Category: Blog

Connectivity – A Vision of the Future

Kelli Richards June 10, 2011


Sometimes I have to remind conference attendees, groups that I speak with, or even clients that digital content and digital distribution are a lot more than just music.  When we consider the amazing growth around music, however, it is easy to get stuck there.

But we shouldn’t. Digital goes far beyond songs and iTunes and singles and lockers, it goes past movies and downloadable books and content, it’s way bigger than anything we could have imagined five years ago, and I have no doubt that five years from now will showcase something else that’s beyond what we might imagine today.

Recently, at the 2011 MRC European e-Commerce Payments and Risk Conference, Mitsue Venture and Neolabels.com offered up some mind blowing statistics and projections that anyone in the digital space should be aware of.  I’ll include their video here, which is featured on their website itself and on YouTube.  (It’s 7 and a half minutes long, but stick with it if you can, it goes fast.)  Below the video, I’ll highlight some of the more amazing statistics and projections that they offered.  My personal favorite bears special attention however, simply in regard to web users, traffic and connectivity.  It’s this:  Web traffic generated by only 20 homes in 2015 will be greater than the total traffic of the Internet way back in 1995.

Please enjoy the video, and as always, if you have any feedback, your comments are most welcome.

 

(Source: Mitsue Venture and Neolabels.com)

More consumers will access the Internet by mobile devices than by desktop or laptop by 2014.

2015 forecast of annual global mobile data traffic (75 exabytes) is equal to 19.000 million DVDs https://digitallife.neolabels.com.

Mobile-only Internet population will grow 56-fold up to 788 million by the end of 2015.

In 2015 mobile devices will exceed the home PC base installed.

500 million mobile using mobile health Apps in 2015.

In 2015 revenue mobile Apps will be an amount near to $40 million.

Social Networks revenues will grow more than 4-fold from 2010 to 2015.”

It is expected that in 2015 it will exist 2,5 Internet connected devices per inhabitants worldwide.

Yes, the bottom line is that digital is the brave new world, and we are the forefathers of what it becomes. Whether we’re in the music industry or any industry, we need to be ready for the digital revolution to completely renovate how we do business and how we meet our customers’ demands.

To your success.

Kelli Richards, CEO, The All Access Group, LLC

Source:  Mitsue Venture and Neolabels.com https://digitallife.neolabels.com

 

Cloudy Weather at Apple, Then and Now

Kelli Richards June 6, 2011



It will come as no surprise to anyone that Apple’s stock will rise the moment Steve Jobs takes the stage later today.  By any estimate, Apple is worth billions – with or without Steve Jobs – but like it or not, Apple is not a democracy.  It is an autocracy.  It is a company carrying out the vision and changing the world, all according to the dictates of its leader, Steve Jobs.

I know something about this personally, albeit from a distance.  I worked for Apple for over ten years.  And yes, my claim to fame is that I worked in music.  In fact, I launched the focus on music that led the Music and Entertainment initiatives during my 10 year tenure there. The tragedy of that story, for me, is that it was during what I call the “dark days” at Apple, when Jobs was not sitting on the throne, lobbing ideas faster than the technology could keep up with him.  It was when the helm was run (and run into the ground) by others, with the phrase, “Et tu Brute,” hanging in the air.

I can remember saying to anyone who would listen that the only hope for us was somehow if Steve Jobs came back to Apple.  Nobody believed he would, of course.  He was running not one, but two companies by that time.  Surprising everyone, however, he did come back. Sadly, one of his first moves was to trim off as much as he could; to focus on the fundamentals in order to turn the company around, and my department was part of those cuts.  But turn it around he did.  Even though it meant a big career shift for me, I’d have to say that almost every single project Steve Jobs created, once back at Apple, was the right thing at the right time.  Quite simply, he has a passion and keen sense for what the consumer wants.  In my opinion as an insider AND an outsider, it never would have worked without him.

Here’s the coin flip on that one.  He’s built a Martha Stewart or Oprah type of empire, one that may not work without him on the throne.  Let’s look at the biggest example to date. The iPad.  When the iPad came out, Steve Jobs literally, single handedly changed a lot more than how people used computers or exchanged information.  He literally changed the economic structure of the publishing industry overnight, by his own design, just as he had previously done with music, film and TV – and nobody got a vote.  The technology is in place …and the consumer will now drive what comes next. Publishing companies will either get on the bandwagon, or run the risk of being left behind. It’s just that simple.

