Category: Music

EventFinda – A New Way to Find Events, Concerts, Gigs, Tours…

Kelli Richards August 8, 2012

EventFinda is an amazing new way to market and promote events as well as purchase tickets. EventFinda goes above and beyond today’s standards for event marketing and ticketing. EventFinda distinguishes itself from the competition by not only being a place to buy and sell tickets to events but also syndicates and shares content, as well as offering a path to discover more events and interesting entertainment coming to your area. EventFinda makes the lives of everyone involved with a single event much easier; from the artist, to the promoter, to the PR teams, and ultimately, to the fans and spectators.

As something that started from a kitchen table in 2005 in New Zealand (not exactly Silicon Valley) and spread across the globe to land in the USA this year, there’s no doubt that EventFinda will continue to grow and amaze fans and entertainers alike. Sure, there will always be other websites that you can go to to buy and sell tickets, discover new music or entertainment, learn more about your favorite artist or venue; but none of them will be able to package all of that together like EventFinda.

Kelli Richards, President and CEO
The All Access Group, LLC

Press Release: Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club

Kelli Richards February 29, 2012

Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club

Cupertino, CA  Kelli Richards, a thought leader in digital music and entertainment, and one of only a few select members of The Futures Agency and Alan Weiss’ Master Mentor Program and Thought Leadership Summit, has been invited to be an esteemed guest and presenter at the Silicon Valley Capital Club.

Located in beautifulSan Jose,California, the Silicon Valley Capital Club is a private business, social and dining club that is truly without rival inSilicon Valley and the surrounding Bay Area. With its spectacular 360-degree views from the pinnacle of theKnightRidderBuilding in the heart of downtownSan Jose, the Silicon Valley Club offers the perfect ambience and well-equipped facilities for both business and social gather.  The Women’s Luncheon Series at the Capital Club highlights women speakers from a variety of backgrounds and industries.  It also provides the opportunity for top business leaders to build strong relationships and develop a network of connections.

Kelli Richards is a true trailblazer in the digital music, entertainment and technology worlds with more than twenty years of senior-level leadership experience.  With a unique talent for connecting innovators in technology with creative leaders in entertainment, Richards is a highly sought-after consultant, mentor, speaker, producer, coach and author, As the CEO of The All Access Group, Richards and her team facilitate powerful strategic business opportunities in digital distribution between technology companies, established artists and celebrities, film studios, record labels, and consumer brand companies to foster new revenue streams and deliver compelling consumer experiences.

Prior to founding The All Access Group, Kelli served in senior roles at Fortune 100 entertainment and technology companies, including Apple Inc., where she launched Apple’s earliest focus on music and drove all music initiatives during her 10 years with the market leader. She also served in senior-level leadership capacities at EMI Music as an A&R exec, and at Silicon Graphics (SGI) where she helped launch Silicon Studio, the company’s entertainment division. She developed PatroNet, the first Internet-based artist subscription service with rocker partner Todd Rundgren in the mid-90s – and helped to launch the entire digital music revolution.

A frequent speaker and panel moderator at digital music and entertainment industry conferences globally, Kelli has also been an acclaimed talent producer of a wide range of award shows, epic concerts, and celebrity fundraiser events for over 25 years.  She co-produced a celebrity fundraiser event to support the UN’s “Adopt-A-Minefield” initiative featuring Paul McCartney, Brian Wilson, Stephen Stills and hosted by Jay Leno. Additionally, she was a 20-year talent producer behind the BAMMIES, and remains a long-time talent executive and co-producer of the annual Pollstar Concert Industry Awards.

Kelli Richards has co-authored two books, including the critically acclaimed “The Art of Digital Music:  56 Artists, Visionaries & Insiders Reveal Their Creative Secrets.”  Her newest eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry,” reached #1 on Amazon in several categories. A true renaissance woman, Kelli is also a Certified Integrative Life Coach trained under best-selling authors and coaches Debbie Ford and Alan Cohen.  She lives inCupertino,CA in the heart of theSilicon Valley.

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Kelli Richards, CEO
www.AllAccessgroup.com
Email:  Kelli@AllAccessGroup.com

 

 

Whitney Houston – Connecting the Dots to a Legacy

Kelli Richards February 21, 2012

There’s no doubt that musicians face huge challenges to remain centered and whole, in an industry that seems to rip pieces away from their very soul at times.  From the fans to the machine – to the very process of creating their work – the vulnerability is sometimes painfully obvious.  The very thing that draws us to amazing talent like Whitney Houston, the courageous vulnerability, is what often becomes their undoing.

