Category: Music

The Virtual Power of Eric Whitacre’s Choir: Involving the Masses in Music

Kelli Richards March 11, 2013

WhitacreNot since the supergroup “USA for Africa” sang, “We Are the World,” in 1985 has a song collaboration inspired such a global response. But this time, instead of celebrities contributing their part, from inside a studio in California, the contributors are average people, working in front of their computers, in the comfort of their own homes.

Just as Lionel Richie and Michael Jackson did before him, Eric Whitacre – minus the logistics – has created a musical sensation.

Jumping in the way back machine for a moment, Eric Whitacre’s interest in music began when a friend convinced him to join his college choir, primarily because of the pretty girls. It was the “Kyrie” from Mozart’s Requiem, however, that sparked his passion. In a recent TED Talk, Whitacre spoke of this experience saying it changed his life. He then felt as though he was part of something bigger than himself.

Whitacre went on to write pieces, which were published, got  Masters degree at the Juilliard School, and became a renowned composer and conductor. But it would not be Mozart or even an inspiring professor that would be Whitacre’s muse for his most recent project, it was a fan video submitted on YouTube.

The fan sang the soprano line of “Sleep,” a song Whitacre had composed, and it gave him an idea. If he could get 50 people to sing a part of one of his songs and post the video to YouTube, he could string the videos together to create a virtual choir. He decided to upload a conductor track of his song, “Lux Aurumque,” and waited for would-be artists to take an interest.

The project, when completed, received 1 million hits in its first month. You can view the video here: https://www.youtube.com/watch?v=D7o7BrlbaDs

With such a big response, Whitacre decided to do a second collaboration, this time using his song, “Sleep,” which inspired the project from the beginning. At the end of the submission process, 2051 videos from 58 countries were uploaded to YouTube. By working virtually, with technology at the fingertips of millions of people from all corners of the Earth, what used to take years to achieve, is now possible in months, weeks, and sometimes hours.

(View the, “Sleep” collaboration video here: https://www.youtube.com/watch?v=6WhWDCw3Mng)

Similar to Eric Whitacre, I understand the power of global connectivity, networking …community. It is at the core of my All Access Radio show each week (which is approaching its one millionth download this month). In one form or another, it has always been in collaboration that human beings create our best works.  Even those who work in isolation will depend upon networks and colleagues to launch their projects once they’re completed.

So this blog comes with a question: What is YOUR legacy project?  Where are your communities?  Are you building a choir of support around you?  

Until next time,

Kelli Richards, CEO of the All Access Group, LLC

2012 Music Revenue: Time to Update Our Model

Kelli Richards January 11, 2013

As 2013 starts to get under way, musicians and labels are starting to look back on 2012 to see how they faired. While the final numbers aren’t in yet, it appears that the music industry as a whole took a slight drop in album sales across digital and physical platforms. Preliminary Nielsen Soundscan data is showing a 4% drop in album sales, even with a 6% increase in digital downloads. This data can either be construed as good news or bad news depending on who you are and how you interpret it. Let’s start with the good news.

The good news is that the music industry is still here! It seems like every year the RIAA and the major labels are warning us that the music industry as we know it will be forced to shut down completely due to piracy and copyright infringement but so far that hasn’t been the case. As a matter of fact, total music purchases are at an all-time high, selling over 1.65 billion units in 2012 (a 3.1% increase from 2011.) This could be in part due to changing revenue streams and models, as evidenced by the increase in digital downloads. It’s important to note that Soundscan data doesn’t account for revenue from streaming, radio, or subscription based platforms such as Pandora, Spotify, YouTube, Rhapsody, etc. On that note, let’s look at the bad news.