And with all of the controversy around clouds and lockers, especially in the music industry, Jobs has again stepped into the ring with a technology that consumers will trust.  Yes, some would say that he’s behind the curve – that lockers and clouds are already available, but it is the trusted brand of Apple that will bring clouds out of the status of rebel and into the accepted mainstream.  With Steve Jobs carving out legitimacy for a niche in the digital industry that is long overdue, perhaps music will finally stop bleeding revenue.   And Apple?   Well, as any good cloud knows, the sky’s the limit.

 

Kelli Richards, CEO of All Access Group

 

 

 

 

Join Me in June for a “Fireside Chat” with the Leading Minds in Branding, Coaching and

Kelli Richards June 3, 2011

I’m pleased to share with all of you that my weekly “All Access Radio” Show has developed a strong and loyal following!  Over 20,000 downloads in just a few months.  I’ve been graced to interview some of the top digital visionaries and leading voices in the music and technology industries, as well as some great voices in the music and entertainment industries, including Finbar O’Hanlon, Hollywood Producer, Gary Goldstein, Media Futurist Gerd Leonhard; the President of Rafelson Media (and well known songwriter) Peter Rafelson; and entertainment technology visionary (and one of the sharpest minds in digital music) Jim Griffin. That list continues in the upcoming weeks.  I hope you’ll be able to tune in during June as I interview:

Monday 6/6 – 5pm Pacific Time – Libby Gill, CEO of Libby Gill & Co.

Branding Guru, Libby Gill is an entertainment industry veteran. Libby Gill spent 15 years heading public relations and corporate communications as senior vice president at Universal Studios; and vice president at Sony Pictures Entertainment and Turner Broadcasting. She was also the PR/branding brain behind the launch of the Dr. Phil Show.  A widely acclaimed speaker, Libby has delivered keynote speeches to organizations including Microsoft, Disney-ABC, Cisco Systems, Comcast, the US Travel Association, The Conference Board and many others. She is also the author of the best seller, “You Unstuck – Mastering the New Rules of Risk Taking in Work and Life.”

Monday 6/13 – 5pm Pacific Time – Terry McBride

Terry McBride is the current CEO and one of three founders of the Nettwerk Music Group, which includes Nettwerk Productions (Canada’s largest independent record label), Nettwerk Management (artist and producer management), Nettwerk One (publishing), and Artwerks (graphic & fashion design). Nettwerk has corporate offices in Vancouver, Boston, Los Angeles, Nashville, New York, Hamburg and London. Since its inception, Nettwerk has released over 500 different albums and sold over 150 million albums worldwide. In the past few years McBride has spoke at dozens of international conferences about advances in digital technology, intellectual property rights and the future of music distribution. Terry has twice been awarded the Pollstar Industry Award for Personal Manager of the year for his work with Sarah McLachlan (1997) and Avril Lavigne / Coldplay (2002).

Monday 6/20 – 5pm Pacific Time – Alan Cohen

Alan Cohen is a respected keynoter and seminar leader for professional meetings in the fields of personal growth, inspiration, holistic health, human relations, and achievement of work/life balance. He conducts Life Mastery Trainings around the world, and is the founder of All About U., a university without walls dedicated to higher learning for the higher self. Alan is a faculty member of Omega Institute for Holistic Studies, and has appeared on national radio and television, including Good Morning shows around the nation. His seminars have regularly been broadcast via satellite on the Wisdom Channel.  Alan is the author of 24 popular inspirational books and CD’s, including the best-selling The Dragon Doesn’t Live Here Anymore, the award-winning A Deep Breath of Life, and the classic Are You as Happy as Your Dog? He is a contributing writer for the New York Times #1 bestselling series “Chicken Soup for the Soul,” and his books have been translated into 24 foreign languages.