The ultimate question becomes: What do artists need to create to keep themselves safe from becoming undone?  Because stories like Whitney Houston’s are not uncommon.  Stars rise and fall with the fickle tastes of fans, and when an artist is as meteoric as Whitney, the fall to the ground is far and long.  Her difficulties were not only exploited in the media, they were – to some degree – exploited by Whitney herself, choosing a reality show as a vehicle for her brand.  Under the best of circumstances, that road is twisted – just ask the long list of reality stars held up to public scrutiny (and editing and distribution).

Whitney Houston made courageous leaps long before Being Bobby Brown, battling for sobriety and most recently reinvigorating her career and her brand.  She took the brave leap from music to film.  “The Bodyguard,” with Kevin Costner is what leaps to everyone’s minds when we talk about her film presence, but for me, it’s her more subtle performance in “Waiting to Exhale” that always got my attention, because it was far from her own journey.

Seeing Whitney play an icon, even as beautifully as she did so in The Bodyguard, was not a stretch.  It was believable because she was believable – always authentic in her music, to see that embodied in the film was wonderful, but not a surprise.

But in Waiting to Exhale, amidst a great ensemble of veteran actresses like Angela Bassett, well that’s where we saw her acting chops come out.  The softness she delivers her parting line to an outdated lover, the laughter she joined, but did not dominate – every piece of that film showed a side of Whitney – a collaborative side – that we seldom saw as a superstar.  From every high note, performance to performance, she was what we demanded she be – an icon.

I think we all agree that Whitney Houston was far more than that. She courageously took on great, collaborative projects, most recently in the remake of “Sparkle.” I’ve had the great honor to be friends with Oscar Winner Irene Cara – the actress who crossed that same barrier and brought Sparkle to life the first time.  I know from years and years as a coach, working with top artists that celebrities crossing media barriers from film to music to producer and back again is a difficult and amazing journey.  They risk failure in a far more public way than mere mortals.  But it’s the courage and the vulnerability to take those risks that keeps artists alive – in every definition of the word.

I think, now, in the end, like Michael Jackson and Amy Winehouse, our job now is to let Whitney Houston rest. The drugs – the chaos – the heartache – it’s all over. Like a great painter, only her artistry lives on.  We have to remember that  she was, of course, a real person – someone’s daughter …someone’s mother.  She belonged to them.  But if you connect the dots to the music…and the rest of her work, the legacy belongs to all of us.

Kelli Richards
President and CEO
The All Access Group, LLC

Digital Music East, Justin Timberlake, MySpace TV, and Where it’s All Headed

Kelli Richards January 22, 2012

Human beings love music. It’s universally appreciated across all cultures and economic stations, all political and philosophical groups, and all ages. In fact, it threads itself, an incredibly strong communication tool, through generations. The impact of music is something that has never changed – it is as constant and timeless as humanity itself. It is as broad as the bridge from the Beatles to Irving Berlin and from Timberlake to Tchaikovsky.

But that’s about the ONLY thing in the music industry that is constant, everything else has been thrown up in chaos, redefining itself almost daily – often faster than even the most tech-savvy consumer can access – and certainly faster than artists and labels can learn. It’s not just the distribution and technology either; it’s the ever-shifting rights and monetization. Throw in the shape-shifting virtual and social spaces, and we’re looking at a virtual whirlwind of talent, tech and timing.

This is a time when mentors and leaders become uber vital to an artist’s process, and events like Digital Music Forum East (and West) become a beacon that attracts both the futurists and the icons of the industry.  This year’s Digital Music East happens in only a few weeks in New York and focuses on the five most vital parts of the industry today: Music-Tech, Rights, Distribution, Monetization and The Future.

Each series includes a number of 15-minute presentations by the top leaders and innovators in the music industry and panel discussions on hot topics, including:

Music and the Social Web
Music, Money & Innovation
New Technologies & the Artist
Rights & Licensing: If I Wanted to Reform Music Copyright Law, I Would…
What’s Next In Digital Distribution Models?
Monetizing the Music Experience: It’s Not Just About Selling Music Anymore
Predictions & Provocations about the Future of Technology & the Music

I will personally be speaking on “Taking the Crowd to the Cloud,” and basic info and tips on social media for indies and legends, the subject of my recent Amazon #1 bestseller on 2/23 at 11am. I was amazed to see how many artists did not know the variety of social spaces available to them, like podcast creators and streaming radio opps, such as BlogTalkRadio, and writing my eBook was a chance to provide a starting point for those new to the social space and Direct-to-Fan distribution.

Because in all fairness, even for the seasoned veteran in social media, this is a space that can raise even the portals to the highest of highs and then dump them when the next great triple E ride comes along, like the death of MySpace and the rise of Facebook.  And don’t think it can’t happen again.  Or UNhappen.  MySpace’s new benefactor, Justin Timberlake himself, is poised and ready to become the darling of real-time web TV – according to him at least.  “The future of MySpace is about what you’re going to do. About who you’re going to become,” he said in a brief presentation. “MySpace TV is the first foray into that future.”