While music sales are at an all-time high, streaming and subscription based services are on the rise as well. Spotify topped 5 million paid subscribers in 2012 while cancelling their paid download service that they unveiled in Europe in 2009, though it never quite made it over to the U.S. This is troubling for artists and labels because paid downloads returned more money to them. Similarly, Pandora posted a record number of listener hours and increases in revenue from the year before. The bad news is that both of these services pay fractions of a penny per stream. As a matter of fact, it would take 140 plays on Spotify and 700 plays on Pandora to be equivalent to the royalties paid from one download.

digitalmusicnews.com
Credit: https://www.DigitalMusicNews.com

So with no shortage of eager listeners and customers, the labels and distributors must find a way to start fairly compensating artists once and for all. Album sales may drop and revenue models may change but without the artist, the music industry will really self destruct. Let’s hope that 2013 will bring great new content to consumers by using new technology while the new technology and distribution platforms find a way to stay afloat while playing fair.

 

Looking Forward in 2013,
Kelli Richards
CEO of The All Access Group LLC

HITLAB – Reinventing Music Discovery and Distribution, One Artist at a Time?

Kelli Richards December 27, 2012

What’s new in the world of Music and Technology? The world-renowned multi-platinum artist Akon and a key Canadian Internet Company have joined to create something new and very interesting: HITLAB.com. Hitlab is a new media company focused on reinventing the way music is discovered, produced, marketed and distributed.

Using their proprietary DHS (Dynamic Hit Scoring) technology algorithms to mine data from patterns existing music, and comparing these patterns to that of hit songs in the US (Billboard 100 Top Hits) from the past 6 years (using 76 variables including pitch, tempo, etc.), Hitlab measures the song’s “hit” potential. A score of over 70% means that the song is widely appealing because it demonstrates similar mathematical patterns to recent chart-topping hits by the industry’s biggest musicians.

For the unsigned artist joining the site there will be 5 stages to hit it big. Stage one is to upload their demo track. At stage two, they submit the demo track for DHS analysis for a fee of $30. Next, they submit the final demo track to the Online Audition. If the artist is selected for the Live Showcase, the winner will perform live in front of Akon and possibly be signed to one of his labels (Konlive or Konvict).

There are several advantages to the artist having his/her songs analyzed. To begin with it helps them to get a feel of the potential the song has to become a chart-topper. Second, the artist can use DHS as a learning tool to see what works and what doesn’t in an effort to improve their songs. The artist can also find out which of the songs stand the greater chance at becoming hits using DHS’s analysis and detecting comparisons. Lastly, getting a higher score can lead to a higher site ranking, which gives the artist a better chance at earning a spot in the HITLAB Live Showcase and getting a record deal with Akon!

Akon’s HITLAB also stores hits of inspiring artists for anyone to listen to for free or to purchase. What a wonderful way to support unsigned artists waiting to be discovered!

If you’re a musician looking for record contracts, you’ve come to the right place. If you want a part in the music business, you can join to be a Top Promoter (which creates your own web site and music store).

The Latest News is that HITLAB recently partnered with ASCAP (American Society of Composers, Authors and Publishers) in the Emerging Artist Competition. The Recording Academy (www.grammy.com) agreed to give the winning unsigned upcoming artist or band a chance to perform at the 3rd Annual Social Media Rock Stars summit, an official Grammy® week event!

While there are many sources out there for new artists and bands, Hitlab is devoted to helping artists find their way to the biggest audience and to becoming the biggest hit possible simply by creating an easy-to-use algorithm for success.

Until next time,
Kelli Richards, CEO of the All Access Group, LLC

Beamz Interactive – Play Music with Ease and Add A Visual Element

Kelli Richards December 5, 2012

Beamz logoAre you one of those people who think they can’t play music or will never learn to play an instrument? I have heard people say things like “I’m too old now” or “I’m just not musically gifted.”  Thanks to the great products from Beamz Interactive, you’ll never be able to use those excuses again. Beamz has created a great new interactive music system that uses lasers to enable users to create music. And I cannot think of a better stocking stuffer for anyone in your life….think DJ’s, musicians, educators, music lovers, kids – anybody.  This is one of the most inventive, original products of this decade.

Beamz is a great tool for anyone who wants to make music; from the seasoned veterans to the newcomers. It has over 100 instruments that can be arranged and triggered by breaking the light path of each beam with different gestures. With over 20 presets for different genres, fans of any music will be able to create, mix, and remix their own tracks (or any number of the tracks that come pre-loaded).

