-Industry Characters You Need To Follow”
In our recent one-on-one chat, thought leader Thomas Reemer shares about the application (and implication) of watermarks and how they effect digital distribution. (For those who don’t know, Thomas Reemer is the CEO of 88tc88.com – an online service that, among other things, translates western titles and artists, enabling access for Western Music to the vast Chinese mobile market.
Complimentary Access to NARM Webinar Thursday 9/22
I will be offering a 45 minute presentation with NARM this Thursday 9/22 at 1pm PST.
The team at NARM has graciously given me 15 free “seats” at the Webinar to share with my followers and colleagues. The topic will be “Taking The Crowd to The Cloud – Social Media for the Music Industry,” which was the focus of my recent eBook.
An Intimate Fireside Chat with Video Music Director and Producer, Robby Starbuck
This month’s Fireside Chat is an informal Q&A with Music Video Director and Producer, Robby Starbuck. Robby Starbuck is an artist who’s willing to take huge risks to walk the walk and paint his unique voice on his own private canvas — film. He’s directed music videos for such amazing artists as: Snoop Dogg, Smashing Pumpkins, Escape The Fate, Metric The Sounds, Pierce The Veil and dozens of others and has, to date, almost 28 million views on his YouTube channel.
An Intimate Fireside Chat with Thomas Dolby and Kelli Richards
Best known for his hit, “She Blinded Me with Science,” Thomas Dolby is much more than a recording artist. In fact, he’s STILL leading the tech revolution with his interactive game, Floating City, which reacts to player contributions, eventually granting access to Thomas’ newest music. This is digital technology meeting music at its best!
The Gifts of the Digital Age – Remember 9/11
Because of the advances in digital technology, we are able to keep alive the memories of those who lost loved ones on this day, ten years ago – and even more, to broadcast those memories to our nation and to our world. They do not remain locked in a vault somewhere, for eternity, they are instead broadcast to the far corners of the universe through social media.
VIP Breakfast at Digital Music West – Redefining Social Media for the Music Industry
I’m fortunate to lead a complimentary VIP breakfast kicking off the start of Day 2. This is an informal roundtable discussion focused on my newest eBook “Taking the Crowd to the Cloud – Social Media for the Music Industry” on Friday, October 7th, from 8:00-9:00am. The VIP Breakfast includes a vibrant discussion, great company, and a printed copy of my eBook, for the first 20 people who reserve their seat by Tuesday, October 4th (to do so, contact my team at sandy@allaccessgroup.com). The breakfast will coincide with the formal Amazon publication launch of my eBook on 11/11/11.
VizLingo – The Newest Gadget for Gen Z
Yes, the tech revolution has produced an endless stream of new gizmos, gadgets and tools. Some of these are vital to our day-to-day existence, like email, and some are simply a fun and entertaining distraction (Angry Birds anyone?)…
Not long ago, entrepreneurs Todd Younggren and Azeo Fables created hatched the idea to use the latest revolution in tech, mobile, to create a new way to communicate, and VizLingo was born.
Big Brother has Landed, and his name is Foursquare
Kelli Richards, technology futurist and consultant and CEO of the All Access Group shares her thoughts about Foursqure and their recent alliance with Groupon, BuyWithMe, Zozi, Gilt City, Living Social and AT&T Interactive — as well as finance giant, American Express.
CEO of All Access Group Invited to be in Alan’s Gang
Kelli Richards, a thought leader in digital music and entertainment, and one of only a few select members of Alan Weiss’ Master Mentor Program and Thought Leadership Summit, has recently been invited to participate both Weiss’ new Summit Global Network and also in the collaborative “Alan & the Gang.”
Alan & the Gang is an online destination where both aspiring and veteran entrepreneurs and business people can access thought leaders from around the globe. Kelli Richards joins a limited group of elite international experts in both process and content who contribute their intellectual property and expertise.
Chatting with Brenden Mulligan, Founder of OneSheet, the One Stop Solution for Artists
For a long time now, artists have been asked to create profiles on all of these different services, and one problem I felt was there was that there wasn’t necessarily an easy way to weave these together. What I wanted to do was make it incredibly easy for an artist to create a maintenance free web presence, something that would take them only a few minutes to do and be totally affordable.