MySpace TV will still encompass the site’s library of 42 million songs and 100,000 music videos, and it will enable instant communication and huge search-ability around them between friends.

Who knows where MySpace TV will go from there?  “As the plot of your favorite drama unfolds the joke of your favorite SNL character plays or even the last-second shot of your favorite team swishes the net, we’re giving you the opportunity to connect your friends to your moments as they’re actually occurring. This is the evolution of one of our greatest inventions, the television,” said Timberlake.  For the millions of artists who had invested their time and music and audiences on MySpace, I hope he’s right.

Kelli Richards
CEO
The All Access Group, LLC

 

Cool or Not Cool? Bandzoogle and it’s Cool Connection to Direct-to-Fan

Kelli Richards December 5, 2011

I recently interviewed Dave Cool, the “voice” of Bandzoogle. Dave Cool writes the Bandzoogles’ blog, well known for inspiring and supporting Bandzoogle’s #1 mission: To make Direct-to-Fan a very real accomplishment for artists and bands everywhere.

Dave Cool is perhaps best known for having directed and produced the documentary film “What is INDIE? A look into the World of Independent Musicians” which documented the experience of being an independent artist in the music industry. That movie actually became it’s own testament about the power of Direct-to-Fan, creating a huge movement around indie music and the process that independent musicians go through around today’s new tech and the seemingly endless opportunities.

The film featured several leading experts in the music industry, including Derek Sivers (CD Baby) and Panos Panay (Sonicbids), as well as with 20 independent artists. Without any background in film and funded entirely on his own, Dave Cool took the film from a small do-it-yourself project and turned it into an indie success story in its own right, with the film screening all over the world and being mentioned on CNN.com and in Newsweek Magazine.

A big inspiration in the world of musicians and bands, Dave inspires artists to keep control of their content on as many levels as possible and to maximize their fan outreach and merchandising.  If you are a musician breaking out in today’s world, this is a must. In the end, however, one thing Cool makes infinitely clear, is that it’s still about doing great work.

Bandzoogle is a web-based platform for artists and bands, allowing them to create a dot.com website – something bands MUST have, especially in the world of ever-changing social media.  If a band puts their energies into MySpace, for instance, well… we all know what happened there.  So a Facebook page is great, but a dot.com is still a necessity, and Bandzoogle is the leader in making this accessible and easy – ”Easy enough for even the drummer to do,” jokes Dave Cool during our interview.

He also spoke quite a bit about social media NOT being a one-size-fits-all – and perhaps not being a good fit for some artists at all.  (Sacrilege right?)
You can hear this interview in its entirety at https://bit.ly/DaveCool and you can get a complimentary digital copy of “What is INDIE?” when you sign up for Dave’s mailing list at: https://bit.ly/hs4uk6

 

Kelli Richards
CEO
The All Access Group, LLC


 

We did it! #1 on Amazon in Music!!!

Kelli Richards November 20, 2011

A HUGE thank you to everyone who supported the Amazon Launch for  “Taking the Crowd to the Cloud – Social Media for the Music Industry” – an eBook that raises the bar and demystifies social media marketing, helping musicians, agents and anyone in our industry to  THRIVE.  Not only did we spend all of last weekend at #1, as I write this, we’re STILL top ten!

Essentially, Taking the Crowd to the Cloud empowers and transforms the marketing mindset for artists.  Featuring a few tips on the most commonly used social networks (like Twitter and Facebook); it also holds the keys to eMail marketing, Streaming Radio, YouTube, and Meetup Groups. (It even covers how to port your MySpace contents to Facebook Music.)

Although we’ve put the price raise into Amazon, it’s STILL at $3.99 while they process it, so grab your copy now if you haven’t already.

If you choose to, you may buy the book from my website for full price ($37) and have access to continually refreshed and updated content on this topic as a BONUS addendum.

Kelli Richards
CEO
The All Access Group, LLC

 

Billboard.Biz – “Music-Industry Characters You Need To Follow”

Kelli Richards October 6, 2011

Billboard.biz

Even with the best of intentions, in today’s hyperdriven digital age, it’s easy to use someone else’s article or lyrics and misunderstand how copyright and sourcing needs to be applied.  And so, in addition to sharing some great insights around the global issue of copyright, on today’s blog I also want to thank Billboard for sharing their Twitter list of “Music-Industry Characters You Need To Follow” which was used, in large part, in my own social media eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry.”

Because she had made a few significant changes to the list, my copyeditor did not realize she should source the list and link it back to Billboard.  I’ll certainly change it in reprints, and will source Billboard.biz in my webinars and teleseminars on the topic, but I also wanted to publicly acknowledge and thank Billboard and Billboard.Biz for being an amazing source of information and support to the music industry.