Monday 6/27 – 5pm Pacific Time – Ian Miller, CEO of The Brand Practice

Ian Miller is the CEO and Founder of The Brand Practice LLC, a business and brand strategy consultancy. Ian Miller is an expert brand and marketing strategist with 30 years experience in building rapidly accepted/competitively advantaged brands. A recognized expert / lecturer in Ingredient Branding, Ian Miller has led the creation and global launch of the ingredient brand, NutraSweet, and worked closely with 50+ partner brands including Diet Coke and Diet Pepsi. Ian has applied this expertise to the successful growth of the Splenda brand and similar launches in consumer electronics, pharmaceuticals, retail and grocery.  For 10 years Ian has lectured and authored and founded a successful business/brand strategy/design company based primarily on his Rocket Branding strategic and insight research techniques. Additionally, Ian has taken on partnership and leadership roles for RightPoint, a fast growing digital technology and marketing firm with several fortune 500 clients.

So please join me each week as I host an intimate “fireside chat” with some of the leading minds in technology and digital music and media.  You can find my entire library of recordings at https://allaccessgroup.com/articles-and-resources/blog-talk-radio as well as some personal interviews where I share about my own experiences over a twenty plus career in music and tech.  See you there!

Kelli Richards, CEO, The All Access Group, LLC

 

 

 

Can MySpace Save itself by Porting into Facebook? Social Media & Digital Music.

Kelli Richards May 29, 2011

Yes folks, Myspace Music has finally brought in an app that will let artists transfer their digital music content from Myspace into Facebook under a new “Music” tab. You can check out the program here.

Gratefully, this app includes streaming everything: music, photos, videos, events, etc.  With the global domination of Facebook continuing – and showing no signs of slowdown (yet), Music was one of the FEW remaining holdouts on MySpace…  MySpace still remains prime real estate, with over 14 million artists housing profiles there, but even that had begun to erode at the speed of light.  After all, the audience just wasn’t there any more.

This new Facebook app will allow artists to port digital music and other content from MySpace over to Facebook and manage one profile, which will show up on both Facebook and MySpace, and will have the added benefit of attracting audiences and traffic on both platforms.  This could prove to be a real problem for some of the other social app newcomers – but at this point, it just seems like a good solution to the millions of tunes lost in space on MySpace.

 

This is a very brief look at a topic I have covered comprehensively in a 50-page ebook. If you would like to be on the waiting list to receive this ebook (and be offered a special discounted cost), please register here. (select eBook Pre-Order)

 

Kelli Richards, CEO, The All Access Group, LLC

 

 

God Only Knows. Minefields and Memories…

Kelli Richards May 25, 2011

I was recently speaking to one of my clients about high points of our careers, and I wanted to share one with you all.

I’ve had the chance to work on some really amazing projects over the years. I got to be part of the team that launched music at Apple, I’ve helped produce the PollStar Awards show year after year, with my good friend Steve Macfadyen (see our recent interview), and I’ve been part of the team on some amazing, very private, celebrity gigs.

These are often private fundraisers for a celebrity’s own foundation or choice pick charity. One of these was the “Open Hearts – Clear Mines” Adopt-a-Minefield benefit concert given by Sir Paul McCartney and Brian Wilson, where they joined together and sang, “God Only Knows.”

The concert and the song definitely live in my mind as one of the most moving and inspiring events that I ever participated in. Although there isn’t any video from the event to really speak of, there is a snippet of it in an Access Hollywood interview, speaking with Sir Paul and host, Jay Leno, about the event. (See below.)

As an event Producer and Celebrity Wrangler, it’s events like these that become knots in the thread of one’s life. I’m proud to have been part of that moment. To donate to Adopt-a-Minefield, go to https://www.landmines.org/Page.aspx?pid=374

Kelli Richards, CEO, The All Access Group, LLC

Karma-Chameleon. The Fast-Changing Metrics of Digital Music

Kelli Richards May 21, 2011

Music Industry Reviews

The changes in the digital music world continue to inspire a lot more than fear – they’re creating connections on every level, minute by minute.

It’s great to see the Billboard Music Awards getting so much attention on traditional media, but the truth is that their rankings simply don’t mean what they used to.  Long recognized as the industry standard, it’s no secret that the on-demand player and purveyor of music (and ranking) is now YouTube, one of the biggest creative disruptors of the digital music age.

Google has literally jumped on that bandwagon this week, releasing the “YouTube 100” – which tracks viewers and usage across “official music videos, user-uploaded videos and viral debuts, and uses this data to provide a holistic view of song popularity.”