Legacy and Celebrity Wrangling
One of the most important aspects of my career has been creating high impact collaborations between artists, celebrities and corporations, and sometimes between artists and charities. I call this celebrity wrangling. There’s no shortage of passion in the world surrounding celebrities and musicians; in fact, it’s rare to find one that doesn’t crave the opportunity to create lasting change and global/societal impact. Connecting the right artist for the right purpose – or simply being part of event production as a talent producer for award shows & charity events involving great artist/celeb talent, well, those are definitely career high points.
Kelli Richards Hosts a VIP Breakfast at the Bandwidth Music | Technology Conference
On Tuesday, August 16th, at 8am, industry thought-leaders, Kelli Richards, CEO of the All Access Group, will host an intimate breakfast and discussion to kick off day two of the annual Bandwidth Music | Technology Conference. The focus of this “breakfast club” will be Kelli Richards’ newest eBook “Taking the Crowd to the Cloud – Social Media for the Music Industry.” VIP Breakfast and a printed copy of the eBook (valued at $37) will be available to the first 20 people who respond. Please RVSP to reserve your VIP seat at the event. sandy@allaccessgroup.com
Taking the Crowd to the Cloud – Social Media for the Music Industry
My new eBook, Taking the Crowd to the Cloud – Social Media for the Music Industry, is an insider’s view on how it all comes together. It raises the bar and demystifies social media marketing, helping musicians, agents and anyone in our industry THRIVE – it empowers and transforms the marketing mindset.
Is Mobile Advertising Over Before it Began? One or Two Standouts Still in the Game
In the end, this forum also demands a new level of creativity, collaboration and UE, user experience. If Angry Birds can become a phrase and experience that 78% of mobile users know and have participated with, then Angry Birds who drink Dr. Pepper makes perfect sense.
Tech + Media – The Honeymoon Between GoogleTV and Logitech Ends, but the Marriage Continues
The marriage of tech and media is definitely a rocky one at times, and Web TV is no exception. The latest tech / media couple in trouble appears to be Logitech and Google. With the rocky start to Google TV, Logitech is also hung up in every way possible. Why? They supply the tech end of GTV with the Revue Google TV set-top box.
Spotify ….Finally
Spotify ….Finally. Well, after all this time, what’s left to be said??? Except let’s give credit to the artist. Tallulah by Tobias Norberg
Social Media Wars – How Wide Do We Open the Kimono? Google+, Facebook, Etc.
It is very easy to see why they don’t want to do battle with megalith Google over anything more than ad sales. One has to wonder, however, where the users come into play. Although diligently trying to evolve every single day, there’s absolutely NO guarantee that Facebook will not become the MySpace of tomorrow. (Meaning that they become a great neighborhood that nobody lives in or even visits any more – sort of the Three-Mile Island of Social Networks.) Simply building walls and creating friction will not protect them.
3 Best Practices for Working with a Coach
This is an easy task to throw out there and probably one of the toughest decisions we can make at any given time. The notion that the right teacher will show up at the right time in our lives is only partly true. We have to actively participate in our search with a clear picture of what we want in order to attract the right people, no matter what role they are to play in our lives – and also to be open to them when they appear. Having a crystal clear image of what you need in a coach – what their area of expertise is, how they resonate with who you are & your vision, and how they work with their clients are all vital ingredients in your process.
An Intimate “Fireside Chat” with Million-Dollar Coach and Author, Alan Cohen
Alan Cohen: I love coaching because it’s a really fast way to make progress. When I work with coaches, I find that each one has a unique passion, talent, interest and vision. Half of the game of becoming a coach is telling the truth and getting in touch with where your unique path lives… for you, you’re an expert and master in connecting people and in the media – nobody else does that like you.
Facebook + Skype = Hyper-Connectivity …. Or Virtual Un-Reality?
What does it mean that Facebook has partnered with Skype to offer video calling? Mark Zuckerberg, CEO of Facebook, has focused on the “social infrastructure” that’s been created by the Facebook team (and other social networks) and the Orwellian openness that’s become our lives (which he calls sharing). Is he right? Is he wrong?
Data is the new Oil – By My Colleague, Media Futurist, Gerd Leonhard
Data is the new Oil: paying with attention is the future of media View more presentations from Gerd Leonhard
Best Practices for the New World of Live Music
But if you’re playing in Rhode Island or Flint, Michigan, you have to seriously consider what the market can bear. A lower ticket price doesn’t have to mean you’re eating PB&J for a week either, it means you have to get creative, so that those who want more contact or have more expendable income, can choose to participate on a higher level. Consider a paid meet & greet before you go onstage, or an after party with some free merch to go with the separate ticket price.