Copyright is definitely one of the greatest issues that has come to the forefront of the new digital age.  Of course, it was always an issue.  But when music and literature were hard pressed into vinyl and pages, and the middlemen controlled the product funnel, believe it or not, it was much easier to keep tabs on who owned what.  With media passed around at the speed of light via digital distribution, solutions like meta-tagging and “watermarking” become an artist’s lifeline to their work. In our recent one-on-one chat, thought leader Thomas Reemer shares about the application (and implication) of watermarks and how they effect digital distribution.

(For those who don’t know, Thomas Reemer is the CEO of 88tc88.com – an online service that, among other things, translates western titles and artists, enabling access for Western Music to the vast Chinese mobile market, including direct access to China Mobile, China Unicom and China Telecom – the trifecta of the Chinese tech industry.)

Please click here to listen to my entire interview with Thomas, and if you’d like to be included on the MP3 distribution for my entire interview series (with industry leaders like Ian Rogers, CEO of TopSpin Media; Michael Robertson, CEO of MP3.com and DAR.fm; and groundbreaking musicians, such as David Pack, Musician, Songwriter and Lead Singer for Ambrosia; and Academy Award Winner, Irene Cara) simply sign up for “VIP Access” at the top of my website at AllAccessGroup.com.

Kelli Richards,
CEO of The All Access Group, LLC

PS: To get your own copy of my eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry,” and be invited to the exclusive webinar to support my readers on this topic, please click on the title.

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Chatting with Brenden Mulligan, Founder of OneSheet, the One Stop Solution for Artists

Kelli Richards August 17, 2011


A few weeks ago, I was very fortunate to interview creative disruptor, Brenden Mulligan, the CEO of OneSheet. For those of you who don’t know, OneSheet is a completely free website which allows musicians to connect their existing social networks and services, creating a basic and graphically exciting site that includes music, videos, photos, concert dates, social streams, mailing list signups and online stores.  Although it literally JUST moved out of beta, Onesheet already has more than 10,000 recording artists signed up, including major label artists like Paramore , Mat Kearny and Owl City.

OneSheet has the added feature of working with many of the most-used musician’s online services, including Tunes, Beatport, Topspin, Bandcamp, YouTube, Tumblr, Songkick, FanBridge and SoundCloud.  It’s also compatible with ArtistData, a popular syndication tool for musicians to post information across the web, which was also started by founder Brenden Mulligan.

Brenden Mulligan:  For a long time now, artists have been asked to create profiles on all of these different services, and one problem I felt was there was that there wasn’t necessarily an easy way to weave these together.  What I wanted to do was make it incredibly easy for an artist to create a maintenance free web presence, something that would take them only a few minutes to do and be totally affordable. 

OneSheet isn’t only a one-stop-shop solution for artists, it’s also been very collaborative. Founder Brenden Mulligan has made many adjustments based on the feedback of artists.  For instance, users can remove the Onesheet header, customize the navigation bar and rename concerts to tour, live, appearances, events or shows, etc. Most importantly, Onesheets can be assigned a custom domain name, which is a great asset in today’s world of uber branding.

Brenden Mulligan plans to add a premium paid service will add additional features and customization. “Mobile optimization is another feature we may charge for. What kind of artists use Onesheet and how they use it, will drive what we do next.”

To hear my entire interview with entrepreneur and CEO, Brenden Mulligan, go to https://bit.ly/BrendenMulligan  

Spotify ….Finally

Kelli Richards July 25, 2011

Well, after all this time, what’s left to be said???   Except let’s give credit to the artist.  Tallulah by Tobias Norberg

 

Can MySpace Save itself by Porting into Facebook? Social Media & Digital Music.

Kelli Richards May 29, 2011

Yes folks, Myspace Music has finally brought in an app that will let artists transfer their digital music content from Myspace into Facebook under a new “Music” tab. You can check out the program here.

Gratefully, this app includes streaming everything: music, photos, videos, events, etc.  With the global domination of Facebook continuing – and showing no signs of slowdown (yet), Music was one of the FEW remaining holdouts on MySpace…  MySpace still remains prime real estate, with over 14 million artists housing profiles there, but even that had begun to erode at the speed of light.  After all, the audience just wasn’t there any more.

This new Facebook app will allow artists to port digital music and other content from MySpace over to Facebook and manage one profile, which will show up on both Facebook and MySpace, and will have the added benefit of attracting audiences and traffic on both platforms.  This could prove to be a real problem for some of the other social app newcomers – but at this point, it just seems like a good solution to the millions of tunes lost in space on MySpace.

 

This is a very brief look at a topic I have covered comprehensively in a 50-page ebook. If you would like to be on the waiting list to receive this ebook (and be offered a special discounted cost), please register here. (select eBook Pre-Order)

 

Kelli Richards, CEO, The All Access Group, LLC

 

 

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