With the spirit of giving so prevalent during the holidays, Beamz is giving away free interactive holiday songs as well as original songs created with their technology. They’ve got some great hardware and software bundles too. So if you’re thinking of buying a Beamz system, you can pick up Virtual DJ or Acid Music Studio as a nice stocking stuffer.

For more info on that, head over to https://www.thebeamz.com/free-holiday-songs and check it out.

Happy Holidays,
Kelli Richards
CEO of The All Access Group

Crowd Funding for Musicians

Kelli Richards November 15, 2012

One of the things that I do when I work with clients is help them find new revenue streams and funding sources. They’re two of the most important aspects when it comes to business growth and development. It’s not any different for musicians. If you want to take music from a hobby to a full-time job, you’re going to need funding to survive and support your music. One of the great ways to do this is through online crowd funding platforms.

Crowd funding is essentially like having a fundraiser but it can be utilized to raise money for new companies and projects. There are literally dozens of companies out there, each with their own pro’s and con’s, that help raise money through crowd funding. Some of the bigger ones are: IndieGoGo, Kickstarter, and RocketHub. There are even crowd funding companies that focus exclusively on music such as ArtistShare, Sellaband, and PledgeMusic. One of the best and earliest examples of crowd funding is the rock band Marillion, who raised $60,000 for a U.S tour in 1997 and has since used it to fund the recording and marketing of 3 albums.

The over-arching premise is simple: fans donate what they can with different levels of donations that get different gifts. For example, a $10 donation will get a free copy of the CD they’re funding, a $25 donation gets a CD and a shirt, and a $50 dollar donation gets a CD, shirt, and personally autographed poster. Don’t sell yourself short, even in today’s economy people are willing to shell out the few extra bucks to help local music and get something cool in return. Who knows, those signed posters could be worth big money some day because they helped fund the album that made you famous!

Crowd funding is so much more than a simple fundraiser, it’s a really fantastic way to engage your fans. Many platforms allow, or even require, artists to post updates, pictures, videos, etc as a way of maintaining momentum during their campaign.

Will crowd funding replace traditional funding sources and revenue streams? Probably not; but they are a great way to get those precious few extra dollars that you need to record, produce, distribute, tour, film, etc. With crowd funding, you no longer need a major label budget to put out a great record. Simply ask your fans for help and everyone wins.

 

Kelli Richards, CEO of the All Access Group, LLC

A Lennon Legacy

Kelli Richards October 26, 2012

I’d like to think that we all have heroes, that everyone out there, no matter how successful they are, takes the time to have someone to look up to and admire. John Lennon was always that hero to me.  He lived by his own rules and made a mark that only grows stronger over time.  A few years ago, I was lucky enough to meet his oldest son, Julian, and to share a deeply moving conversation about his dad and the work that he did – and to discuss the work that Julian has created through his charity, The White Feather Foundation.

The White Feather Foundation was started over 20 years ago and embraces environmental and humanitarian issues in conjunction with partners from all around the world, raising funds for a more sustainable, better world for every living being. White Feather has done everything from supporting artists to marching to end bullying to building an orphanage in Sri Lanka.  One project at a time, Julian’s Foundation builds better lives and stronger communities.  In 2008, he was honored by the Better World Environmental Award by Prince Albert of Monaco.

It’s not easy for artists today – the entire industry has changed and then changed gain.  While being fathered by a giant among men, Julian has never been one to stand on the shoulders of his dad, John.   He has carved his own careers as both a musician and a photographer. He has brilliantly built the one thing ALL of us should define and design every day – an inspiring legacy that changes and betters the world of others.

Julian’s latest album, Everything Changes, will be released worldwide early 2013.  In the meantime, we will all wait impatiently, and hopefully support his great work with White Feather.  To send a donation, go to https://WhiteFeatherFoundation.com

A Tribute to John and Steve

Kelli Richards October 9, 2012

In my newest book, The Magic and Moxie of Apple: An Insider’s View, I compared Steve Jobs and John Lennon; two iconic legends of a generation that are no longer with us today. Coincidentally, today is John’s birthday and last week marked the 1 year anniversary of Steve’s death. For that reason, I feel that it is only right for me to pay homage to two of the most inspirational men in my life.