An Intimate “Fireside Chat” with Hollywood Producer, Gary Goldstein
An excerpt of Kelli’s Q&A with Hollywood Producer, Gary Goldstein, an inspiring voice in the film and music industries. Gary Goldstein produced one of the most iconic cultural expressions of the last generation: Pretty Woman. He has gone on to mentor many of the leading creative voices in music and film. He is an accomplished film producer, an author, a speaker, an innovator, a philanthropist, and a great guy.
Connectivity – A Vision of the Future
Digital goes far beyond songs and iTunes and singles and lockers, it goes past movies and downloadable books and content, it’s way bigger than anything we could have imagined five years ago, and I have no doubt that five years from now will showcase something else that’s beyond what we might imagine today.
Cloudy Weather at Apple, Then and Now
It will come as no surprise to anyone that Apple’s stock will rise the moment Steve Jobs takes the stage later today. By any estimate, Apple is worth billions – with or without Steve Jobs – but like it or not, apple is not a democracy. It is an autocracy. It is a company carrying out the vision and changing the world, all according to the dictates of its leader, Steve Jobs.
Join Me in June for a “Fireside Chat” with the Leading Minds in Branding, Coaching and
I’m pleased to share with all of you that my weekly “All Access Radio” Show has developed a strong and loyal following! Over 20,000 downloads in just a few months. I’ve been graced to interview some of the top digital visionaries and leading voices in the music and technology industries, as well as some great voices in the music and entertainment industries.
Can MySpace Save itself by Porting into Facebook? Social Media & Digital Music.
Yes folks, Myspace Music has finally brought in an app that will let artists transfer their content from Myspace into Facebook under a new “Music” tab. You can check out the program here.
God Only Knows. Minefields and Memories…
Adopt-a-Minefield benefit concert given by Sir Paul McCartney and Brian Wilson, where they joined together and sang, “God Only Knows.”
The concert and the song definitely live in my mind as one of the most moving and inspiring events that I ever participated in. Although there isn’t any video from the event to really speak of, there is a snippet of it in an Access Hollywood interview, speaking with Sir Paul and host, Jay Leno, about the event.
Karma-Chameleon. The Fast-Changing Metrics of Digital Music
The changes in the digital music world continue to inspire a lot more than fear – they’re creating connections on every level, minute by minute. It’s great to see the Billboard Music Awards getting so much attention on traditional media, but the truth is that their rankings simply don’t mean what they used to. Long recognized as the industry standard, it’s no secret that the on-demand player and purveyor of music (and ranking) is now YouTube.
Personalizing Lyrics – One Amazing, Creative Way to Personally Rock The Fan Base
As a true lover of technology, as well as a coach in both the business world and in the digital music space, when I come across a tech solution that changes the course of a musician’s business and revenue stream, and builds a better fan base – well, let’s just say it’s always a reason to celebrate. As the music industry has been pummeled over the last decade, hit with punches from outside and inside of itself, creativity has turned out to be the number one solution to surviving – and thriving – the ever changing landscape.
Google’s Music Locker … All it’s Cracked up to be? Or Just Cracked?
Music Beta by Google went live with more details about licensing and features on May 10th of this week. VentureBeat’s review said it was, “a web of confusing programs without a lot of instruction as to how to actually get to the music you want to hear.”
3 Best Practices for Digital Distribution & Audience Building in an Ever Evolving Online World
Over the last decade, the shift from physical media to digital distribution is a trend explored literally in front of us every single day. From the music industry, videos and movies, to information and gaming, television and radio, there’s no aspect of the media world that has not been completely transformed.
Michael Robertson Talks about DAR.fm, MP3tunes, Amazon and the Cloud Music Industry…
Excerpt of Kelli Richards’ Q&A with Michael Robertson, the Bad Boy of the Digital Music Industry. Michael Robertson is a longtime provocateur of the music business and the founder and former CEO of MP3.com, one of the most popular Internet music sites ever. His newest startup, DAR.fm, is a centralized Web-based TiVo for radio. Users can search the programming schedules of over 600 music and talk-radio stations and schedule DAR.fm to record up to 4 hours of any broadcast.