Google’s YouTube 100 joins the ranks of many other services judging popularity, views and downloads in the music industry. And believe me, they’re measuring everything right down to your shoe size.  Facebook Fans, Twitter Followers, Vevo views, blogs and soon, mobile messaging lists.  Digital Media Wire quoted, YouTube Product Manager, Chris LaRosa, as saying, “Not only does the YouTube 100 give props when fans make original videos for popular songs, it also captures YouTube’s one-of-a-kind musical diversity. YouTube users get into music as fans and original musicians, and our new chart gives the community a better way to find the most engaging music on YouTube.”

As far as metrics go (and come and go), this is definitely one for our industry to watch closely.

Kelli Richards, CEO, The All Access Group, LLC

 

Personalizing Lyrics – One Amazing, Creative Way to Personally Rock The Fan Base

Kelli Richards May 17, 2011

As a true lover of technology, as well as a coach in both the business world and in the digital music space, when I come across a tech solution that changes the course of a musician’s business and revenue stream, and builds a better fan base – well, let’s just say it’s always a reason to celebrate.  As the music industry has been pummeled over the last decade, hit with punches from outside and inside of itself, creativity has turned out to be the number one solution to surviving – and thriving – the ever changing landscape.

Enter Skip Haynes. Skip was the singer and guitarist for the band Aliotta Haynes Jeremiah.  Like a lot of bands, they worked hard and had one or two semi-hits.  In their case, the hit was a song called “Lake Shore Drive” that got a ton of mileage around it’s subject, Chicago, the home town of the band.  Over time, “Lake Shore Drive,” became a sort of local anthem, belted out at bars and college events and thought of fondly by Chicagoans everywhere.

Haynes, now 63, is one of the true creative disruptors.  He has held onto the rights to that song for the last forty years, and thanks to the digital music revolution, he’s come up with a mind blowingly simple idea and turned it into a very real revenue stream.  Pay attention folks, this is definitely a plan to model if you’ve got the know how, the time (and the rights to a good, recognizable piece of music).

For a fee, Skip Haynes will personalize his much beloved, “Lake Shore Drive,” to you – or your mother, or coach, or kids. Thanks to the portability of digital music, Haynes will sing the name of the subject, digitally splice it into the master of the song, and sell it to you for thirty-five bucks (if you want the CD — if the digital MP3 is good enough, its only $30.  You can then download it your iPod (or whatever), send it to your friends and family, put it in a digital Birthday Card.  Whatever.  It’s yours.  Personalized just for you.

Haynes recently told CNN contributor Bob Greene, that he’s sold hundreds of these customized songs –primarily through word of mouth and a couple of websites (including his own: https://www.lakeshoredrivemusic.com).

In addition to the obvious revenue stream this could mean for aging rockers or new bands, this is also a strong way to create a very real connection to your most ardent fans.  And that, my friends, is the real benefit of the digital music revolution – it makes reaching your fans as easy as click, splice, love affair.  The revenue is great, and seeing the innovation of a solitary creative disruptor at work is inspiring, but the opportunity to create a once-in-a-lifetime connection to the fan base is definitely not to be missed.

I would love to hear what you all think about this topic.  Feel free to comment on my blog at https://allaccessgroup.com/blog or on my Facebook Group Page.

Kelli Richards, CEO, The All Access Group, LLC

 

Google’s Music Locker … All it’s Cracked up to be? Or Just Cracked?

Kelli Richards May 11, 2011

In a recent interview with Michael Robertson, the CEO of MP3tunes and DAR.fm, we spent a lot of time speaking about music lockers, clouds, and whether Google and Amazon would enter the arena – and if so, what could that mean to the music industry as a whole.  The timing for that Q&A was amazing and spot on.  Earlier this week, Google entered the race with a cloud locker service – and a promise to respond to the biggest question IN this space, that of copyright.

Music Beta by Google went live with more details about licensing and features on May 10th of this week. VentureBeat’s review said it was, “a web of confusing programs without a lot of instruction as to how to actually get to the music you want to hear.” Further, Business Insider said one of its early testers spent over two days to upload 1,000 songs to the service.  When asked about potential piracy and copyright issues, Google said to Gizmodo, “We will respond to requests by rights holders who feel their rights have been violated.”  So are they, in essence, waiting for the fire and lawsuits?

I’d love to hear what you all think about this topic.  Feel free to comment on my blog at https://allaccessgroup.com/blog/ or on my Facebook Group Page.