John Lennon was a rock star in every sense of the world. He had it all; the fame, the fortune, the glory, etc but you would never guess it from his bashful demeanor on the camera. Steve Jobs was also a rock star but in a less literal sense. He attained the same iconic level of fame and fortune as Lennon, but through technology. Their success can’t be attributed to themselves alone; they both had an amazing team around them. However, both had the courage and vision to try something new and it worked.

I remember being a little girl when I was 8 years old and watching the Beatles doing a TV special (maybe it was “All You Need is Love”.) Apart from being electrified by their performance, the man behind the curtain playing with all the buttons and knobs (George Martin) lit a spark in me that set me on the career path that brought me to where I am today. As I watched Martin and the Beatles I thought to myself, “That’s what I want to do with my life,” and so I set out to make it happen. Similarly, growing up in Cupertino was the other half of my inspiration. At the time they started, no one knew how great Apple would be, but as the company started to take off I knew that working there would be a dream.

So this is my “thank you” to John & to Steve. Without these two legends, who knows if I would have ever developed personally and professionally into the person I am today. If they’re up there watching over us, I hope they know what a profoundly wonderful impact they’ve had on millions of lives.

Rdio’s New Artist Program

Kelli Richards October 4, 2012

As someone who has built their entire career around the convergence of technology and music, nothing pains me more than to see artists ripped off by advancements in technology. Whether we’re talking about the Napster days of the early 2000s or Grooveshark today, artists continue to be undercompensated (if compensated at all) for their work. While we’ve certainly taken some great strides towards fairly discovering and obtaining music, there is still a lot of work to be done. That’s why I was delighted to learn about Rdio, an ad-free music subscription service.

Rdio was founded in 2010 by Niklas Zennström and Janus Friis, whom you might remember from the illegal file sharing service Kazaa which followed Napster’s demise. Similar to other services like Spotify and Rhapsody, Rdio allows users to stream an unlimited number of songs from their computer or smartphone for a monthly fee. Artists are compensated based on the number of plays their songs get per month. Unfortunately we’ve seen through these services that this model results in artists being undercompensated; often times getting fractions of a penny per play or a check for 4 dollars at the end of the month. Some artists, such as Coldplay and Adele, have kept their latest work off of subscription based streaming services because they feel it hurts album sales.

Today Rdio has announced a new program that aims to compensate artists more fairly and increase fan engagement while at the same time getting new subscribers. The Rdio Artist Program will use artists as recruiters and will compensate them $10 dollars for each subscriber they sign up. Rdio gives the artist the tools to customize their page and share their content on social media. One of my favorite features is the ability to have artists share their favorite songs and playlists that they’re listening to, a feature I always thought iTunes should have. Rdio CEO Drew Larner calls the program a “Win-win” for all parties involved.

With only about 10 million subscribers around the world, it’s hard to say whether or not this program will sink or float but a few big artists are already getting onboard such as Snoop Lion, Scissor Sisters, A-trak, and Chromeo. Could this possible be the next big thing? If it gets artists paid fairly while giving the customer a better experience, let’s hope so.

 

Blog for Black: The Digital Agency

Kelli Richards September 7, 2012

A few weeks ago I had the great fortune of having Matt Ramey, co-founder of Black – The Digital Agency, join me on my streaming radio show (you can find his interview, alphabetically, on my website at  https://allaccessgroup.com/articles-and-resources/blog-talk-radio). Matt shared some great stories from his past, as well as some amazing insights on the music industry and his new company.

Black – The Digital Agency’s services span every aspect of digital media marketing from strategy, design, development, and everything in between. With advertising revenue for traditional media platforms on the decline, it’s no wonder that Black’s approach to digital media marketing has been met with fanfare and critical acclaim. As TV networks consolidate, newspapers go bankrupt, and radio stations get replaced, Black offers best-in-class digital media marketing solutions for the continuously blooming digital media age.

You can find out more by visiting Matt’s website at https://contactblack.com/

Kelli Richards, President and CEO
The All Access Group, LLC

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