Peter Rafelson – A New Chapter in a Long Hollywood Legacy
Growing up surrounded by Hollywood royalty, like Jack Nicholson, The Beatles and Bob Dillon, and being immersed in the renegade, independent film business of the 1960’s, Rafelson was blessed with a myriad of artistic role models. He shared this thought with me in a recent interview, “Growing up in that environment, it was very
Google kills SEO – Stay Alive with Social Media
I don’t know how many of you saw the news, but Google is changing how SEO is formulated. What? Yes, they’re tossing the algorithm out the window and writing a new recipe for how page ranking works. While some of the formula will remain as it is, a huge new piece will be based on what they’re calling a “social media grid.” What that means is if …
Join Me for a “Fireside Chat” with the Leading Minds in Tech and Digital Music / Media
Please join me each Monday evening at 5pm Pacific Time, as I host an intimate “fireside chat” with some of the leading minds in technology and digital music and media. You can find my entire library of recordings on my website as well as some personal interviews where I share about my own experiences over a twenty plus career in music and tech.
Making a Mark at Digital Hollywood Spring
I’m very excited to share with everyone that I will be moderating a panel session at Digital Hollywood Spring at the Ritz Carlton in Marina Del Rey on Wednesday May 4th. Here are the details on my panel, and some more information on the event itself.
Jeff Brandstetter – Thought Leader in Digital Music and Entertainment
Jeff Brandstetter is a digital music and entertainment lawyer with over 20 years of experience in film, TV, music, literary, new media and entertainment financing matters. He is also the co-author of the highly acclaimed book “The Music Business Explained in Plain English.” He appears frequently as a speaker and moderator on entertainment law matters and Is also the Co-Founder and CEO of IndiePlaya, a revolutionary online film distribution platform optimizing the marketing and distribution of independent films.
The Futures Agency
I was recently invited to be part of The Futures Agency by my good friend and colleague, Gerd Leonhard. For those of you who do not know, The Futures Agency is the name of Gerd’s company, but he’s also created an online industry think-tank of friends and colleagues. I’m super excited to be part of this think-tank and elite group of leaders in the digital industry.
An Interview with Dave Kusek, of the Berklee School of Music, and the Co-Author of “The Future of Music”
I recently interviewed Dave Kusek, of the Berklee School of Music, and the Co-Author of “The Future of Music.” Dave Kusek is a digital music executive and is responsible for helping to create the market for digital music as an entity. He created a hugely successful online music school berkleemusic.com for the prestigious Berklee College of Music. Berkleemusic has become the world’s largest music school teaching over 15,000 students a year globally.
Duran Duran – All You Need is Now
Highly collaborative and innovative, Duran Duran has spent thirty years fusing pop music with art, fashion and technology, bringing music videos from a marketing tool in the 80’s to one of the music industry’s most valued creative assets.
6 Ways to Build Your Brand and Grab Your Audience
In today’s world, the connection to your customer is your number one asset. The path to communicating most effectively to your “fans” literally becomes the yellow brick road. If you’re not giving your fan or client a myriad of choices through which to connect, you are missing out not only on revenues, but also on building your army of loyal brand advocates. Here are 6 best practices to implement immediately to forge a solid, long-standing relationship with your best audiences and clients.
An Intimate Q&A with Tom Silverman, CEO of Tommy Boy Entertainment
Tom Silverman, CEO of Tommy Boy Entertainment and the Force Behind the New Music Seminar Speaks with Kelli about where the Music Industry is Headed. Tom Silverman, CEO of Tommy Boy Entertainment and the Force Behind the New Music Seminar Speaks with Kelli about where the Music Industry is Headed.
Here are a few excerpts of my interview with Tom Silverman on my All Access Radio Show. To hear the entire interview, please visit my website at https://allaccessgroup.com.
Hot Stuff from Hot Caramel – Excerpts from my Interview with Irene Cara
Being able to support great artists and entrepreneurs as they break away from past successes in their lives and embark on the new is one of life’s biggest highs for me. Few performers have had the amazing success and influence of Irene Cara – I had the chance to interview Irene recently and to hear about her new group, “Hot Caramel.”
Gregg Allman – Somehow You’re Still on the Run
Gregg Allman has always been a guy who colors outside the lines, in my opinion. There’s no question that The Allman Brothers Band has serious staying power. Probably best known for “Sweet Melissa,” Allman is a bluesy, jam-band pioneer who practically invented Southern Rock. As most followers of Allman Brothers music probably know …
Remembering John Lennon – 30 Years Later
It’s honestly hard to believe that thirty years have passed since he was taken from us in a single moment’s insanity. In fact, most of the time, it’s hard to believe that John’s really gone at all. His was far more than the voice of a generation – it was often the voice of our hearts and our conscience.
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