 

Kelli Richards, CEO, The All Access Group, LLC

——————————————————–

 

Venture Beat: “Google’s Music Beta first look: it’s miserable”
Business Insider: “Google Music … Label Cooperation Would Make It Better”
Gizmodo: “Google Might Not Let You Store Copyright-Infringing Music In the Cloud”

 

 

Michael Robertson Talks about DAR.fm, MP3tunes, Amazon and the Cloud Music Industry…

Kelli Richards May 1, 2011

Excerpt of Kelli Richards’ Q&A with Michael Robertson, the Bad Boy of the Digital Music Industry. Michael Robertson is a longtime provocateur of the music business and the founder and former CEO of MP3.com, one of the most popular Internet music sites ever. His newest startup, DAR.fm, is a centralized Web-based TiVo for radio. Users can search the programming schedules of over 600 music and talk-radio stations and schedule DAR.fm to record up to 4 hours of any broadcast. Robertson sees this as the savior of the radio industry, and he may be right.

Michael Robertson has fought more high-profile battles with the record industry than anybody in technology, and his experience in digital music is nearly unmatched. Over his career he has raised more than $100 million in private capital and orchestrated transactions with a combined value of nearly a billion dollars. This is definitely one of the best fireside chats in a great series of impactful interviews. (To hear this entire interview, visit the Resources Page on my Website.)

Kelli Richards: Let’s jump right into present time, Michael, because it’s so compelling – later we’ll go into your remarkable background in digital music. Although it could be a big competitor to MP3tunes, Amazon’s choice to enter the “locker” business is huge. Let’s ask two questions about that. First, would you talk about the basic structure of MP3tunes and how it changes the digital music world – why it’s a better product than what Amazon’s launching – and finally, explain to our audience why, in this unique case, Amazon could prove to be more of an ally to MP3tunes than a competitor.

Michael Robertson: Amazon recently launched a sort of personal cloud music server that, on first glance, is very similar to what we’ve been doing on MP3tunes for years – in that it lets people store music online.  But there are some really big differences that consumers should know about.  One of which is that MP3tunes lets you put your music in and get your music out.  Amazon will happily store your music, but it’s kind of a sinkhole.  So if you get a new computer or you want to download your music to an iPod, etc., it’s almost impossible to do with Amazon. They literally make you click on every single song to get your music down.  With MP3tunes it’s quite different.  We literally give you software to get your music out in one click.  We’re not holding you prisoner. I believe it’s YOUR data – whether it’s your music, photos, whatever – and that should always be in full control of the consumer.

Another important difference is that we have an API. What this means is that you can connect to your music in a myriad of ways.  With Amazon, today, you can only stream your music to Android.  So maybe they’ll make an Apple IOS application and maybe they won’t, but you’re completely at the whim of Amazon. With MP3tunes it’s the exact opposite.  We publish to the whole world how anyone can make an interface to their library. What this means is you can use your Android Phone to hear your music, or your iPhone, or a Windows 7 phone, or your Palm App, or even Internent Radio – Logitech or Audiovox – stuff like that.  So we’re really trying to build an open approach – an open platform that isn’t controlled and dictated by any one company.

On the legal side, while MP3 and Amazon may be competitors on the consumer mindshare front, on the legal side they need us to win.  We’ve been a lawsuit for nearly four years with EMI music that says we’re in a state of copyright infringement when a consumer stores their music in our application.  Obviously, I disagree.  Like us, they don’t have licenses either; Amazon is an un-licensed application.  So in this regard, they are likely to be more of an ally than a competitor.

Kelli Richards: Michael, what do you think happens with Apple and Google in this niche – now that they’re said to be jumping into the cloud / locker mix?

Michael Robertson: I think that the really fascinating part of where the industry is at, is that there have been hundreds, if not thousands, of stories about what Apple and Google are going to do, but neither has done anything so far.  I think for sure they’re working on it on some level.  I’m fascinated by the state of the industry.  What I mean by that is this: Amazon has basically flouted the industry and said, “You know what, we’re not going to get a license, we’re just going to launch a service.” So the industry is now in a tough spot.  If they don’t take a legal stand against Amazon, why would Apple agree to pay them a licensing fee?  Why would Google agree to pay a licensing fee?  Let’s put this another way: Imagine two competitors decide to have a lemonade stand.  Imagine one guy gets all his lemons for free.  And the other guy wants to compete, but if he has to pay for his lemons, his lemonade is going to be more expensive and he’s not going to be able to compete.  And that’s sort of where the industry is.  If I’m Google or if I’m Apple, well, the music industry is very onerous. They want up-front money, guaranteed.  They want restrictions and limitations and regional restrictions and things like that.  And you don’t get any of those if you go for an unlicensed structure… So the music industry is really in a perplexing situation.  If they don’t take a legal stand with Amazon, they’re going to see a big response in the industry.  A lot of companies are watching this and will be over the next six to twelve months, to see if they move toward a licensed or unlicensed approach.  If I were the industry, I’d wait and see what the consumers wanted.

(To hear this entire interview, please visit the Resources Page on my Website.)

 

*To get your own 2 GB of online music storage at no cost, visit https://www.mp3tunes.com

Kelli Richards, CEO, The All Access Group, LLC

Peter Rafelson – A New Chapter in a Long Hollywood Legacy

Kelli Richards April 24, 2011

When you talk to Peter Rafelson, whether you know him or not, you cannot help but feel like you’ve been friends for years. His open demeanor and easy going style just feel warm and familiar. That laid back nature is a strong irony, of course, when held up to his long list of achievements in the music and film industries. For those of you who don’t know, Peter Rafelson is from some pretty good Hollywood stock. The Rafelson family has an amazing legacy in Hollywood – beginning with Samson Raphaelson, who wrote The Jazz Singer in the 1920’s. Peter’s father, Bob Rafelson, was among the first catalysts of the independent film movement of the 1960’s (and the Producer of cult favorite, The Monkees).

Growing up surrounded by Hollywood royalty, like Jack Nicholson, The Beatles and Bob Dillon, and being immersed in the renegade, independent film business of the 1960’s, Rafelson was blessed with a myriad of artistic role models. He shared this thought with me in a recent interview, “Growing up in that environment, it was very hard to distinguish between dreams and reality. For me, seeing people in my living room and then watching them on TV that night didn’t seem unnatural. Because of that, I was encouraged to and supported in pretty much anything I wished to pursue.”

Of course, it’s a certainty that being surrounded by a successful family tapestry can go either way. It can create a weight so heavy that it weighs down its subject – or it can become like wings, moving a person to even higher achievements. Thankfully for Rafelson, and for us, it’s always been the latter. Believing he could create his own legacy, he went into the music industry at a very early age and began a long, long success story that continues to be written.

As a songwriter and musician, Peter has worked with industry giants like Jackson Browne and Sir Elton John. He’s written a long list of successful songs, including Madonna’s # 1 single “Open Your Heart” (with 27 million sold) and top 10 singles for Stevie Nicks and Britney Spears, among others. In fact, Rafelson has had more than twenty #1 songs. (In addition, he has acted in over 10 feature films, including fame.) In his current life, he’s signing and producing artists for his own label, RM Records, as well as developing projects for film and TV – and he recently traveled to Southeast Asia on a diplomatic mission to develop business relations for the entertainment industry. He’s also the President of Rafelson Media, which produces and consults for new technology and media companies, and his client list reads like the Fortune 500, including industry giants like Microsoft, Apple and Toshiba.

None of this defines who Peter Rafelson is as a person, of course, and how the rich tapestry of the Rafelson legacy affected his life. Before going into legacy further, be assured that Peter Rafelson is, quite simply, one of the good guys. He’s gracious, talented, extremely smart, inspiring and a thought leader in the world of technology and media. And he’s always up for a new challenge and a new project.

As a Producer and the CEO of the All Access Group, one of my passions has always been to produce a series of legacy artists who come from Rock and Roll Royalty or film royalty and how that impacts how they live their lives. So this question of legacy is one I take very seriously. Asked about this, Peter responded with his typical, uncanny honesty.

“It was intimidating. My heart goes out to anybody who has a legacy to live up to… It’s tough, because expectations are higher, and the bar has been raised substantially. The caviat is constantly comparing yourself to family members and not being discouraged and trying to find your own identity and establish and position yourself apart.”

Luckily for us, establishing his own identity was only the beginning for Peter Rafelson. A visionary, an artist, a writer, and a friend, his is a story that is surely to be continued.

Kelli Richards, CEO, The All Access Group, LLC

To hear my entire interview with Peter Rafelson, see my Industry Insider Interviews at https://bit.ly/AllAccessQandA

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